Wool Abstract Paintings

Mnemonic Rhythm (Bright, Multicolored Textile Inspired Abstract Wall Sculpture), made by Susan Stover in 2025 wood, oil paint, varnish, waxed linen thread 30 x 30 inches Lightweight,...

Landscape Oil on Canvas Original Art Ready to Hang 65x50 cm 2023 ...My painting tells of the relationship between man, nature and time, the landscape, the sign and the trace, thr...

SIGNED ON BACK. Lisa Pressman’s Shape of Memory series transforms cardboard, thread, smoke, and Letraset into evocative wall-mounted works that recall ancient relics or worn book covers. Each shaped panel floats about an inch off the wall, often casting glowing, colored shadows from painted backs that shift with the light. Stitched seams and weathered surfaces suggest scars, resilience, and the passage of time, resonating as personal artifacts of memory and healing. Known for her abstract paintings in oil, encaustic, and mixed media, Pressman’s oeuvre consistently explores impermanence and transformation. With their sculptural presence and luminous effects, these intimate objects blur painting...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

As one of the last generation to remember a childhood lived in the desert hunting and gathering with her family, Walangkura Napanangka's paintings recall the stories of country and the location of specific sites in her traditional homeland west of the salt lake of Karrkurutinjinya (Lake Macdonald). Born around 1946, at Tjitururrnga west of Kintore, in the remote and arid country between the Northern Territory and Western Australia, she lived with her father Rantji Tjapangati and mother Inyuwa Nampitjinpa and later, while still a teenager, travelled by foot with her family over the hundreds of kilometres from their remote desert home eventually joining Uta Uta Tjangala's group as they walked in to the settlements of Haasts Bluff and then Papunya. The lure of settlement life with its promise of plentiful food and water belied the harsh conversion they would make to an alien lifestyle with its many problems and unfamiliar demands. The upheaval however, was ameliorated to some degree by the proximity of her immediate family including her mother Inyuwa, adoptive father Tutuma Tjapangati, and sister Pirrmangka Napanangka (now deceased) all of whom became artists. Relocated to the community of Kintore in 1981 when the outstation movement began, Walangkura participated in the historic women's collaborative painting project (1994) that was initiated by the older women as a means of re-affirming their own spiritual and ancestral roots. It was a time of specifically female singing, ceremony and painting, away from the gaze of outsiders and men folk. The huge and colourful canvases that emerged from the women's camp were 'alive with the ritual excitement and narrative intensity of the occasion' (Johnson 2000: 197). Within a year, Papunya Tula Artists, now established at Kintore, had taken on many of these women as full-time artists, revitalising the company after the deaths of many of the original 'painting men'. While individual women forged their own stylistic trajectory, these paintings were immediately distinguishable from the men's more cerebral and symmetrical style. They radiated an exuberant and vibrant energy, the felt heart-beat of women's affinity to country and spirit. Walangkura's early works, created from 1996 onward, are characterized by masses of small markings and motifs covering large areas of canvas. Her favorite colour, a deep sandy orange predominates, accentuated against more somber blacks and reds and dusky greens or yellows. More recent works show a gestural quality though still tightly packed with an intensity of geometric line work representing sandhills. In a sense this provides a strong visual and contextual link to the men's linear style as exemplified by the works of George Tjungurrayi...

This abstract expressive floral artwork, titled "The Emergence of Spring," is part of my new small collection called "Primavera", dedicated to the vibrant and rejuvenating season of ...

Elisabeth Grace, a visionary artist based in Denver, CO (USA), is renowned for her immersive large-scale paintings, collages, murals, and installation art. With a BA in oil painting ...

Rosamond Berg (American, 1931 - 2018) Voyage I, 1982 Mixed media construction including hand-dyed cotton cloth pouches 24 x 24 inches Signed, titled an...

This original artwork by Jeremy Prim is a minimalist oil painting that exudes tranquility and captures the essence of the Pacific coastline. The painting f...

"Whimsical" Abstract Painting 48" x 48" inch by Carole Baines Wisteria in my daughter's garden on Mount Tamborine. Medium: acrylic on linen Carole Baines is a self-taught, London-...

Elfi Schuselka (Austrian, b. 1940), Abstract Composition, Acrylic on Tarlatan, with dried paint elements, mounted on dried paint square, signed to verso. 39.5" H x 36.5" W. Provenanc...

A unique, medium to large scale figurative painting with a vivid, exotic background. The painting style shows influences from the post-impressionists, yet is undeniably contemporary,...