Late 20th Century Abstract Paintings

Echoes of the Atelier XVII, acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an age...

Joyce Kozloff Tepoztlan II, 1973 Gouache and colored pencil on paper Signed, dated and titled twice: once on the back of the work (shown) and once on the original board which has bee...

6131 Blue and white abstract Expressionist painting Image size 18x14"

'Florentine Abstraction in Colour', Florentine School, acrylic on canvas mounted on board, circa 1980s-90s. A striking departure from the colourful figurative portraits from the same...

Ron Gorchov Untitled, inscribed to Robert Vogele, 1978 Watercolor and etching on paper with 2 deckled edges. Hand signed in pencil and inscribed on lower front. Inscription reads as ...

"Florentine Expressions: A Portrait Series III", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an inte...

Large Vintage Post Impressionist framed oil painting on canvas, signed by the artist, Monique Baroni (1930-2016) in the bottom left. This is a stunning large scale impressionist oi...

4090 An abstract graffiti art, oil on artist board displayed in a custom -made wood frame Image size 12H x 12 W

"Florentine Expressions: A Portrait Series IX", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an inter...

Richard Andres (American, 1927–2013) Saturday on Wednesday, c. 1975 acrylic on canvas signed lower right, signed and titled verso 48.5 x 62.5 inches Richard Andres was born in Buff...

5-3048 Oversized red floral painting on canvas applied to board Set in a vintage wood frame Neapolitan artist P. Russo

Kenneth Noland Untitled Target, 2001 Acrylic paint on offset lithograph paper Signed, dated, and dedicated along lower edge: For Howard and Susan with Love Kenneth Noland 6.10.01 Fra...

No two shapes are alike. Yet they work together as a harmonious whole. Painter David Braden has described his vision overall in abstract terms. Inspired by individuality, he especial...

Gordes, The Luberon Valley, Provence French artist, signed and dated 95 oil on canvas, framed framed: 29 x 38 inches canvas: 24 x 32 inches Provenance: private collection, France Co...

Robert Longo's "Pressure on Heaven/God" is a classic work from the 1980s, a period that is very much in vogue these days and subject of major critical, commercial and scholarly re-ex...

Frank Stella Homage, 1997, 1997 Mixed media with paper collage Signed, dated and inscribed " "Homage" to Dieter Honisch and many many good wishes, cheers again and again Many Many th...

'Feminine Forms: Harmony in Curves', oil on board, German School (circa 1980s). Two nude figures portrayed in the abstract posture differently. Both are curvaceous and Rubenesque. Re...

Sister Mary Corita Kent I Love You Very, ca. 1975 Original watercolor on paper Unique works on paper by Sister Corita Kent, like this charming hand signe...

Abstract Expressionist Composition signed by Gilbert Pelissier (French born 1924) dated 68 oil painting on canvas, unframed canvas size: 26 x 36 inches condition: overall very good, ...

'Portrait of a Young Woman', oil on board, by Peter Robert Keil (1983). A wide-eyed woman gazes out to the viewer with an inquisitive gaze. The artist's use of exuberant colours beli...

Leonardo Nierman, Mexican (1932 - 2023) - Moonlight, Medium: Oil on board, Size: 32 x 24 in. (81.28 x 60.96 cm), Frame Size: 40 x 32 inches

Nizza (Nice, South of France) by Artan Shabani, signed and dated 1999 signed oil on canvas, framed framed: 28 x 32 inches canvas : 20 x 24 inches inscribed verso Provenance: private ...

James Massena March (American, 1953-2021) Untitled Oil on canvas 30 x 48 inches "My paintings are about space, form and energy. I generally start ...

Keith Haring. 1958-1990. The iconography of his drawings includes dancing animals and figures, dogs, crawling babies, pyramids, televisions, telephones, and flying saucers. The idea ...

A wonderful minimalist black and red mixed media work Circa 1970. Though the artist is unknown this work was acquired along with pieces by well know artists Karel Appel and Robert M...

Joseph Glasco (American, 1925–1996) Untitled 1980 Acrylic and collage on canvas Initialed and dated verso 48 x 48 inches Joseph Glasco was born in Paul’s Valley, Oklahoma and grew u...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed oil painting on canvas, unframed inscribed verso canvas size: 35 x 46 inches condition: overall very...

'Echoes of the Avant-Garde: Mid-Century Visions III', oil on board (circa 1970s). Step into a world where the spirit of early 20th-century modernism meets the bold experimentation o...

A wonderful minimalist mixed media work Circa 1970. Though the artist is unknown this work was acquired along with pieces by well know artists Karel Appel and Robert Motherwell from...

Cubist Composition by Jean Besnard (1922-2007) oil on board, unframed signed with initials, dated board: 27 x 26 inches provenance: private collection, France condition: good and sou...

Surrealist composition French School, dated 1975 verso oil on canvas, framed framed: 33.5 x 27 inches canvas: 32 x 25.5 inches inscribed verso provenance: private collection, France ...

Willy Oster Untitled Geometric Abstract Mixed Media Collage; Acrylic, Paper 1990 27.55 x 39.37 inches (70 x 100 cm) Signed, dated and annotated by hand on verso COA provided *Condit...

Signed lower right, right-hand canvas, "William S. Burroughs" (American, 1914-1997), dated "1993" and titled "Exterminator II'. Signed on lower left, left-hand canvas, "Steven Lowe" ...

"Florentine Expressions: A Portrait Series XII", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing art professor from the Istituto di Arte di Porta Romana, Florence, Italy. The professor released works of artists whom he mentored over the years. We are unsure who painted the series we acquired as several are just signed, 'Giacomo', or, left completely unsigned, yet many are clearly by the same artist. This one is in good overall condition and has been newly framed with a French-style linen slip. The canvas is textural like one of the vintage maps...

Vintage American modernist seascape oil painting. Oil on canvas. Framed. Measuring: 16 by 19 inches overall, and 11 by 14 painting alone. Handsomely framed in giltwood molding. Exc...

The Bridge at Argenteuil a copy after the earlier, original painting by Claude Monet oil on canvas, unframed canvas : 20 x 24 inches provenance: private collection, south west of Eng...

Expressionist abstract oil on canvas by French artist Bernard Duvert. The painting is signed bottom left, dated and titled to the rear stretchers and with exhibition numbers. A magn...

Thelma Appel Nightfall (Dusk), 1973 Acrylic and Oil on Canvas. Hand Signed. Framed. Hand signed and titled on the back Unique Provenance: Jill Kornblee Gallery, NYNEX Corporation Frame included Museum Provenance. This work was originally sold in 1973 by the prestigious Jill Kornblee Gallery to a corporate collection (NYNEX) and, in 2019, it was featured in the Thelma Appel 50 year career survey at the Brattleboro Museum in Vermont – so the provenance is superb. It is reproduced in the exhibition catalogue. The collector who acquires this beautiful painting will be furnished with several copies of the limited edition museum catalogue Measurements: Framed 38.5 x 89.5 inches Artwork 36.5 x 87.5 inches Thelma Appel Biography: A co-founder of the Bennington College Summer Painting Workshop, Thelma Appel is a representational and abstract painter who has been practicing art for more than six and a half decades. In the 1980s, Thelma Appel was represented by the renowned Jill Kornblee Gallery and, after Ms. Kornblee retired, Appel joined the legendary Fischbach Gallery, (the gallery of record for Alex Katz for many decades,) also on West 57th Street, before they shuttered. After leaving Manhattan, she retreated from the art world for several decades; however, in recent years, her work is being rediscovered by a generation of new collectors. A beloved and popular teacher, at 87 years of age, Thelma could still be found teaching “The Art of Painting” at Artsplace in Cheshire, CT. and at the Osher Life Long Learning Institute (OLLI) At the University of Connecticut, near her home during the 2024-5 Fall/Winter Semester. In 2019, she was subject of a 50-year career survey (October, 2019 -February 2020) at the Brattleboro Museum in Vermont, entitled Thelma Appel: Abstract/Observed curated by Mara Williams. She has also exhibited at the Mattatuck Museum in Connecticut, which acquired one of her fabric collages for their permanent collection, the Bennington Museum in Vermont and the Police Museum in Lower Manhattan. Thelma Appel was born in Tel Aviv, Israel, but following her parents’ divorce, her father remained in Israel, but her mother emigrated to London to pursue a career as a journalist. However, she soon became ill, and Thelma was sent alone to be educated in a Protestant missionary schools in Darjeeling, India, a geographical displacement that would impact her life and her work. Thelma returned to London, England, to study art at the legendary St. Martin's School of Art (later Central St. Martins) and Hornsey College of Art, under such renowned teachers as Joe Tilson and Eduardo Paolozzi, before emigrating to the United States in the 1960s. Her work has been exhibited in numerous venues, including the Bennington Museum, the Berkshire Museum in North Adams, Mass., the Children's Museum of the Arts in New York City, the Mattatuck Museum, the Brattleboro Museum, the Milwaukee Art Museum, the Robert Hull Fleming Museum at the University of Vermont and the University of Pennsylvania Fine Arts Gallery. In 1974 she was awarded a YADDO Fellowship, and in 1975, Thelma Appel, along with the painter Carol Haerer, co-founded the Bennington College Summer Painting Workshop, where many distinguished painters of the day, both abstract and representational, conducted master classes. Among them were Neil Welliver, John Button, Alice Neel, Larry Poons, Friedel Dzubas, Stanley Boxer, Elizabeth Murray and Doug Ohlson – a program that continued until 1980. (One of Thelma’s students was the renowned art dealer Matthew Marks.) She has also taught drawing at Parsons School of Design, painting at Southern Vermont College and at the University of Connecticut. Appel’s work has been presented at Art on Paper, Texas Contemporary, Market Art & Design in Bridgehampton and Art New York art fair, which selected Appel’s Times Square series of paintings for their invitational public Project Space sponsored by Absolut Vodka. She was one of the winning artists of the juried exhibition “Pets of the Pandemic” juried by art historian and critic David Cohen, publisher and editor of artcritical, who cited it for special commendation as a “masterful portrait”. In recent years, Thelma’s work has been exhibited in both one-person and group shows at Alpha 137 Gallery in New York, Sager Reeves (now Sager Braudis) Gallery in Missouri, the Chashama Foundation in New York City, as well as the Five Points Gallery and Center for the Visual Arts in Torrington Connecticut, the David M. Hunt Gallery in Falls Village, CT and Wisdom House in Litchfield Ct...

Rene Marcil: 1917-1993. Very well listed Canadian artist who has auction records as high as $100,000. This fabulous fresh to the market oil painting is either on a thin board or thic...

Red and Black By French artist Gabriel Jenny, 20th Century Oil painting on canvas, unframed Signed by the artist on the lower right hand corner Canvas size: 25.5 x 32 inches Dramati...

Beautiful abstract Minimalist painting by unknown artist. Dated 1977. Oil on canvas measures 36 x 60 inches. Signed and dated lower right.

Emily Mason So Slight a Film (from the Lehman Brothers art collection), 1978 Oil on paper Abstract Expressionist painting Signed and dated 'Emily Mason '78' bottom right in pencil Fr...

Roland Ayers (1932-2017). Untitled, 1983. Ink on paper, measures 17 x 23 inches. Unframed and unmounted. Signed and dated lower left. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

This abstract expressionist painting is by Carol Sutton. At the age of only twenty-two years, a portfolio of sixteen serigraphs by Carol Sutton became part of a collection at the Sm...

Artist/ School: A. Davy, French School, late 20th century Title: Olive Trees, Manosque (Provence). Medium: signed, oil painting on canvas, framed and inscribed verso. Size: ...

Large 1970s abstract geometric acrylic and oil on plywood panel signed Rivel and dated 1977 to the bottom left. The painting is titled to the rear of the panel. Numbers of colour fields in muted shades jostle against one another. It is the shapes and the space between them which give energy to the painting whilst the colour palette restrains. The painting is highly textured as the artist has applied the paint thickly and energetically with both palette knife and large brushstrokes. At times layers of paint reveal underlying colours. This painting fits perfectly into the abstract genre with its focus on its formal qualities over and above its subject matter. Furthermore the artist experiments with reconstructing shapes and rejecting three dimensional perspective. A fine example of non objective art...

Vintage American modernist abstract expressionist painting. Oil on canvas. Framed.

Red Thumbprint - Abstract Expressionist Composition in Acrylic on Paper A bold abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). This piece i...

George Dannatt (1915-2009) 'Gates' No 1 1976 Medium: Oil & crayon on oil wash Image: 21.0 x 33.0 cm Reference no: 0450 George Dannatt’s long career as a painter and sculptor ended ...

Expressive black and white abstract, with scribbled linear patterns in the style of Jean-Michel Basquiat, by by Bay Area artist Michael Pauker (American, b.1957). circa 1977. Oil on canvas. Titled "Baldwin" and dated "Summer 77" on verso. Here he revisits a piece he did early in his carrier of the same title "Baldwin" in 1967. Unframed. Image size: 16"H x 12"W. “I’m driven by curiosity...where it comes from I can’t tell you; it’s just there. And early 20th-century modernist art is the thing that I keep returning to.” - Michael Pauker Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40,” Adam Baumgold Gallery, N.Y., NY 2002 “Works on Paper,” Bryant St. Gallery, Palo Alto, CA 2002 Dolby...

Superb large scale French abstract oil painting by the popular 20th century French painter, Andre Copin (1911-1998). The painting is signed to the lower corner and dates to circa 198...

Blue, Red & Green Abstract Expressionist Painting, entitled 'Tropical City #1', an extremely rare early work from leading British Contemporary Artist...

Work on canvas This bold, intriguing work features an abstract composition dominated by organic forms. Three main figures stand out against an intense purple background, each framed ...

The artist had a lot to say. Why else spend the intense focus and time on rendering such a luminous work brought to completion literally point by point in tiny dots? Ask yourself: Ar...

Artist unknown "Black & White Lounger" c. 1980s Acrylic on Strathmore paper 40.5"x25.75" unframed Unsigned Very Good Condition - Minor wear consistent with age and history 2" tear o...

"Abstract Design" by Arlette Martin (French, b.1924) signed and dated 85' gouache/watercolour painting on card, unframed painting: 12 x 8.75 inches Stunning original painting by t...

In this abstract landscape, artist Geneva Cross conveys the mood of a dreamlike summer evening that might be remembered by any of us in its universality. Blending the basic elements ...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed. Measuring 17 by 21 inches overall and 16 by 20 painting alone. In excellent original condition. Hands...

Oil on canvas, 28 x 31 inches overall, 25 x 30 inches image size. A dynamic abstract expressionist composition with an energetic interplay of saturated primaries and gestural impasto...

Russian Icon by Peter Kalkhof (German, 1933-2014) acrylic painting on canvas, unframed 61cm x 56cm Stunning original painting by the very well listed German born painter, Peter Kalk...