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Style: Contemporary
Style: Abstract
Medium: Graphite
Yvette Cohen, Swimming On Air #11, 2017, Canvas, Wood, Acrylic Paint, Graphite
By Yvette Cohen
Located in Darien, CT
Yvette Cohen makes art that transforms space.
Her oil paintings of geometric masses of color on shaped canvas look sculptural, but mount flat on the wall. Paintings become objects ...
Category
2010s Abstract Geometric Graphite Abstract Paintings
Materials
Canvas, Wood, Acrylic, Graphite
Yvette Cohen, Swimming On Air #15, 2017, Wood, Canvas, Acrylic Paint, Graphite
By Yvette Cohen
Located in Darien, CT
Yvette Cohen makes art that transforms space.
Her oil paintings of geometric masses of color on shaped canvas look sculptural, but mount flat on the wall. Paintings become objects ...
Category
2010s Abstract Geometric Graphite Abstract Paintings
Materials
Canvas, Wood, Acrylic, Graphite
Contemporary Layered 3D Abstract Fire Painting American Large Orange Blue Grey
By Kyle Butler
Located in Buffalo, NY
A captivating abstract painting by contemporary American artist Kyle Butler depicting fire and plumes of smoke in the artist's signature style.
The panel is covered with graphite an...
Category
2010s Contemporary Graphite Abstract Paintings
Materials
Oil, Acrylic, Wood Panel, Graphite
Reference Desk or Rabbits Dream in the Margins
By C. Dimitri
Located in Brooklyn, NY
This painting stages an enigmatic tableau: three rabbits circle a green snake beside a precarious stack of books. Against a raw canvas ground and a yellow ochre floor, the scene fuse...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Gesso, Canvas, Charcoal, Oil, Graphite
Recollection 7 (Stony Creek), pastel, abstract, texture
Located in New York, NY
Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Gesso, Gouache, Panel, Graphite
$840 Sale Price
20% Off
The Mediterranean (Abstract painting)
Located in London, GB
The Mediterranean (Abstract painting)
Acrylic, charcoal and oil pastel on canvas - Unframed.
This work will be shipped rolled in a tube.
Artwork exclusive to IdeelArt.
Adrienn Krah...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Canvas, Charcoal, Oil Pastel, Acrylic, Graphite
Balance
Located in Napa, CA
Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Canvas, Charcoal, Wax, Oil, Graphite
Meteorito impulsado por el viento. Framed. From the series Plato’s Heaven
Located in Miami Beach, FL
The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Graphite, Cardboard
"Paladin #2" - Framed Contemporary Multimedia Abstract Painting
Located in New Orleans, LA
(Comes float-framed behind glass.)
Artist's Statement: "I was working on my "Gridish" paintings (you can find them in a search on the term "Gridish" on this site) when I became fascinated with certain materials I was working with - a new type of super-flat, super-black paint; powdered graphite; and iron oxide pigment. I had a small canvas ready to go, and shifted my attention to concentrating on just one of the rectangular forms I had been using in the Gridish series, and applying these materials in a way that pleased me. That sort of industrial sheen on the surface of the rectangle is really beautiful to me. This was a second I made, on paper. Quite obviously the mood given off by these works is greatly different from the colorful Gridish paintings that spawned them. My daughter, studying design at RISD, said she found the pic I...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Lacquer, Pastel, Acrylic, Graphite, Pigment
$540 Sale Price
20% Off
Recollection 106 (Auvillar), green, bright, abstract, geometric
Located in New York, NY
Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Gesso, Gouache, Panel, Graphite
$1,240 Sale Price
20% Off
Recollection 6 (Vermont), pastel, green, mini, abstract, geometric
Located in New York, NY
Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Gesso, Gouache, Panel, Graphite
$840 Sale Price
20% Off
Observation Obfuscation xiv
Located in New York, NY
Acrylic, oil, graphite, transfer on linen
Category
2010s Contemporary Graphite Abstract Paintings
Materials
Linen, Oil, Acrylic, Graphite
$696 Sale Price
20% Off
Dreamtime - Contemporary Abstract Painting
Located in Carmel, CA
Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...
Category
2010s Contemporary Graphite Abstract Paintings
Materials
Gesso, Canvas, Acrylic, Graphite
Gravitational Pull II (abstract, landscape, yellow, gray, sky, texture)
Located in New York, NY
Oil and graphite on board
Category
2010s Contemporary Graphite Abstract Paintings
Materials
Board, Graphite, Oil
Carondelet - Figurative Surrealist Portrait Landscape Paintings on Exposed Wood
By Eddy Lee
Located in Los Angeles, CA
Eddy Lee’s figurative surrealist portrait paintings on exposed wood depict emotive sirens who evoke a sense of mystery and seductiveness. His original artworks combine geometric elements with innocent women portraits seeking to trigger emotions, rather than communicating specific explanations. He reconciles the unconscious with rational life, exploring the power of dreams, embracing automatism, and freeing his subjects from the constraints of conscious thought.
This colorful, intriguing portrait is painted with acrylic and gouache on a hand-built cradled wood panel. This one-of-a-kind original artwork is 48 inches high by 36 inches wide and is signed by the artist on the back. It is wired and ready to hang. It does not require framing. Free local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included with this unique work.
Originally from Seattle, Washington, Eddy Lee relocated to Los Angeles in late 2012 to pursue a full-time career as a fine artist. He started his career on the Venice Beach Boardwalk and quickly gained a large following across the United States with exhibitions in San Francisco, Las Vegas, and Los Angeles.
The artist’s work is inspired by the works of Audrey Kawasaki...
Category
21st Century and Contemporary Contemporary Graphite Abstract Paintings
Materials
Mixed Media, Acrylic, Gouache, Wood Panel, Graphite
$8,160 Sale Price
20% Off
Un pedazo de cielo. Painting From the series Plato’s Heaven F
Located in Miami Beach, FL
The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Canvas, Graphite
Mixed Media Collage, Graphite, Oil Painting Abstract Expressionist Henry Mandell
Located in Surfside, FL
Henry Mandell was born in New York City where he continues to live and work. He also maintains a studio is in the Pacific Northwest, with production facilities in New York City. Trai...
Category
1980s Abstract Expressionist Graphite Abstract Paintings
Materials
Oil, Graphite
"Sonata in Three Colors" - Contemporary Multimedia Abstract Painting
Located in New Orleans, LA
Artist's statement:
"Separate from the tar paintings I have been doing, I am creating a series of work in which I am channeling some of the things I have always loved about Cy Twombly along with qualities of a painting I saw in a local collection by a Cuban painter that I really admired and have thought about a lot since. Of course both share a graffiti quality; Twombly was the first to work with a sort of automatic drawing, beginning in the 1950s, and what he did opened up this new language for countless painters. You still see traces of it in so much contemporary art. Antoni Tapies has been a big influence on me as well, and you can see some of him in this work as well. I limited the color palette in this one as a sort of exercise in discipline, since it is easy to let color get away from you in a painting like this one. There are areas of three-dimensional paint that help flatten the picture plane and restrict the eye from reading depth into the painting; they function in the same way as Barnett Newman's 'zips' and Susan Rothenberg's lines across some of her horse images...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Charcoal, Pastel, Oil, Spray Paint, Acrylic, Graphite
$1,200 Sale Price
20% Off
Abstract Beeswax Line Painting Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Graphite Abstract Paintings
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
How Do You Match Light Blue Shoes? - Abstract Mixed Media Original Painting
Located in Los Angeles, CA
Urban abstract expressionism artist Tommy Lennartsson draws on the visual culture of street and pop art when creating his original vibrant mixed-medi...
Category
21st Century and Contemporary Contemporary Graphite Abstract Paintings
Materials
Canvas, Charcoal, Mixed Media, Acrylic, Graphite
Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Graphite Abstract Paintings
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Completing, Abstract, Oil, Graphite, Wood Panel, Blue, Black, Green
By Rose Umerlik
Located in Riverdale, NY
Completing by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 49 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Oil, Wood Panel, Graphite
Bola Liquida. Abstract painting From the series Plato’s Heaven
Located in Miami Beach, FL
The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Canvas, Charcoal, Graphite
Cubo suave. Painting From the series Plato’s Heaven
Located in Miami Beach, FL
The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Canvas, Charcoal, Graphite
Cielo de Platón 4. Painting From the series Plato’s Heaven
Located in Miami Beach, FL
The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Canvas, Graphite
Cielo de Platón 1. Painting From the series Plato’s Heaven
Located in Miami Beach, FL
The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Canvas, Graphite
Smile For Me
By Mark Wilson
Located in Brooklyn, NY
Original painting by Paola Zarate & Mark Wilson
Two best friends completed a wonder of artworks for a weekend in Silverdale, Washington. "Smile For Me" represe...
Category
21st Century and Contemporary Abstract Expressionist Graphite Abstract Paintings
Materials
Oil Pastel, Oil, Spray Paint, Acrylic, Graphite
Estuary 1 (Abstract Drawing)
Located in London, GB
Estuary 1 (Abstract Drawing)
Graphite and acrylic on linen - Unframed
This fluid abstract painting is intuitively made with a loaded brush graphite and acrylic on linen.
The inter...
Category
2010s Abstract Expressionist Graphite Abstract Paintings
Materials
Linen, Acrylic, Graphite
Approaching Calm, Original painting, Abstract art, Mixed media, Colourful
By Jon Rowland
Located in Deddington, GB
This is a gestural painting that reflects an emotional response to world conditions. Sitting in a bothy thinking about things not usually considered, I found myself in the zone of ab...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Paper, Pastel, Ink, Mixed Media, Acrylic, Graphite
Atmospheric Study 2, oil and graphite on paper, 10 x 7 inches. Abstract painting
Located in New York, NY
Krieger’s recent work is a reflection of the forces of nature that connect and impact us, and shape our world. While Krieger hints at elements of landscape across her canvases—spheri...
Category
2010s Contemporary Graphite Abstract Paintings
Materials
Oil, Synthetic Paper, Graphite
Waterlilies 3 (Abstract painting)
Located in London, GB
Waterlilies 3 (Abstract painting)
Acrylic, oil bar, oil pastel and graphite on canvas - Unframed.
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled in a dent-resi...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Canvas, Oil Pastel, Oil, Acrylic, Graphite
Green Bricks, abstract geometric painting, grid
Located in New York, NY
Gouache and graphite on handmade paper. 18 x 12 inches unframed, 23.25 x 17.25 inches framed.
Artist Statement:
“As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters.
I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
Category
2010s Abstract Geometric Graphite Abstract Paintings
Materials
Paper, Gouache, Handmade Paper, Graphite
$920 Sale Price
20% Off
Observation Obfuscation xi
Located in New York, NY
Acrylic, graphite, transfer on linen
Category
2010s Contemporary Graphite Abstract Paintings
Materials
Linen, Oil, Acrylic, Graphite
$696 Sale Price
20% Off
Mixed Squares, abstract geometric painting, grid
Located in New York, NY
Gouache and graphite on handmade paper. 14 x 11 inches unframed, 18.25 x 15.25 inches framed.
Artist Statement:
“As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters.
I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
Category
2010s Abstract Geometric Graphite Abstract Paintings
Materials
Paper, Gouache, Handmade Paper, Graphite
View from a Great Height, abstract geometric painting, dots
Located in New York, NY
Gouache and graphite on handmade paper. 24 x 18 inches unframed, 28 x 22.25 inches framed.
Artist Statement:
“As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters.
I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
Category
2010s Abstract Geometric Graphite Abstract Paintings
Materials
Paper, Gouache, Handmade Paper, Graphite
Disintegrating (with a Measure of Grace), abstract geometric painting, dots
Located in New York, NY
Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed.
Artist Statement:
“As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters.
I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
Category
2010s Abstract Geometric Graphite Abstract Paintings
Materials
Paper, Gouache, Handmade Paper, Graphite
Estuary 1
Located in London, GB
Graphite and acrylic on linen - Unframed
This fluid abstract painting is intuitively made with a loaded brush graphite and acrylic on linen.
The intersecting multi-layered forms cr...
Category
2010s Abstract Expressionist Graphite Abstract Paintings
Materials
Linen, Acrylic, Graphite
Bright Blooms 4, abstract painting on canvas, textured with bright colors, pinks
By Liz Barber
Located in Dallas, TX
“Bright Blooms 4” - Oil, Acrylic, and Ink on Canvas, 36 x 48 inches
“Bright Blooms 4” radiates with a lush vibrancy, where soft magenta blooms and golden hues blend effortlessly wit...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Canvas, Ink, Acrylic, Gouache, Graphite
$5,280 Sale Price
20% Off
Balancing act 2 (Abstract Painting)
By Tracey Adams
Located in London, GB
Balancing act 2 (Abstract Painting)
Gouache, graphite and ink on Rives paper. Unframed.
Balancing Act 2 is part of a series of works on paper started in 2016.
They are created in the evenings and aptly named after busy days of teaching and other responsibilities.
The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing.
This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution.
Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California.
Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...
Category
2010s Abstract Expressionist Graphite Abstract Paintings
Materials
Paper, Ink, Gouache, Graphite
FLD 26/2808 (Abstract painting)
Located in London, GB
Graphite on Arches Ingres paper - Unframed.
Image's size: 55 x 55 cm/21.6 x 21.6"
The simplest reading of Henderson’s work is that he is a painter with the sensibility of a sculpto...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Paper, Graphite
Generous, Abstract, Oil, Graphite, Wood Panel, Yellow, Black, White
By Rose Umerlik
Located in Riverdale, NY
Generous by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 48 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ye...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Oil, Wood Panel, Graphite
"Cronus View from the Cave" David Hare, Abstract Surrealist Composition
By David Hare
Located in New York, NY
David Hare
Cronus View from the Cave, 1971
Graphite, Ink wash, Paper Collage on Paper on Board
25 x 33 inches
“Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.”
Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp.
In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career.
After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt.
As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen.
In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941.
World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors.
At the suggestion of Jacqueline Lamba...
Category
1970s Abstract Graphite Abstract Paintings
Materials
Paper, Ink, Graphite
Rick Lewis, False Bar, Painting 2021
By Rick Lewis
Located in Stamford, CT
False Bar
Oil, bitumen, graphite, sand, dry pigment on paper laid on canvas
38" x 50"
I am a visual artist whose work investigates small and large -scale abstraction primarily in t...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Paper, Ink, Oil, Graphite, Pigment, Canvas, Laid Paper
Balancing Act 3 (Abstract Painting)
By Tracey Adams
Located in London, GB
Balancing Act 3 (Abstract Painting)
Gouache, graphite and ink on Rives paper. Unframed.
Balancing Act 3 is part of a series of works on paper started in 2016.
They are created in the evenings and aptly named after busy days of teaching and other responsibilities.
The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing.
This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution.
Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California.
Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...
Category
2010s Abstract Expressionist Graphite Abstract Paintings
Materials
Paper, Ink, Gouache, Graphite
Rick Lewis, Untitled (Blue), Painting 2025
By Rick Lewis
Located in Stamford, CT
Untitled (Blue)
Oil, graphite, litho ink, spray paint, dry pigment on paper
40" x 30"
I am a visual artist whose work investigates small and large -scale abstraction primarily in t...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Paper, Ink, Oil, Spray Paint, Graphite, Pigment
Contemporary Geometric Tech Architecture Map Graphic Abstract Acrylic Painting
By Kyle Butler
Located in Buffalo, NY
Nuanced grays intersected by bright lines and dashes result in this emotive, nearly explosive, spatial investigation. Gravity Composition 07 (2022) by Kyle Butler. Acrylic, graphite,...
Category
2010s Contemporary Graphite Abstract Paintings
Materials
Varnish, Acrylic, Panel, Graphite
Azalea Light, large abstract painting on canvas, textured with bright colors
By Liz Barber
Located in Dallas, TX
“Azalea Light” - Oil, Acrylic, and Ink on Canvas, 36 x 72 inches
“Azalea Light” radiates with a lush vibrancy, where soft magenta blooms and golden hues blend effortlessly with tran...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Canvas, Ink, Acrylic, Gouache, Graphite
$7,040 Sale Price
20% Off
Contemporary Geometric Tech Architecture Map Graphic Abstract Acrylic Painting
By Kyle Butler
Located in Buffalo, NY
Nuanced grays intersected by bright lines and dashes result in this emotive, nearly explosive, spatial investigation. Gravity Composition 01 (2022) by Kyle Butler. Acrylic, graphite,...
Category
2010s Contemporary Graphite Abstract Paintings
Materials
Varnish, Acrylic, Panel, Graphite
Contemporary Geometric Tech Architecture Map Graphic Abstract Acrylic Painting
By Kyle Butler
Located in Buffalo, NY
Nuanced grays intersected by bright lines and dashes result in this emotive, nearly explosive, spatial investigation. Gravity Composition 04 (2022) by Kyle Butler. Acrylic, graphite,...
Category
2010s Contemporary Graphite Abstract Paintings
Materials
Varnish, Acrylic, Panel, Graphite
Atmospheric Study 9, oil and graphite on paper, 10 x 7 inches. Expressive lines
Located in New York, NY
Krieger’s recent work is a reflection of the forces of nature that connect and impact us, and shape our world. While Krieger hints at elements of landscape across her canvases—spheri...
Category
2010s Contemporary Graphite Abstract Paintings
Materials
Oil, Synthetic Paper, Graphite
Rick Lewis, Mirror to the Sun III, Painting 2021
By Rick Lewis
Located in Stamford, CT
Mirror to the Sun III
Oil, graphite, litho ink, spray paint, dry pigment on paper
40" x 26"
I am a visual artist whose work investigates small and large -scale abstraction primaril...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Paper, Ink, Oil, Spray Paint, Graphite, Pigment
Rick Lewis, Camael, Painting 1997
By Rick Lewis
Located in Stamford, CT
Camael
Oil, graphite, sand, dry pigment on paper, laid canvas
47" x 35"
I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of p...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Canvas, Oil, Graphite, Pigment
Rick Lewis, Mirror to the Sun V, Painting 2021
By Rick Lewis
Located in Stamford, CT
Mirror to the Sun V
Oil, graphite, litho ink, dry pigment on paper
40" x 26"
I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Paper, Ink, Oil, Graphite, Pigment
Rick Lewis, False Bar II, Painting 2021
By Rick Lewis
Located in Stamford, CT
False Bar II
Oil, bitumen, graphite, sand, dry pigment on paper laid on canvas
38" x 50"
I am a visual artist whose work investigates small and large -scale abstraction primarily i...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Canvas, Paper, Ink, Oil, Laid Paper, Graphite, Pigment
Contemporary Layered 3D Abstract Fire Painting American Large Orange Blue Grey
By Kyle Butler
Located in Buffalo, NY
A captivating abstract painting by contemporary American artist Kyle Butler.
The panel is covered with graphite and then layers of paint which are striped away in strategic areas. ...
Category
2010s Contemporary Graphite Abstract Paintings
Materials
Oil, Acrylic, Wood Panel, Graphite
Collaborate, Abstract, Oil, Graphite, Wood Panel, Red, Orange, Blue, White
By Rose Umerlik
Located in Riverdale, NY
Collaborate by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 36 x 48.
Rose Umerlik extracts the intangible emotional moments that live in our collective human psyche and interprets them abstractly through form, line and color so that they may also exist outside of ourselves.
In recent years, Umerlik has shown in seven solo exhibitions and innumerable group shows domestically and internationally, published a book of work titled Intimacy of Forms, received notable reviews in such publications as Art New England, and been awarded the Clowes Award by the Vermont Studio Center. The most affecting experience of Umerlik’s career to date has been her two-month stay in the Takt Kunstprojektraum Artist Residency in Berlin, Germany. She was named a 2018 Vermont Artist...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Oil, Wood Panel, Graphite
Gala Of Dandelions (Abstract painting)
Located in London, GB
Gala Of Dandelions (Abstract painting)
Acrylic, oil pastel and graphite on canvas — Unframed.
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled in a dent-resistant...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Canvas, Acrylic, Graphite, Oil Pastel
Mod Abstract Expressionist Modernist Oil Painting Dog Drawing Edward Avedisian
Located in Surfside, FL
Edward Avedisian ( 1936-2007 )
7.5 X 5.75
Oil paint on wood panel
This is not signed on front. It bears his name verso.
Provenance: Hudson, N.Y. estate of noted Art Collector Albert...
Category
1960s Abstract Expressionist Graphite Abstract Paintings
Materials
Oil, Wood Panel, Graphite
Two Stories (Abstract painting)
Located in London, GB
Two Stories (Abstract painting)
Acrylic, charcoal and graphite on canvas — Unframed.
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled in a dent-resistant tube.
Th...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Canvas, Charcoal, Acrylic, Graphite
Dawn (Abstract painting)
By Xanda McCagg
Located in London, GB
Dawn (Abstract painting)
Oil and graphite on canvas — Unframed.
McCagg's work is informed and influenced by formal elements such as line and space, which provide an underlying aest...
Category
2010s Abstract Graphite Abstract Paintings
Materials
Canvas, Oil, Graphite
Graphite abstract paintings for sale on 1stDibs.
Find a wide variety of authentic Graphite abstract paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, green, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Adrienn Krahl, Kory Twaddle, Jaanika Peerna, and Alyse Rosner. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Graphite abstract paintings, so small editions measuring 0.1 inches across are also available
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