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Patrick Fitzgerald"Garage, " Mixed-Media Painting2019
2019
$880
£672.81
€770.87
CA$1,241.25
A$1,351.40
CHF 721.60
MX$16,313.52
NOK 9,071.86
SEK 8,437.89
DKK 5,758.01
About the Item
Entitled “Garage,” this work by Chicago artist Patrick Fitzgerald is one of a series of “track paintings” that materialize the imagined tracks navigated by his miniature soap-box car sculptures. Inspired by slot-car racetracks, each painting depicts a meandering, yet cyclical path that twists and turns upon itself in an endless loop. Isolated from time and place, the painting achieves a sense of timelessness and draws a through line linking the past, the present, and the future.
“Garage” is part of a body of work Fitzgerald calls his “Neighborhood of Infinity,” a borrowed term used literally to refer to the bounty of materials and creative inspiration he found in the industrial landscapes of his childhood in Grand Rapids, MI. Building from found materials collected over the years, he creates futuristic forms layered with personal memories and keepsakes from the past.
Acrylic, graphite, color pencil, and mixed media on board.
- Creator:Patrick Fitzgerald (1962, American)
- Creation Year:2019
- Dimensions:Height: 25.75 in (65.41 cm)Width: 8 in (20.32 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:Seller: CPF0321stDibs: LU103639057502
The sculptures and paintings of Chicago-based artist Patrick Fitzgerald are about personal nostalgia, memory, and the beauty he finds in his urban environment. He refers to his body of work as his “Neighborhood of Infinity,” a borrowed term used literally to describe the bounty of materials and creative inspiration he found in the industrial landscapes of his youth. For the last decade, Fitzgerald has been mining his early experiences, re-envisioning the mechanical world of his childhood through the eye of an artist. Born from a fascination with the soap box derby cars of his youth, Fitzgerald constructs miniature soap box cars and the branded attire of their imagined drivers. He builds primarily with found materials - wood, wires, tubing, screen, fabric and collage. The real work involves the finishes: the hand lettering, stages of varying color paint coats, and surface treatments. He always leaves traces of changes or repairs made to a work, adding to the history and evolution of each piece. Futuristic forms imbued with history, each sculpture is an exercise in imagining the future through the lens of the past – or vice versa.
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