Renee Phillips

Meditation FB SetPlaWh - abstract textural light brown painting on wood panel

2018

This piece is an abstract acrylic painting created on a wood panel. It features a bold, energetic composition built from large, block-like shapes and expressive strokes of saturated ...

Cynthia Rojas’ practice occurs freely–shedescribes “haphazardly” applying paint and the “intuitive” formation of line. Illusion, too, makes its way into Rojas’ images, as she applies...

acrylic and gold metal leaf and lime plaster on wood

We Can Be Strong, by Melanie Yazzie, Navajo, woman, painting, brown, red, blue MELANIE YAZZIE, who has been represented by Glenn Green Galleries since 1994, is talented as a sculpto...

Sandra Cohen’s “I’m not here (2)” is a 10 x 10 x 1 inch acrylic painting on cradled wood, in green, blue, and yellow. An experiment in abstraction based o...

Andrzej Karwacki likes to create warmth within his work by using dark colours. Within this work, Andrzej has used: Black, Orange, Yellow and Red to create a very warm and comforting ...

After the rain [2021] Signed by the artist Acrylic on wooden panel Image size: H:51 cm x W:51 cm x D:2cm Please note that insitu images are purely an indication of how a piece may look I have always been a bit obsessed with horizons and how a horizontal line on a painting becomes 'landscape' in the viewers mind. I love the idea of suggesting a landscape, but then abstracting the subject and using the materials in such a way that the texture and details made by the paint, and the grain of the wood panel, are as important if not more so than the subject itself." Rebecca enjoys balancing on the fine line between abstraction and representation, to imply a landscape with paint rather than accurately visually recording it. Her landscapes are somehow subliminal. Somehow ‘other’. Somewhere not quite real. An idea or a memory of a landscape. She aims to create an emotionally charged atmosphere with colour and texture and line, working with paint for paint’s sake. Rebecca Tucker...

Love Letters to Cornwall (III) by Mary Scott [2021] original and hand signed by the artist Acrylic and oil on wood panel Image size: H:40 cm x W:40 cm Complete Size of Unframed Work...

In BLUE CIRCLE QUILT, 1, Natalie Harrison deconstructs both the historically domestic crafts of molding and quilting and her own personal creative history to create a new work of collage. Shaping multicolored, leftover paint from her past work through a candy mold...

In MULTICOLOR CIRCLE QUILT, 1, Natalie Harrison draws on the historically domestic crafts of molding and quilting to create a new work of collage. Sha...