Rupert Picott

Vibrant Gouache by Rupert Picott

This geometric abstract by David Segel presents an interplay of form and color, rendered in a restrained palette of charcoal gray, black, ochre yellow, and deep red. The composition ...

Non-objective abstract oil on canvas from the estate of Bert Miripolsky. American artist Miripolsky studied painting at Chicago Art Institute in the early 1940s and has exhibited th...

This work juxtaposes two biomorphic figures—one suspended in a teal-blue field, the other grounded in olive green—both rendered in Tschopp’s signature mosaic-like color patterning. T...

An exploration into symbolism and color for this lithograph numbered 2/60, signed and dated by Richard Proctor. The artist, whose work we regularly feature, offers us a dazzling illu...

Contemporary abstract painting in silver foil and gouache on rice paper in a gilt rectangular frame (TOM JOHN, 2003) (Similar pieces: JOH6213/JOHN6214/JOH6216)

Derrick Latimer Sayer (British, 1917 – 1992) Caterpillar Signed, inscribed and dated ‘CATERPILLAR’ (lower left), ‘Derrick Sayer 55’ (lower right) Gouache 7.7/8 x 9.1/4 in. (20 x 23.5 cm.) Derrick Latimer Sayer (1912–1992) has been described as a Neo-Romantic and pop artist, with a career that spanned from the spiritualism of postwar English landscapes, to the bright, optical playfulness of 1960s Pop art. Sayer had a distinguished start to his career, having studied at the Chelsea School of Art in the early 1930s under Graham Sutherland and Henry Moore. In 1936 he founded the Mousehole Group Art School in Cornwall with fellow painters George Lamborn and Guy Allen, and for the next few years he exhibited at a number of small local galleries, while also executing commercial advertising work for major companies such as Shell Oil. The 1940s and 50s were a period of widespread travelling, teaching and experimentation for Sayer, as he founded the Army Art Centre in 1945, worked in the South of France in 1949 and displayed works at the Leicester, Redfern and Winton Galleries across the 1950s. In 1966, he took up the helm as the Head of Art at the Chelsea Westminster Adult Education Institute, a position he held until his retirement in 1982. Ten of Derricks works can be found at the Chelsea Westminster Hospital Arts Project, hung alongside a permanent collection that includes Patrick Heron, Howard Hodgkin, and Sian Tucker. Sayer was known for his studies of female nudes, particularly the examination of the nude in...

1970s abstract expressionist gouache on paper by Belgian artist André Pierard painted in Provence in the south of France. A highly colourful and energetic abstract painting. The st...

Abstract Expressionist oil and acrylic on paper by Dutch artist Joep Goeting. Signed and dated 1972 to the bottom left and presented under glass in a gilt wooden frame. An early and...