Panel Abstract Paintings

This painting is a small framed early work by Heather Hartman. The majority of the canvas is overcast with ivory and grey cloud cover. In the lover left-hand quadrant of the painting...

Black, gray, and white abstract contemporary painting by Houston, TX artist Winifred Booth. The piece depicts two gray rectangle shapes with white calli...

Michael Azgour is an artist and educator whose work addresses the impact of digital imagery on contemporary culture. His paintings combine evocative, expressive representation with g...

In this abstract oil painting, Dintino uses muddy colors to evoke images of garbage, swamps, and junk yards. The dirty green melds into the orange and creates a muddy orange, which then melds into a black, almost as if the colors were being infected. The painting almost reeks with the colors Dintino decided to use, as each one has its own aroma and pungency. Dintino's work has to do with the melding of title and piece. His paintings all illustrate his ideas and words through visuality and color. Creating large panoramic pieces makes his work atmospheric and immersive, allowing the viewer to literally feel the title of his painting. This is quite a synesthetic approach to making art and allows ideas and words to sing. Born in San Francisco, California in 1964, Patrick Dintino grew up in Sunnyvale, in the south bay area. He went to college in San Diego earning a BA degree in Industrial Arts from San Diego State University, and co-founded Artists in Motion art...

In this abstract oil painting Dintino evokes images of childhood, and adulthood. In a very nostalgic way, Dintino uses the peaches and warm toned colors to help recall images of stu...

Dintino's abstract oil paintings have to do with the melding of title and piece. His paintings all illustrate his ideas and words through visuality and color. Creating large panoramic pieces makes his work atmospheric and immersive, allowing the viewer to literally feel the title of his painting. This is quite a synesthetic approach to making art and allows ideas and words to sing. Born in San Francisco, California in 1964, Patrick Dintino grew up in Sunnyvale, in the south bay area. He went to college in San Diego earning a BA degree in Industrial Arts from San Diego State University, and co-founded Artists in Motion...

Coastal Mist [2022] original and hand signed by the artist Oil Paint on Cradled Panel Image size: H:25 cm x W:25 cm Complete Size of Unframed Work: H:25 cm x W:25 cm x D:2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Coastal Mist was painted from a recent visit to Anglesey where the mist was lying over the sea, I used this to create a sense of mystery and of otherness that you can sometimes feel when out in the landscape. The colours reflect the moody atmosphere of the weather on a typical Welsh day. This painting is unframed for use on its own or framed in a frame of your choice. Oils on cradled panel. Elaine Fox...

Abstract interior, with figures and bison. Oil on panel.

Chelleneshin 50 (Abstract painting) Oil on panel — Unframed Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mysti...

Meet Me by the Wall is an original painting by Mary Scott. This is an abstract painting in a minimal palette of cool turquoise, white and grey hues inspired by the seascape of the ha...

Wainscott (Abstract Painting) Beeswax resin, pigment and oil paint on panel — Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, ba...

"Everything is Right Now" (2025) is an original, handmade oil painting on canvas, by Amy Hutcheson, that depicts an abstract painting with colorful geometric shapes in a paler rainbo...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

"Road to Damascus" Mid 20th Century American Abstract 1960s Color Field James Daugherty (1887 – 1974) "The Road to Damascus" 16 x 20 inches Oil on panel Initialed and dated 63 lowe...

This beautiful contemporary high textured abstract painting is great for a classic and contemporary setting. The variation of colors and rich texture would greatly bring a space to l...

"Gravity Zero" Mid 20th Century American Abstract 1960s Color Field Abstraction James Daugherty (1887 – 1974) "Gravity Zero: 24 x 18 inches Signed on verso Oil on panel Provenance...

Gold leaf floater framed included. 21" x 17" Liane Ricci’s abstract paintings defy categorization. They are based in geometry and largely composed of bold lines dissecting and runni...

Katheryn Holt (American, born 1951) "Mirage II" 2022 Oil paint and mixed media on cradled wood panel The artist signed the back of the painting. With Frame: 33" x 49" x 2" “Mirage ...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, based in the Venetian tra...

Sandra Cohen’s “disinheritance” is a 30 x 24 x .25 inch abstract acrylic painting on tempered hardwood, in pink, green, yellow, tan and black. Flowers, biological forms, spinal bones...

Acrylic and Spray paint on canvas Set of 4 originals 20 x 20 inches each 2023 Signed on the reverse (To purchase a canvas individually message us for details)

ABSTRACTION Mid-Century Abstract Non-Objective Color Field oil American Modern James Daugherty (1887 – 1974) "Abstraction" 11 ¾ x 13 ¾ inches Oil on...

Neutral-toned abstract contemporary painting by Houston, TX artist Winifred Booth. The piece depicts two gray rectangle shapes with black calligraphic-l...

Textiles, varnish and metal on wooden panel, Framed Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in In...

0riginal acrylic on panel painting by the well known American artist, Syd Solomon. Signed Syd Solomon lower center. Signed and dated Syd Solomon 1971 and inscribed as titled on the reverse. 30 × 24 inches. Condition is very good, no issues. The painting is framed in its original wood with silver reveal floating frame. Overall framed measurements are 32.5 by 26.75 inches. Provenance: A private collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Moments by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 28 x 48. Rose Umerlik extracts the intangible emotional moments that live in our collective human p...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

"Cascadia 6" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, mark-making and blur de...

This abstract painting by Roger Mudre is made with acrylic paint over metal leaf on cradled birch panel. It is part of Mudre's Venezia series, which is inspired by his recent trip to...

"Cascadia 5" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, mark-making and blur de...

Salvatore Grippi was my art professor at Ithaca college from 1970- 1971 Who was doing paintings like this in 1950? Jackson Pollack, Willem De Kooning and Salvatore Grippi, and a few...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Katheryn Holt (American, born 1951) "Tropic" 2022 Oil Paint, Mixed Media, Wood Panel, Wood Bars The artist signed the back of the artwork. "Tropic" is a mesmerizing painting that em...

"Abstraction" Mid 20th Century American Abstract 1960s Color Field James Daugherty (1887 – 1974) Abstraction 6 3/4 x 8 3/4 inches Estate stamp verso Oil on panel Provenance: Estat...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

This wooden wall sculpture features hues of navy, turquoise and yellow. Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia Varisco...

Title: Abraçada means "hug" in Catalan. "The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cem...

Lorenzo’s Riddle (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with pa...

Acrylic and gloss on panel painting by "blob" artist Mike Hammer.

The Whisper Of Solitude (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal compositions of quiet horizontal ...

Stephen identifies the delicate texture and beauty of the natural oxidation process. Oftentimes a found object initiates his work: By incorporating an object directly, imprinting, or...

Mid-Summer, Johnson Creek 2 Cheryl D. McClure oil on wood panel 34 x 34 x 1 may be 36 x 36 x 1.5 in Inv #: 821 Price $3,600 To make my paintings I hav...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

For Henry Hudson (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “...

"Abstraction" Mid-20th Century American Abstract 1960s Color Field Modernist James Daugherty (1887 – 1974) Abstraction 14 x 18 inches Estate stamp verso Oil on panel Provenance: ...

Cement & marble powder on foam panel. Structural and hanging frame on the back. Pierre Auville works with construction cement. Applying techniques used in the construction and ship building industries, he spreads the cement over Ursalite (high-density foam panels), creating pieces ranging in size from one to eight square meters. Mare Nostrum...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

GEOMETRIC COLLAGE WITH 4 CIRCLES Size: 29.5 x 24.5 cm (including frame) Mixed media on wooden panel A very unique original artwork by British artist Dave Boyd, constructed from disc...

Jylian Gustlin’s paintings are process driven – when looking at her work there is a sense the painting was “made” with effort, intention and even strength. The artist starts with an ...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

View (Abstract Photography) Unique - Photography/painting, mixed media - Unframed. Signed by the Artist at the back. Artwork exclusive to IdeelArt. Artworks are of the highest a...

Beeswax, resin and pigment on canvas mounted on panel. Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, based in the Venetian tra...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Enthralled with the lore and spirituality of American Indian cultures, his work often depicts these traditional subjects in nontraditional ways. Hawkins captures the raw sense of ele...

"Track Shift" is a striking modern geometric abstract painting, with a soft contemporary palette. It is painted directly onto panel, with a custom built wooden substrate. The sides show beautifully smoothed wood. Kazaan Viveiros has a background in architecture studies as well as fine art, and this shows in her clean and contemporary works. Artist Kazaan Viveiros earned a BA with distinction from the University of Virginia in Studio Art and Religious Studies, and an MFA from the San Francisco Art Institute. She has since exhibited work in solo and group exhibitions in the U.S. and Europe, including solo shows in New York, San Francisco, Berkeley, Scottsdale, AZ, Richmond, VA, and Savannah, GA. In 2003, curator Raffaella Guidobono gave Viveiros a show at TAD Concept Store in Rome. Viveiros’s paintings have been collected by a wide array of corporations, including eBay and Capital One Bank, as well as by individuals such as WalMart’s Rob Walton and novelist Danielle Steel. Her large diptych, The Whale, was purchased by Banner Children’s Hospital and currently hangs in their radiology ward. Summit Medical Group MD Anderson Cancer Center in New Jersey has many of her works in their collection. In addition, five of Viveiros’s paintings were purchased by the Art in Embassies Program and are permanently installed in the U.S. Embassy in Addis Ababa, Ethiopia. She was a 2011 Bethesda Painting...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal compositions of quiet horizontal abstraction, based in the Venetian tradition ...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...