Cord Abstract Paintings

This vibrant textile collage is composed of layered sheer fabrics in a luminous palette of jewel tones and saturated brights. Carefully both hand-stitched and machine-stitched, the w...

"Window IV" captures the sun peering in behind sheer curtains. This painting is is part of an on-going series that explores the light and landscape in T...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

Kristy Chettle (American, born 1968) "Untitled No. 27" 2022 Oil Paint, Mixed Media, Mesh, Canvas, Stretcher Bars The artist signed the back of the artwork. "Untitled No. 27" showcas...

Vintage magenta abstract by Maureen Fenton-Hanson a Monterey artist (American, 1946-2007). Signed "Fenton" and dated "74" lower right and on verso. Unf...

High Hopes Acrylic and mesh on canvas 40 x 40 inches 2018 Park abstract paintings are spontaneous and intuitive. Inspired by colors in nature, textiles and design, she paints with a ...

Lime Glow, Jo Barker, woven on cotton warp using wool, cotton, linen, silk, embroidery threads, 29" x 30.75" x 1.5", 2010 This colorful contemporary abstract textile is by British...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collaborates with the unexpected to create works that speak to the natures of dynamism and unity. Experimentation with different materials, textures and techniques in each of his paintings has been a point of discovery and a major part of Raul de la Torre’s work. In his Fils I Colors series he attempts to find the third dimension through the use of different materials. This colorful 30-inch high by 24-inch wide original artwork on canvas is wired and ready to hang. The sides of this artwork are painted white and it does not require framing. It is signed and dated by the artist in the lower right corner. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included. The interaction between the artist, gravity, and the paint is important for the final result. A tilting technique permits the paint to be a major architect of the final result, giving it a life of its own. It results in infinite and timeless color combinations. In many cases, the different layers of color each represent a temporary state of mind, time, and even feelings, places and people. Some of them are embroidered forever in our memory turning to form part of our DNA. To represent the firmness and strength of that past the cotton is mixed with the paint in the works to form a unity. Embroidery provides another layer as it creates thick shadows with organic shapes. De la Torre makes horizontal cuts on the canvas and covers these open areas using color matching cotton thread. When combined with light, these shapes create a more dynamic surface and offer different views of the work to various observers. Raul de la Torre was born in Barcelona in 1964 and attended Massana Art School. About the Fils series, de la Torre remarks: “FILS I COLORS is an attempt to find life, movement and parts that are not static, that change in their interaction with the observer. The different combinations of colors represent different emotions and interpretations for each individual interacting with the works.” Raul de la Torre's artworks can be found in the collections of The Four Seasons Abu Dhabi, the Tropicana Hotel and Casino Las Vegas, the Rothschild Family Collection, and varying Hilton properties. His works have been exhibited and collected worldwide. Artspace Warehouse has been representing and exhibiting Raul de la Torre's original artworks since 2010. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artspace Warehouse, Los Angeles GROUP EXHIBITIONS 2023 "Credible Thread", Artspace Warehouse, Los Angeles, CA 2022 "Clarifying Color", Artspace Warehouse, Los Angeles, CA 2021 825 Gallery, West Hollywood, CA 2021 Pamela Walsh Gallery, Palo Alto, CA 2019 Affordable Art Fair New York 2019 Artspace Warehouse, Los Angeles 2019 Merritt Gallery, Baltimore, MD 2019 Art Project Paia, Maui, Hawaii 2018 Artspace Warehouse, Los Angeles 2016 Affordable Art Fair Hong Kong 2015 Art Project Paja, Maui, HI 2015 Affordable Art Fair Singapore 2015 FP Contemporary, Culver City, CA 2015 Off Ramp Gallery, Pasadena, CA 2015 Love Art Fair Toronto, Canada 2015 Affordable Art Fair New York, NY 2015 Palm Springs Fine Art Fair, CA 2015 LA Art Fair – Artspace Warehouse – Los Angeles, CA 2014 Red Dot Art Fair – Artspace Warehouse – Miami, FL 2014 Art Toronto – Artspace Warehouse - Canada 2014 Houston Fine Art Fair – Artspace Warehouse - TX 2014 Love Art Fair Toronto – Artspace Warehouse - Canada 2014 AAF New York – Artspace Warehouse - NY 2014 LA Art Fair – Los Angeles, CA 2013 825 Gallery – Out There 2013 - West Hollywood 2013 Bluprint Green Gallery – Modernism - Palm Springs, CA 2013 Gallery Y – Collaboration of Circles and Lines – Los Angeles, CA 2012 825 Gallery – Out There 2012 - West Hollywood, CA 2012 Artspace Warehouse – Los Angeles, CA 2012 Bruce Lurie Gallery – Los Angeles, CA 2012 Launch – Artpad San Francisco, CA 2012 825 Gallery – GEM 2012- West Hollywood 2012 Launch – Los Angeles Art Show 2012 2012 825 Gallery – Versus – West Hollywood 2011 Artspace Warehouse - Colors – Los Angeles 2011 Venice Art Walk and Auction – Venice Beach, CA 2011 Cobalt Studio – In Stitches – Chicago, IL 2011 Launch – Merry Karnowsky Gallery – Solid Stripes - Los Angeles, CA 2010 825 Gallery - Aurora - West Hollywood, CA 2010 Fresh Paint Gallery - Gathering - Culver City, CA 2010 Jon Frum Art Foundation – The Strongest of the Strange - Los Angeles, CA 2010 825 GALLERY - OUT THERE - West Hollywood 2010 VENICE ART WALK AND AUCTION - Venice Beach, CA 2010 825 GALLERY - GEM 2010 - West Hollywood 2010 GALERIA GERALDES DA SILVA - Colectiva de artistas espanhois - Porto, Portugal 2010 ARENA-1 GALLERY – Santa Monica, CA 2010 INTERNATIONAL ART FAIR PURO ARTE - Vigo, Spain 2009 ART VERSUS WALLS - Berlin, Germany 2009 ARENA-1 GALLERY - Santa Monica, CA 2009 GODO GALLERY - Highly Toxic - Glendale, CA 2009 SEYHOUN GALLERY - EUROPE NOW 2009 ROBERT DANIEL GALLERY - Tacoma, Washington 2009 Curator of the show "Europe meets America", Seyhoun Gallery 2009 SEYHOUN GALLERY - FREE IRAN – Los Angeles 2009 825 GALLERY - OUT THERE - West Hollywood 2009 SEYHOUN GALLERY - Los Angeles 2009 EL SEXTO...

"PRLS-1000" is part of Eric Mack's urban grid series. Using a grid to create the framework of the painting, Mack creates movement across the piece with dynamic techniques of washy underpainting underneath matted pieces of paper, and thread. His paintings have been described as "intellect on top of emotion." Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina...

Acrylic, oil, thread, and fabric on canvas Eozen Agopian (b.1960), is an artist of Armenian descent born in Athens, Greece. She has received a Master of Fine Arts degree from Pratt...

Aron Hill returns to bright colours and familiar bold imagery—the sun and rocks in this contemporary landscape. This new series is created in a collaged manner—using gluing, threadin...

Abstract mixed media piece that incorporates floating red & white nude figures and organic purple/blue shapes. The artist also used thread accents throughout the the painting. Curren...

WINDOW V captures the soft patterned shadow of the trees veiled by a sheer curtain. This painting is is part of an on-going series that explores the light and landscape in Tennessee....

Linda Kamille Schmidt plays with emotional connections and memory in her smaller, framed works. In their encasements, each collage appears as a portal; a...

Outro Revveckaa (Abstract painting) Acrylic, color tape, and yarn on canvas - Unframed. Philippe Halaburda is a French artist who has coined the term Geographic Abstraction to desc...

Inssipi Aankkitareem (Abstract painting) Acrylic, color tape, yarn, and LEGO brick on canvas - Unframed. Philippe Halaburda is a French artist who has coined the term Geographic Ab...

Ashhidda (Abstract painting) Acrylic, color tape, yarn, and blue sandpaper disc on canvas - Unframed. Philippe Halaburda is a French artist who has coined the term Geographic Abstra...

Aligner Pellageiyia (Abstract painting) Acrylic, color tape, yarn, and LEGO brick on canvas - Unframed. Philippe Halaburda is a French artist who has coined the term Geographic Abst...

VIEW is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the...

This piece presents to us glossy longitudinal stripes of pastel hues, overlaid on a foggy blue-grey underpainting with meticulously rendered raindrops. The earthy fragrance of spring...

"Summer's End " captures the soft patterned shadow of the leaves. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates a...

Partly cloudy 39° (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them fro...

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Blue Water Dots (Abstract Painting) Watercolor / work on paper - Unframed This work on paper is made with thread and watercolor. It is a “drawing” of color with a brush, line wit...

Nan Van Ryzin (American, born 1952) "Entwined" 2019 Oil Paint, mesh, wire, mixed media, canvas, stretcher bars The artist signed the back of the painting. About the Artist: Based in...

The Times (Abstract Painting) Acrylic, plastic bags and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shap...

Acrylic, graphite and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at the same time a tra...

WHIRL II captures the soft patterned shadow of the leaves. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image...

"Rising Burst" is created by Heather Hartman to capture the light bursting through an obstruction. This painting is is part of an on-going series that explores the light and landscap...

Shield #2 (Abstract painting) Acrylic, plastic bags and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them from co...

Bend 14 (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at the same time a transparency is created that allows the viewer to enter through the lines onto the painted surface. The titles of each series can be interpreted as emotional, psychological and physical conditions. This work from the series called Bend is a zig zag fragmented shape with a stitched edge that amplifies its 3 dimensional aspect. The optical effect is sculptural. There is a constant play between drawing, painting and sculpture. The painting has a dynamic energy and yet simultaneously convey a quiet poetry. Holly Miller is an American abstract artist whose paintings strive to merge the optical with the tactile through the language of abstraction. She lives and works in Brooklyn, NY. Communication through the touch (body language) has inspired her tactile abstract paintings. Miller's palette echoes the tones and hues of Italian industrial design from the 60's and 70's, while her shapes recall architecture and urban structures. Her work has a huge affinity to Fontana's physical approach to his paintings and Burri's tactile manipulation of the painting's surface. Ellsworth Kelly's bold shapes and colors have resonated with her on a purely optical level. Agnes Martin’s subtle, quiet, repetitive drawn lines, Fred Sandback’s strong architectural, minimal fiber lines drawn in space, Eva Hesse’s emotionally loaded structured webs, Richard Tuttle’s quirky and fresh drawings and humble objects, Bridget Riley's dynamic, optical compositions have left a deep impression on Miller inspiring her to carve out her own voice in Abstraction. By combining repeated threaded lines with geometric shapes of color, her work conveys many dichotomies: reductive painting and craft, illusion and material, warm and cool, absence and presence, masculine and feminine, bold and subtle, perfection and imperfection... The paintings have a physicality that is described through the monochromatic brush strokes and the punctured holes of the drawn lines that pierce the surface of the canvas, yet from a distance, they appear to be flat and suggest a fine line drawing...

Sunny 26° (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connec...

Acrylic, plastic bags and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at the same time a...

Acrylic, graphite and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at the same time a tra...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

Thread, metal and acrylic paint on wooden panel Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Interna...

This vibrant fiber artwork features sheer, layered fabrics in a glowing spectrum of jewel tones, citrus brights, and soft pastels. The geometric composition is both hand- and machine...

Acrylic, graphite and thread on canvas - Unframed The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at the same time a tran...

Ink and Thread on canvas Eozen Agopian (b.1960), is an artist of Armenian descent born in Athens, Greece. She has received a Master of Fine Arts degree from Pratt Institute, Brookl...

"Blue #16" is an artwork created by Gianluca Patti in 2019. This piece is the part of the Floating Series, which Patti created in 2019. Made using natur...

"Sign (black)" is an artwork created by Gianluca Patti in 2019. This piece is the part of the Floating Series, which Patti created in 2019. Made using n...

Hors Necuuse (Abstract painting) Acrylic, color tape, and yarn on canvas - Unframed. Philippe Halaburda is a French artist who has coined the term Geographic Abstraction to describ...

Lillerrne (Abstract painting) Acrylic, color tape, yarn, and LEGO brick on canvas - Unframed. Philippe Halaburda is a French artist who has coined the term Geographic Abstraction t...

Sppuzzem (Abstract painting) Acrylic, color tape, yarn, and LEGO brick on canvas - Unframed. Philippe Halaburda is a French artist who has coined the term Geographic Abstraction to...

Asheen Kumarii (Abstract painting) Acrylic, color tape, yarn, and LEGO brick on canvas - Unframed. Philippe Halaburda is a French artist who has coined the term Geographic Abstract...

Dessandda (Abstract painting) Acrylic, color tape, yarn, and blue sandpaper disc on canvas - Unframed. Philippe Halaburda is a French artist who has coined the term Geographic Abst...

Rachel Wickremer is a Canterbury based painter known for her colourful work exploring the relationship between the maker and the prefabricated, she is...

Anthea Kerou Untitled, 2023 Acrylic paint, oil pastel, resin & thread on canvas 40 x 30 in Anthea Kerou is an American artist of Greek and English descent, known for her diverse and...

Partly cloudy 44° (Abstract painting) Acrylic, graphite and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them fro...

Mostly cloudy 27° (Abstract Painting) Acrylic, graphite and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them fro...

Partly cloudy 44° (Abstract painting) Acrylic, graphite and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them fro...

Acrylic, plastic bags and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at the same time a...

Acrylic, graphite and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at the same time a tra...

Acrylic, plastic bags and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at the same time a...

Acrylic, plastic bags and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at the same time a...