Paul Reeves

Pink, Blue and Black Floral Still Life Abstract

2018

Turquoise abstract still life painting by Houston, TX artist David Adickes. The painting depicts white flowers in a tall blue vase on top of a table with a slice of orange melon. Unsigned. Framed in a simple black frame. Dimensions Without Frame: H 29.5 in. x W 23.5 in. Artist Biography: Born (1927) and raised in Huntsville, TX, David Adickes is an artist whose art and heart are closely aligned with Paris, France. After studying art at the Atelier F. Leger in the late 40s, Adickes burst onto the art scene in Houston and elsewhere in the early 50s and has been a prominent member of Houston’s art community ever since. While his most visible works are his giant sculptures...

Abstract lithograph of flowers with red, blue and pink tones. Work is signed by the artist and given an edition number. Artist Biography: Tokio Miyashita...

Blue, orange, and pink toned figurative painting by Houston, Texas artist Evangeline Gichina. Vibrant interior still life painting depicting various...

Abstract geometric painting by Houston, Texas artist Philip Durbin. Pink and blue hued painting incorporating geometric stencil-like patterns and abstract figure in a chef's uniform ...

Jim’s of Lambertville is proud to offer this artwork by: James Lechay (1907 – 2001) Born in the Bronx in 1907, James Lechay spent most of his childhood in Brooklyn before moving to Joilet, Illinois at age 13 to live with his uncle after his mother passed away. In 1928, he received his B.A. in psychology from the University of Illinois. The next year, he attended one week of graduate school before leaving to study under his brother, the painter Myron Lechay, in New York. At his brother’s studio, James began to associate with other artists of the time such as Milton Avery, Mark Rothko, Arshile Gorky, William Zorach, and Raphael and Moses Soyer. From Myron, James Lechay learned to train his eye to observe natural forms and developed a philosophy dependent upon the relationship built between the artist and the subject. Lechay became engaged in the social and political issues of Depression-era New York and even joined the social realism movement for a brief time in the 1930s. He operated as the leader of the Artists Union while employed by the Works Progress Administration (WPA). With the WPA, Lechay traveled to Las Vegas, New Mexico, where he established a gallery and exhibited the works of Milton Avery, Max Weber, and other WPA artists. Despite his association with many artists and artistic communities in New York in the 1930s and 40s, Lechay opposed adopting a style due to its popularity and commercial success. His use, however, of large brushstrokes from Abstract Expressionism, the flattened plane of Modernism, and the simple compositions of early Abstraction created a combination of styles completely his own. A painter of a vast range of subjects, including still lifes, portraits, and landscapes, Lechay was known to reduce these forms to their visual essentials. Lechay often did not date his paintings as he frequently reworked them, even after they were exhibited, calling his pieces, “finished at all stages and never finished”. In 1945, Lechay was hired by the University of Iowa’s art department, where he worked alongside Mauricio Lasansky, Humbert Albrizio, Carl Fracassini, and Byron Burford...

This contemporary vivid expressive still life painting, depicting pink flowers and executed with the touch of Expressionism and the heritage of Post-Impressionism, was created by Fre...

Dynamic and abstracted still-life artworks are the specialty of Georgia-based artist Kellie Newsome. Her work is characterized by a loose and expressive style emphasizing line struct...

Katherine Bello Flower Arranging Oil on canvas 2023 Size: 20x20x1.5in Signed, dated and titled by hand COA provided Ref.: 924802-1870 *on stretcher frame - ready to hang ** addition...