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MajioTyme Portal II Cold wax, monoprints, oil stick on canvas
$800
£611.69
€700.70
CA$1,128.32
A$1,228.05
CHF 656.23
MX$14,830.15
NOK 8,247.15
SEK 7,670.81
DKK 5,234.56
About the Item
Tyme is in another arena than time, for you can borrow it, do it, nick it, mark it, lose it, kill it, take it and make it. It has distance and direction, breadth and texture as it becomes more conscious.
Through creative and somatic investigation my relationship to time has changed and I now use the term “tyme” to reflect that new relationship. The physicist, Fred Alan Wolf asserts that if we do indeed create time then we must be able to cultivate it. So for now time is tied to how reality is perceived and programed by our culture and tyme is the cultivation of that dimension. From my research in and out of the studio I changed my orientation of time from quantity to quality. Yes, I still measure time by calendars and clocks because that allows us to communicate plainly, but the fundamental shift in how I embody tyme is reflected through the images in this Tyme Series.
Majio has training in the United State, several years in Europe with a Master’s degree from the Buddhist University of Naropa in Creation Spirituality. Her most influential training however was in Japan over a twelve year period. Her initial trip to Japan was to study Buddhist Art, but it quickly narrowed to the traditional arts of Zen and masters if that orientation in other cultural arts. It was not so much what was learned in a papermaking village, kimono dyeing studio or the making, filling and firing woodburning kilns but how to learn or, better said, how to practice. There are many words in Japanese for practice, the one here is the polishing of being. In painting, Majio has always flowed back and forth between figurative and abstract expression. The aesthetics and Cultural Arts--- like calligraphy and tea ceremony---- garnered during her apprenticeships in Japan, along with Zen practices and concepts weave many textures into her work. Majio’s pieces are created with the overarching concept that art is not a polarity between object and subject but rather, complementary, where each part works to define each other. Working from a collaborative process-with materials, with subject and with times, Majio releases herself as sole agent, even when hers are the only hands that touch the piece. This carries out to the viewer, opening a sense of participation, evoking involvement and discussion. Inviting a realization of recognizing and choosing to acknowledge a reality beyond what we have inherited provides a platform for evoking possibilities, innate joy and new vision.
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