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Paul FournierMidnight Haven - contemporary, gestural, abstract, impasto, acrylic on canvas2016
2016
$4,300
£3,263.28
€3,760
CA$6,075.22
A$6,509.50
CHF 3,491.89
MX$77,105.88
NOK 44,048.22
SEK 40,297.30
DKK 28,087.66
About the Item
This contemporary colorful abstract painting is by Paul Fournier.
Paul Fournier is considered one of Canada’s most significant abstract expressionists, He received early praise from the distinguished NY art critic, Donald Kuspit who described his ‘Fauvist-like’ work as that of an ‘exotic modernist.’ Fauvism was a post-impressionist movement in France (think Matisse) characterized by an imaginative use of color. Fournier’s work is most often inspired by the natural world. In this lush acrylic painting thickly applied brushstrokes in bright yellow, blue, red, purple, green, orange, and turquoise play against a matte black background to create a vivid and dynamic composition. His signature use of extensive mark-making and drips adds both texture and movement to his work.
“As a painter, I’m doing the same thing with colour, shape, and movement that a musician does.” Paul Fournier
“Fournier continues to explore and extend the limits of his own imagery, his own handwriting, his own ability to use colour and paint. His new pictures are personal and expressive: lyrical, generous and decorative in the best, Matissean, sense of the word.” Karen Wilkin, NY Curator, Art Critic
Paul Fournier was born during the Great Depression in Simcoe, Ontario. He first studied at the Ontario College of Art and Design in 1959 and went on to study printmaking at McMaster University in Hamilton in 1967. Fournier also received an Honorary Doctor of Laws from McMaster in 1996 where he’d also been the artist in residence. During a career that spans six decades, Fournier has had solo exhibitions in several Canadian cities and in the U.S. His work is held in private collections in North and South America, and Europe. Public collections include the Art Gallery of Ontario, the National Gallery of Canada, the Sculpture Garden in Washington, and the Tate Museum in London.
- Creator:Paul Fournier (1939, Canadian)
- Creation Year:2016
- Dimensions:Height: 14 in (35.56 cm)Width: 12 in (30.48 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Bloomfield, CA
- Reference Number:1stDibs: LU29115480822
Paul Fournier
Paul Fournier (b. 1939, Simcoe, ON) first emerged within a movement of third-generation non-figurative painters who worked in Toronto during the 1960s. His peers included Milly Ristvedt, K.M. Graham, David Bolduc and others exploring techniques and forms of post-painterly abstraction. Fournier began studies in 1959 at the Ontario College of Art and Design. He soon became known for his use of bright fauvist colours for which he was dubbed an "exotic modernist" by New York art critic Donald Kuspit. Fauvism was a post-impressionist movement in France characterized by the "wild' use of colour. Fournier has had major solo exhibitions in Toronto, Guelph, Hamilton, Edmonton, Houston and Washington, D.C. His work was selected by critic Andrew Hudson for 14 Canadians: A Critic's Choice at the Hirshhorn Museum and Sculpture Garden and by Boston Museum of Fine Arts curator Kenworth Moffett for inclusion in The new Generation: A Curator's Choice at the Andre Emmerich Gallery in New York. In 1996, Fournier received an Honorary Doctor of Laws from Sir Wilfrid Laurier University. His paintings and graphics are included in most major public collections, including the National Gallery of Canada, the Art Gallery of Ontario, and the Tate Museum, as well as in private collections in the United States, South America and Europe. "...Paul Fournier’s canvases seemed typical of his generation of Toronto painters. Like his colleagues K. M. Graham, Daniel Solomon, Paul Hunter and David Bolduc, Fournier demonstrated an almost Fauvist sense of color and an ability to be both playful and lyrical in the same picture. Like them, too, he clearly admired Matisse and Jack Bush. Yet Fournier’s pictures were and have remained stubbornly personal, in a challenging territory of his own, a narrow zone between reference and invention." Karen Wilkin, Canadian Art, 1991.
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