20th Century Abstract Paintings

Painted sculpted cardboard Unique work Coming from the artist's studio Jacques ROUBY, the aesthetics of mystery "Experimental dreamer, passionate about graphic adventures, delibera...

Oil on paper. Signed and dated 'Walinska 57' (lower left). image size 20 x 13 1/2 in. framed size 28 1/3 x 22 1/2 inches Provenance Martha Jackson Gallery Anderson Gallery, Buffalo...

Framed, unique strike with significant hand coloring in acrylic paint on printed 2 color lithograph on paper by American artist Robert Motherwell (1915-1991). Signed in upper left c...

Black, grey, and cream toned figurative abstract painting by Mexican artist Francisco Moreno Capdevila. The work features various headless g...

Impressionist figurative painting of a woman dancing. The work is signed by, I Fantje who was an Indonesian Asian Modern & Contemporary painter born in 1931. ...

Leopoldo Gonzales Jr Born 1921 San Antonio Artist Size: 36 x 22 Frame: 42.5 x 28 Medium: Casein Circa 1958 Mid Century Modern "Corrida" Unsigned Biography Leopoldo Gonzales Jr Born ...

Vintage American modernist oil painting. Oil on canvas. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 25 by 19 inches overall and 24 x 18 painting alone. Framed in ...

Untitled Abstract Expressionist painting, 1957 Oil on canvas measuring 18 x 30 inches. Signed with monogram and dated lower right. Two repair patches on back on painting. Artist...

0riginal acrylic on panel painting by the well known American artist, Syd Solomon. Signed Syd Solomon lower center. Signed and dated Syd Solomon 1971 and inscribed as titled on the reverse. 30 × 24 inches. Condition is very good, no issues. The painting is framed in its original wood with silver reveal floating frame. Overall framed measurements are 32.5 by 26.75 inches. Provenance: A private collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Fabulous abstract expressionist painting in black, grays and white with a tiny red lady bug punctuating the linear field by Duane Albert Armstrong (b. 1998). Done in a high gloss pai...

Early Morris Gluckman abstract painting of a black shadow figure holding a pink item. Artist Biography: Morris Gluckman was born in 1894 in Kiev, Russia. He was an active artist in...

Abstract oil and encaustic on board by Walter McCown executed in the mid-1960s. From the corporate collection of a private Texas bank. Walter Edwin McCown...

Title: Green Table Newspaper and Flower Vases Abstract Interior Modernist Still Life Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 19.75 x 25.5 inches (heig...

BURGOYNE DILLER (1906-1965) Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller made an important contribution to the development of no...

Burning Bush, 1989, by Theodoros Stamos (1922-1987) Acrylic on canvas 66 x 50 inches unframed (167.64 x 127 cm) Inscribed (Infinity Field Jerusalem Series...

3713 Acrylic on board Set in a vintage frame

Signed: H Brown (verso) Marked: Screen Series, No 37 - "Victoria" with date and dimensions (verso) Acrylic polymer on canvas 24 x 24 inches Framed 26 x 26 inches Provenance: Acquire...

Jacob Eisenscher (Israeli, 1896-1980), Village Landscape Scene, Oil on Canvas, signed in Hebrew and English lower right, carved wood frame. Image: 25" H x 31.5" W; frame: 32.25" H x ...

Rows, 1970, by Julian Stanczak (1928-2017) Acrylic on canvas 27 ¼ x 27 ¼ inches unframed (69.215 x 69.215 cm) 28 ½ x 28 ½ inches framed (72.39 x 72.39 cm) Signed on reverse Dated and...

Dark Image, 1960 by Will Barnet (1911-2012) Oil on canvas 53 x 30 ½ inches unframed (134.62 x 77.47 cm) 55 ½ x 32 ⅞ inches framed (140.979 x 96.2152 cm) Signed and dated on top right on the reverse Description: This abstract oil painting by Will Barnet uses minute gradations in value to achieve a work that presents a contextual understanding of color. Upon first inspection, it looks as if Barnet has created a completely black canvas with some hints at forms in the darkness; however, upon a closer look, the canvas is, in fact, not black, but instead comprised of varied shades of dark, muted blues, grays, and purples. Barnet presents us with an illusion of vision, asking the viewer to question his perspective and understanding of color interplay. At the beginning of his career, Will Barnet was known for his figural depictions of domestic scenes. But, as he continued to stylistically develop, Barnet arrived at abstract geometric paintings far removed from his original career. A part of the Indian Space...

Belle Cramer (American, 1883 - 1978) was a painter whose vivid color and expressive compositions made her a central figure in mid-20th-century St. Louis a...

"Untitled, Figure Study" is an abstract figurative Post War pastel on paper paintings by Hans Burkhardt in 1967. The artwork is 21 1/4 x 16 1/4 inches and, with the frame, is 28 3/4...

Frustration is center stage, written in cursive: "It's one of those days nothing works out right -- bump into any sharp corner – can’t tell flesh from white or brown from…or green fr...

ABSTRACTION Mid-Century Abstract Non-Objective Color Field oil American Modern James Daugherty (1887 – 1974) "Abstraction" 11 ¾ x 13 ¾ inches Oil on...

Blue, red, and yellow abstract modern portrait painting by Texas artist Robert Sandman. The work features a well dressed man with part of his face obscu...

"Village Life" Oil Painting 12" x 20" inch (1987) by Fathi Afifi Fathy Afifi is an Egyptian Postwar & Contemporary artist who was born in 1950. He participated in local and interna...

Keith Haring. 1958-1990. The iconography of his drawings includes dancing animals and figures, dogs, crawling babies, pyramids, televisions, telephones, and flying saucers. The idea ...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Rufino Tamayo (Mexican, 1899-1991) 'The Red Horse of the Apocalypse' from the The Four Horsemen of the Apocalypse Series. Commissioned by Issac-Louis Lemaistre De Sacy as illustratio...

In Mr. Zox's sigrrature works of the mid- to late 1960s, flatly painted diamonds, triangles and other hard-edged shapes were orchestrated into brilliant symmetrical and asymmetrical ...

Signed and titled oil on canvas by French cubist painter Camile Hilaire. The piece beautifully depicts a man at a port beside boats coloured in reds, blues and oranges. A wonderfully...

URBAN BLOCKS Size: 48 x 63.5 cm (including frame) Oil on board A striking mid-century abstract cityscape rendered in a restrained muted palette, executed in oil onto board. The pai...

Oil on panel. Natural and mystical processes inspire Ostovany. Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mystical traditions. He looks toward elements of Western and Eastern art, literature, spirituality, poetry and music to create an environment and a mindset conducive to his process, which is connected to Abstract Expressionism and Color Field painting. Conference of the Birds...

This striking original 1949 gouache and wax painting, titled "Fetishes", is a powerful work by acclaimed New Mexico modernist Howard Schleeter (1903–1976). Rich with symbolic abstrac...

Gene Davis (1920-1985) American, Washington, D.C. “Batman” 1975 Graphite and acrylic on raw canvas Signed on reverse: Gene Davis 1975 Batman Davis is known primarily for the stripe...

Painted sculpted cardboard Unique work Coming from the artist's studio

Early work on canvas by Italian artist Oscar Piatella titled "La Lunga Strada" which translates as "The Long Way" executed in 1958. Bio: (Source: Brun Fine Art) Oscar Piattella wa...

Artist/Designer; Manufacturer: Francis Newton Souza (Indian, 1924-2002) Marking(s); notes: signed; 1975 Materials: acrylic on canvas Dimensions (H...

Four Six No. 1 is a significant example of Naohiko Inukai’s hard-edge abstraction from this period. This fresh, graphic work features geometric clarity and crisp, interlocking...

Friedel Dzubas Untitled, 1982 Monotype on handmade paper 33 1/4 x 33 inches A noted figure in the New York School, Friedel Dzubas was associated with the Color Field painting movem...

Andy Miller (American, b. 1950), Abstract Composition, Oil on Canvas, impasto details, deep red and brown, with artist's studio stamp and signed to verso, unframed. 65" H x 55" W. Pr...

Title: Vibrant Still Life with Bananas Pumpkin and Leeks French Modernist Gouache Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 19.25 x 22.75 inches (height...

The work is executed at the heyday of abstract expressionsim in the mid-50s. Colors are saturated and bright. Goldfield (of Goldfield Gallery). Written on the stretcher. Goldfield G...

"Landscape No. 108" is an abstract Post War oil on panel painting by Hans Hofmann in 1941. The artwork is 23 1/4 x 29 1/4 inches and with the frame is 31 1/8 x 37 1/8 x 2 5/8 inches,...

Discover the vibrant world of Martin Saldana, a talented Mexican-American folk artist known for his captivating rustic and naïve style. This original painting, titled "The Train", wa...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic and mixed media on canvas. Signed, titled, and dated verso. 40 x 76.5 in. 41.75 x 78.25 in. (framed) Custom framed in a solid, unfinished maple floater. Provenance Watson/de Nagy & Company, Houston Private Collection, New York Sherron Francis was born in 1940, in Downers Grove, IL outside of Chicago. She originally enrolled at the University of Oklahoma, but later transferred to the Kansas City Art Institute to focus more on art. Initially, Francis' practice was focused on figurative art, with visiting professor and renowned modern realist Philip Pearlstein remarking on Francis’ draftsman acumen. In the early 1960s, art dealers and gallerists from New York would visit the Institute to entice promising artists by offering scholarships and financial aid. Because such financial arrangements were only made for men, Francis had to persuade the school's leadership to allow for women to also be eligible for merit-based aid. Her advocacy was successful, and she ultimately graduated from the Kansas City Art Institute in 1963. She would then proceed to obtain her MFA from the University of Indiana, before assuming a teaching position at Eastern Michigan University. In 1968, with only $300 on hand, Francis moved to 16 Waverly Place in SoHo, New York. The neighborhood was a hotbed for young AbEx artists of the day, and she quickly befriended the likes of Peter Reginato, Walter Darby Bannard, Michael Steiner, Peter Young, Peter Bradley...

"Old Semmut" is reminiscent of Stefanelli’s travels to the Philippines during the war. The artist’s contrasting palette conveys a dichotomy. The dark at the top of the painting allud...

Byron Browne (1907-1961). Provincetown Beach, 1957. Oil on canvas, 24 x 30 inches, 30 x 36 inches in vintage solid chestnut frame. Signed lower righ...

“The Garden” is a striking, original 1960s abstract mixed media artwork by celebrated American artist Edward Marecak (1919–1993). Created using burnished crayon and acrylic on paper,...

Gouache and watercolor on paper, 1950. Initialed by the artist "FL" and dated "50" lower right. Exhibition History: Blue Moon Gallery/Lerner-Heller Gallery, New York, "An intimate ...

Large scale abstract painting on canvas executed by Ken Nishi in 1978 titled "Gaspe and the Laurethians" inspired by his frequent visits to the mountains and peninsulas of Quebec, Ca...

the painting is being offered with a work and authenticity certificate

"Double" is an oil painting on paper with a wooden stand, a wooden rod serves as a frame. This painting is part of a series of works where the human figure ...

Untitled - OL1.96 (Abstract Painting) Oil, fabric and string on linen - Unframed Feinberg works with a variety of techniques and mediums, including painting, paper collage and inst...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Phenomenon East of the River by Paul Jenkins (1923 - 2012) Acrylic on canvas 97.2 x 130.2 cm (38 ¹/₄ x 51 ¹/₄ inches) Signed lower right, Paul Jenkins Signed, titled and dated 1993 on the reverse Provenance Private collection, New York, acquired directly from the artist Artist's Biography Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

Sea See 9 by Stacey AS Pritchard Painting, Water Color, Great Pacific Garbage Patch, Environment, Nature, Water scape, Landscape, Outdoors, Trash, Water, Bright Colors, Earth Tones,...

Yaacov Agam Tactile Bleu, 1964 Oil on board with springs and 40 painted metal discs 55.9 x 78.7 x 2.5 cm 22 x 31 x 1 in

Clifford Singer's demonstration of improvisation with line in 1976.

Conference of the birds no 28 (Abstract Painting) Oil on panel. Natural and mystical processes inspire Ostovany. Informed by a variety of different cultures, Ostovany feels a conne...

Gene Hedge Untitled, circa 1966 Acrylic on canvas 61 1/2 x 42 1/8 inches (P122) Gene Hedge was born (1928) and raised in rural Indiana. After military service, he briefly attended Ball State University in Muncie, Indiana. There he encountered the writing of Laszlo Moholy-Nagy, and the following year (1949) went to study at the Institute of Design in Chicago. He received a B.S. degree in Visual Design from the Institute of Design (1953), and he also took courses at the Art Institute of Chicago and began working in collage. During this period, the influence of Eugene Dana...