Screen Abstract Paintings

In this contemporary painting in acrylic on linen mounted on a shaped panel, two vertical blocks of color in dark lapis blue and soft, mottled orange are luminous against thinner neutral sections of exposed linen. Signed, dated and titled on verso. Elizabeth Gourlay’s work is a meditation on color and form, a gradual yet progressive analysis leading to a complex vocabulary of shapes, color and line. Musical composition, emotional states and our collective subconscious resonate within bars, lines and blocks of color. The abstract forms emerge, layer and shift in precisely ordered, carefully composed rhythms. The artist contemplates the elements that make color in reduced forms come to life: size, flatness, relation to its edges, and how the presence of other colors affect how it is perceived. Gourlay draws inspiration from shapes found in everyday life and in her studio. The observed shapes either remain as they are or become simplified to their essential geometric elements. Subtleties in color, area, edge or orientation are the catalyst for emotive responses. Palette is minimized; the artist rarely uses a wide palette within one work. Rather, a broad range of colors are explored and then reduced. Gourlay investigates color properties: complementary or analogous color, value, saturation and color harmony vs. color anomaly. Elizabeth’s Gourlay’s work has been shown extensively throughout the United States. The artist was the recipient of numerous residencies, fellowships and awards including Artist in Residence at the studio of Sol LeWitt in Spoleto, Italy. Gourlay’s work has been written about in The New Criterion, Painters’ Table and Gorky’s Granddaughter, to name a few. Gourlay earned her MFA at Yale University School of Art, New Haven, CT, and her BA from Edinburgh...

This painting takes a look back at two paintings from 2015, The Conversation, and The Dance and Conversation II from 2020. Using the motifs of modern abstract art, I employed hard-ed...

"Fellucas II" Painting 31.5" x 47" inch by Mohamed Hussein Born 1989, Mohamed Hussein is a Fayoum native whose semi-abstract landscape and urban vistas are captured with a cultured ...

This contemporary abstract painting by Sofie Swann measures 48" x 36" and is made with acrylic paint and Persian tea on canvas. Eight rows of six circle-like shapes, which are half d...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a light blue bunny on gradient diamond dust background with thick us...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a bunny on a gradient black and blue diamond dust background with th...

Lesley Anne Spowart (American, born 1957) "Buster" 2023 Acrylic Paint, Oil Paint, Mixed Media, Wood Panel, Wire The artist signed the bottom left and back of the painting. "Buster"...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

Lesley Anne Spowart (American, born 1957) "Where the Wild Things Are" 2025 Acrylic Paint, Oil Paint, Mixed Media, Paper, Glue, Wood Panel The artist signed the bottom middle and the ...

Enthralled with the lore and spirituality of American Indian cultures, his work often depicts these traditional subjects in nontraditional ways. Hawkins captures the raw sense of ele...

This abstract painting by Roger Mudre is made with acrylic paint over metal leaf on birch panel. It is part of Mudre's Venezia series, which is inspired by his recent trip to the Nor...

Frustration is center stage, written in cursive: "It's one of those days nothing works out right -- bump into any sharp corner – can’t tell flesh from white or brown from…or green fr...