Acrylic Abstract Paintings

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

"Jacaranda" Abstract Painting 48" x 48" inch by Carole Baines Carole Baines is a self-taught, London-born artist based between Townsville and Brisbane, Queensland, Australia. Carol...

Colorful abstract cowboy portrait painting by contemporary artist Ian Francis. The work features a western inspired figure with a shadowed face dressed in bright blue with a red cowb...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

This contemporary abstract expressionist painting, "Coastal Silence", was created by French artist Natalya Mougenot. Bathed in the muted stillness of Mediterranean light, the piece c...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Title: Soul Song Sunflowers Floral, Landscape, Investment, Nature, Hope, Painting In this one-of-a-kind and vibrant painting, my connection with nature in its true essence flows fr...

In creating this piece, I submerged myself in the tranquil yet vibrant dance of awakening nature. This acrylic expression uses bold strokes and a palette of spring-inspired hues to e...

acrylic on Yupo paper

This contemporary expressionist still life painting depicting lemons was created by French artist Natalya Mougenot and is part of her ongoing series exploring the vitality of everyda...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

David Hare Cronus Asleep in the Cave, 1971 Acrylic on linen 55 x 67 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Nature is a constant source of inspiration for the artist, whether driving through the South of France, hiking in the Pacific Northwest, or meditating while observing the surface of ...

A ballet of intersecting brushed swipes in indigo, verdant green, mauve and cerise emerges from a soaked peach ground in this classic 1988 painting by Milly Ristvedt. Colour and the ...

Title: The Guardians of Absoluteness Landscape Abstract Bold Modern Colorful Exclusive Investment Unique Painting Showstopper Striking Extra large artwork This work portrays the Ab...

It is rare to see a painting by Vasa Mihich available. These works are carefully worked through and planned with the aid of Computers. Mihich will work through the sequencing of co...

Contemporary Art, Abstract Painting Mixed media on canvas 205x330cm Signed FREE SHIPPING ROLLED UP About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela N...

Artist/ School: Claude Lagouche (French 1943-2020) Title: Abstract Composition, signed and dated 63' Medium: watercolour drawing on paper, stuck on card frame. Size: painting: 15....

This artwork is a mesmerizing abstract composition dominated by lush greens and deep blues, evoking the essence of a verdant, cascading forest. The painter employs a dripping techniq...

Katharina Hormel creates minimalistic landscape paintings featuring everyday scenes of life. Her art often portrays people engaged in their daily activities, such as taking a leisure...

This painting is from my series titled "The Untethered Soul." This series delves into the transformative power of nature, capturing the essence of what one feels rather than sees. In...

Richard Andres (American, 1927-2013) Panama Garden, c. 1964 acrylic on canvas signed lower right, signed and titled verso 46 x 38 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Blue, navy, and white abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The wo...

Spheres of lemon yellow intersect with dashes of lime and sky blue in this masterful composition by Milly Ristvedt. The square format of the canvas washed in light yellow and the restrained palette highlight the lyrical movement of form. Milly Ristvedt (b. 1942, Kimberley, BC) MA, RCA, began her career in Toronto in 1964 after studies with Takao Tanabe...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Blue whale , 100x120cm

Unframed  10 x 7.5 inches Framed 13.25 x 10.25 inches During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years o...

from the smoke and ash - Abstract tantric stain painting, acrylic on raw canvas by contemporary artist Elisa Niva33 inches x 29 inches. One of the main i...

original Acrylic on canvas Image size: H:60 cm x W:98 cm Complete Size of Unframed Work: H:60 cm x W:98 cm x D:1.5cm Sold Unframed Please note that insitu images are purely an indica...

In this painting in acrylic on canvas mounted on a shaped panel, carefully ordered blocks of color in a deep shade of dark cobalt blue with a thinner block in purple are vibrant agai...

Capturing movement in acrylic and spray paint, Armen Ges experiments with optical illusions and perspective in his original abstract artworks. To create these intriguing visuals, Ges...

WRAITHS, PETALS 2024 Paris, France "Wraiths, Petals" is a dark, atmospheric painting that blends organic forms with abstraction. Created using a mix of oil paint, oil stick, acrylic...

Part of the Mångata series, "Cardinal Red" is an intimate, minimalist painting meticulously handcrafted on wood using diverse, layered techniques. This artwork combines the raw mark-...

sin titulo. acrylicc painting (CARLOS MENDEZ, ARGENTINA, 1943) Carlos Méndez is an Argentine plastic artist of great projection, based in Barcelona since the eighties. It uses a f...

Untitled #SP-200 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray D...

2024, Shizico Yi takes on an innovative project she named it "The Weaver," inspired by the heritage of family's Tartan, the rich lineage and history of the Clan. Within the patterns...

Pinky , 2022, 120x100cm

This painting is from my series titled "The Untethered Soul." This series delves into the transformative power of nature, capturing the essence of what one feels rather than sees. In...

an antique-style fresco: blue flowers on a cracked, textured wall with subtle wear and ornamental details, evoking an ancient mural.

A painting in the style of an old fresco: rich, voluminous red peonies appear as if painted on an aged wall, featuring subtle cracks, worn details, and ornate textures that evoke a v...

This contemporary landscape statement painting by Carol Young captures a rural scene with a barn-like structure in an open field. The bright, warm yellow and orange tones of the barn and ground are contrasted by the cool blue sky and lavender shadows cast by the building. The painting is signed by the artist in the lower right-hand corner of the canvas. The gallery wrapped canvas sides are painted light blue, and the painting is wired and ready to hang. Carol C. Young is a landscape painter working in acrylics and oils. She is a plein air painter as well as a studio artist whose contemporary work is primarily identified by a bold use of light and shadow along with iconic depictions of structures within the rural landscape. A fine arts major at the College of New Rochelle, NY, her paintings have won several awards including best in show at the Pequot Library Art...

Capturing movement in acrylic and spray paint, Armen Ges experiments with optical illusions and perspective in his original abstract artworks. To create these intriguing visuals, Ges...

* Frame included, gallery team will guide you to select the frame that suits your deco and colour scheme of the space. Also Free Shipping worldwide ! About: Summer 2024, the avenue of 130-year-old Lime trees surrounding Shizico’s new cottage Garden captivated and inspired Shizico Yi to...

Pink, blue, and grey abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The wor...

Summer Bloom series began in 2022, where Shizico Yi celebrating the season by painting en plein air in her garden. In 2024, she embarks on a fresh chapter with her new rose garden. T...

Kymm Swank is a self-taught artist who works primarily in oils, acrylics and resins. Originally from Kansas City, Missouri, she received degrees in theatre, psychology and communicat...

Pretty in Pink by Joseph Conrad-Ferm 2020 62 x 66 inches Mixed Media on Canvas Shipping is not included. See our shipping policies. Please contact us for shipping quotes and custo...

To Shizico Yi a triptych is a visual prayers; it embodies a meditative journeylike the form of meditation. The repetition of motifs within the triptych serves as a method to revisit...

"In my passionate creation, acrylic paints merge into a vibrant kaleidoscope of emotions.", said Anna Shesterikova about this artwork. "Inspired by Expressionism and Impressionism, I...

In this piece, I poured my emotions into every brushstroke, blending softness and intensity with acrylics. The delicate pinks contrast with deep blacks, capturing a dance between cal...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to cr...

Amber Goldhammer’s vibrant heart-filled contemporary paintings invite you to color your love and let the joy flow. Known for her dramatic abstract compositions in acrylic on canvas, ...

This painting is a part of the Summer Bloom Series. Night Bloom Jasmine, commonly known as Lady of the Night, has the sweetest scent and attracts moths and bats in the wild, though i...

Designs, shapes, and colors find a balance between a polite instinct and a domesticated confusion within the cubist-inspired artworks by Tuscan artist Federico Pinto Schmid...

Maelstrom, created with acrylic and vinyl paint on clear gessoed canvas, explores a dynamic balance of gesture and texture. Bold black and tan brushstrokes sweep across the surface, ...

For Jose Ignacio Suarez an abyss of time and space distances him from those who were the first inhabitants of the Brazilian coasts and of this vast American continent. His initial la...

Linger in Warmth is a minimalist abstract painting composed of undulating, flame-like shapes in a vivid tangerine orange, set against a flat, soft pink background. The composition pl...

Black & Orange Abstract Expressionist Painting by Leading British Urban Artist, Angela Wakefield (b.1978) - entitled "Abstract Nocturne", Alternate Version Art measures 24 x 24 inc...