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Pierre Morquin"Djinn"abstract acrylic, spray, fusain on linen canvas 114x146cm 20232023
2023
$3,835.20
$4,79420% Off
£2,841.52
£3,551.9020% Off
€3,200
€4,00020% Off
CA$5,288.72
CA$6,610.9020% Off
A$5,599.37
A$6,999.2120% Off
CHF 3,030.22
CHF 3,787.7820% Off
MX$66,922.79
MX$83,653.4920% Off
NOK 37,771.32
NOK 47,214.1520% Off
SEK 34,540.53
SEK 43,175.6620% Off
DKK 24,377.89
DKK 30,472.3620% Off
About the Item
Pierre Morquin, "Djinn" : une toile abstraite aux couleurs vives et chatoyantes, qui évoque les esprits de la tradition arabe et la vie après la mort.
n this abstract painting, Pierre Morquin plunges us into a dreamlike, phantasmagorical universe. Fluid, swirling forms in bright, shimmering colors unfurl across the canvas, creating an impression of movement and dynamism.
The title, "Djinn", evokes the spirits of Arab tradition. These supernatural creatures are often depicted as powerful, mysterious beings capable of metamorphosis.
The painting can be interpreted as a reflection on life after death. The fluid, dynamic forms could represent the souls of the deceased, on their journey to another world. The bright, shimmering colors could symbolize the hope and joy of a new life.
The painting is imbued with great spirituality and a mystical atmosphere. It leaves the viewer free to interpret his or her own meaning.
Pierre Morquin, "Djinn": an abstract canvas in bright, shimmering colors, evoking the spirits of Arab tradition and life after death.
- Creator:Pierre Morquin (French)
- Creation Year:2023
- Dimensions:Height: 57.49 in (146 cm)Width: 44.89 in (114 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Saint Pol de Léon, FR
- Reference Number:1stDibs: LU1501213634622
Using different techniques (acrylic, spray, oil pastels, charcoals) and supports (coated canvas or not, assembled wood) I trace my path between abstract expressionism, a decisive Aboriginal inspiration, modern influences, urban and my youth in Africa. It is a set of contemporary painters who, through Hélène Frankenthaler, Cy Twombly, Basquiat, Kikuo Saito to Oscar Murillo, Joe Bradley, Ida Ekblad, André Butzer..., inspires me. When I paint I make incursions into my reason, my knowledge and then I let myself be carried away by shapes, colors and emotion. The painting then comes of itself, a form by leading to another, a color by calling another until an imbalance of tasks and traits speaks to me and finally satisfies (but momentarily...) the hope that creation has generated in me.
As the idea is and remains intuitive, the artist is not aware in abstracto of the intention and purpose of his work: it is not a concept, but an idea that guides him: so he cannot give any explanation of his way of doing things: he works, as we say unconsciously, actually instinctively.”
Schopenhauer, The World as Will and Representation
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