Nick Stevenson

"Arrows Cents" Contemporary Abstract Green, Red, Yellow Target Painting

2025

Colorful abstract geometric painting by Reeves Art + Design owner and Houston, TX artist Paul Reeves. This painting depicts geometric triangular shapes with shapes that resemble cand...

Contemporary geometric colorful abstract painting by Texas-based artist Max Manning. The work features organic and geometric shapes in pink, green, and teal tones. Signed, titled, & ...

Teal, yellow, and red gestural abstract painting of different geometric shapes. The work is signed and dated by the artist. It is framed in a black frame. Dimensions without Frame: H...

Large geometric mixed media collage painting by Texas artist John Pavlicek. The piece features layers of red, yellow, and green paint and paper to create depth. Signed by artist in f...

Bold, graphic shapes and lines dance on a neutral ground in this acrylic on raw linen by Aron Hill. Evocative of early modern abstractions such as those of Kandinsky, the work explor...

SALE ONE WEEK ONLY "Red Harmony" is an abstract painting that does have a sculptural presence in the shapes of the red areas. The lush greens blend various shades into a background that while it does contrast sharply with the reds, it is not in conflict. The overall effect of this work is dynamic in its energy while at the same time harmonious. One of the original Cass Corridor artists from the 1960s William Antonow studied at the School of the Detroit Society of Arts and Crafts (now the College for Creative Studies) and at Wayne State University, where he received his BFA (1967) and MA (1970.) Antonow’s first one-person show at the Willis Gallery in 1971, represented a radical departure from his early work – abstract bronzes shown at the Michigan Artists exhibitions at the Detroit Institute of Arts in 1969 and 1970. A founding member of the Willis, Antonow publicized his exhibition with a cryptic invitation stating, “art isn’t anything.” Echoing the challenge implicit in the exhibition announcement, the works in the show consisted of precariously balanced piles of such non-art materials as wood crates and barrels, corrugated paper or cardboard, cellophane and beer cans. These brash, paint-slathered juxtapositions of salvaged objects were perhaps the first example of the nascent “tough art” aesthetic of the Cass Corridor. (Both Gordon Newton’s wood constructions and Bob Sestok’s crude “radio wheels” first appeared in 1972.) In 1975, in the inaugural group exhibition of the Willis at its new location in the Fisher Building...

Gary John's pop-street artworks have a whimsical, yet exciting and bold quality inspired by classic cartoon and comic book characters. Blending pop sensibilities with a roughened fau...

Born in Brooklyn in 1928 to Polish immigrants, Al Held claims to have been expelled from high school in the Bronx in 1944. After serving in the U.S. Navy from 1945 to 1947, Held asso...