Abstract Abstract Paintings

Title: Mid Century French Abstract Line Drawing Twin Female Figures Ink on Paper Signed (initials) by Serge Guerin (b. 1916), French Black ink on paper, unframed Size: 19.75 (height) x 12.75 (width) inches Provenance: private collection, Paris, France Condition: good and sound, light handling to sheet and faint age toning consistent with age; deckled edges present Description: An elegant and meticulously balanced ink drawing by French modernist Serge Guerin, this mid-century composition captures two mirrored female forms rendered in flowing black lines. The symmetrical structure and interwoven contours create a sense of duality and rhythm, merging sensuality with abstraction. Guerin’s precise yet fluid style distils the human figure into an almost architectural motif, evoking both Surrealist automatism and the graphic minimalism associated with the post-war Ecole de Paris. The subtle interplay between curved and angular forms reveals the artist’s deep understanding of balance and design. Executed in crisp black ink on textured wove paper, the work exemplifies Guerin’s refined linear technique and meditative control. The paired figures may be read as symbols of harmony, reflection, or unity—an exploration of femininity abstracted into pure form. Signed with the artist’s monogram in the lower right, this drawing would suit collectors of modernist works on paper, mid-century line art, or minimalist figurative compositions. Keywords for collectors and interiors: French mid century abstract, modernist nude, twin figures, symmetrical line art, Ecole de Paris ink drawing...

Richard Andres (American, 1927-2013) Panama Garden, c. 1964 acrylic on canvas signed lower right, signed and titled verso 46 x 38 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Black Landscape is a unique, non-reproducible artwork created in 2023 using pure pigment powder on canvas. Size: 50 × 70 cm Medium: Pure pigment on canvas This abstract painting sta...

Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background "Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022 gouache, acrylic, pencil, and colored pencil on paper, mounted on panel 48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame Surface is protected with four coats of an archival UV protective varnish Signed, verso Excellent condition and ready to hang This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish. More about the work: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Artist/ School: Rene Leroy (French b. 1932) Title: Abstract/ Cubist Composition Medium: oil painting on canvas, framed, signed Size: framed: 26.5 x 22.5 inches paint...

The works act as a reflection or gravitational pull from the source and power of the moon. Each work responds to a particular cycle of the Moon in which the energy is translated on c...

Contemporary figurative painting with lots of details and movement. Beautiful statement piece for any art collection. Combining a lot of different colors in any interiors and settin...

Large, brightly colored abstract geometric painting in various shades of red, pink, and peach with accents of mint green, teal, blue, yellow, white and black. "Memory Wall #6" made ...

Susan Kiefer Planar Assembly Oil on Canvas Year: 2022 Size: 40x30x1.35in Signed by hand COA provided Though born and raised in Kansas City, artist Susan Kiefer lived on the west co...

Untitled #SP-203 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray D...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Colt Seager (b. 1993) is an American painter and sculptor based near Chicago, IL. Drawing inspiration from the inherent holiness and tranquility of the natural world, Seager’s work is deeply rooted in a process-based approach that reflects his reverence for the environment. The textures, layers, and expressive mark-making techniques he employs are a direct and visceral response to the landscapes of the Midwest. Through his art, he explores the dynamic interplay between process, form, and space, creating intuitive compositions that balance formal and organic elements seamlessly. Seager’s approach to art is both methodical and spontaneous, allowing his works to evolve naturally over time. He emphasizes the importance of construction and deconstruction in his creative process, believing that the true essence of his art comes to life through this duality. His works are an invitation to viewers to enter a contemplative space, where abstraction and form blend harmoniously. Seager states, "I see my work as it evolves naturally—it develops through construction but comes alive through its deconstruction. My goal is to offer an invitation into the thin place through abstraction, contemplation, exploration of form, and the rhythm of making marks—allowing one mark to carry into another—and in so doing, allow for a holy space where the divine transcends closer to earth." Through this philosophy, Seager aims to create artworks that resonate on a deeper, almost spiritual level, encouraging viewers to find their own connections to the divine and the natural world. His pieces are not just visual experiences but meditative journeys that invite introspection and a deeper appreciation of the beauty that surrounds us. Tycjan Knut...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

This painting is part of a series titled Sublime Memories. It is inspired by the commonly unseen aspects of nature that I notice when in such an environment. I look for those element...

Signed lower right, 'C. Maxwell' (American, 20th century) and painted circa 1975. A very substantial, American School oil abstract comprising contiguous and overlapping curvilinear ...

Wintersong, Original Framed Minimalist Black and White Abstract Diptych Painting 30x48x2 (HxWxD), Mixed Media A minimalist abstract work, these two canvases by artist Stacey Warnix...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 10.75 x 8.25 inches condition: excellent provenance: all the paintings we ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Celia Lees...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

In my work, I explore the quiet dialogue between earth, texture, and silence. Each surface becomes a landscape — not one we see, but one we feel. I build these compositions with recl...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card stuck on green card painting: 25.5 x 20.5 inches card: 24 x 19 inches condition: very good provenance:...

"Pink Punk" is a large, acrylic painting / wall sculpture on a flat, shaped wooden panel. It is attached to the wall on two wooden cleats and projects 1.5" from the wall, creating a ...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

"Nowhere to Land IV" Abstract Painting 83" x 87" inch by Carole Baines Carole Baines is a self-taught, London-born artist based between Townsville and Brisbane, Queensland, Australi...

Acrylic on Canvas Medium Scale Contemporary Abstract Expressionism Exploding with dynamic energy and vivid emotion, Number 15 is a striking original work by contemporary artist Al...

This lively abstract artwork, titled "Colorful Horizons," is a creation by French artist Natalya Mougenot. The piece captures nature’s essence through bold, expressive strokes and is...

Norman Carton Mid Century Modern Cityscape, ca. 1951 Oil on canvas painting (signed twice) Signed twice: hand signed on the front and also signed on the back Unique Frame included: T...

Before The Wire Green, White , Blue Abstract Expressionist Painting Made by Ragellah Rourke in 2025 oil on canvas 36 x 48 inches, unframed The sides are cleanly painted light grey so...

The colorful abstract artworks of Romanian artist Alex Voinea are inspired by experiments with paint poured over vibrating surfaces, such as speakers at full volume. Alex Voinea coll...

This contemporary vibrant abstract expressionist artwork depicting desert American landscape with its cactus trees was created by the French artist Natalya Mougenot. Titled "Cactus ...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

Untitled oil on canvas, signed and dated 1988 by American artist Giorgio Cavallon (1904-1989) on the reverse. Cavallon was a founding member of the American Abstract Artists and a ...

Los Angeles artist Marc Raphael's abstract expressionism paintings are influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work for the fir...

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed 16 by 20 inches. Mila Akopova is New ...

Marta Muszynska graduated from the University of Technology in Cracow, with the major in Architecture and Urban Design (Master of Architecture). In addition, she holds the Certificat...

Mid Century Abstract Stream Painting by Gibbs C.1968 Original oil on panel Dimensions 10" wide x 25" high The rabbet measures 15.5" wide x 30.5" high Please note: The rabbet is i...

This is an oil on canvas. it is unsigned. Yona Lotan (1926-1998) Engineer and Painter. Yona Lotan was born in Lithuania. The family moved to Tel-Aviv, Palestine in 1936. He served as...

In the context of Jungian analysis, the fish is a profound archetypal symbol of the unconscious, transformation, and inner search. In this work, the intertwining fish figures evoke t...

""There’s something different about the homes of creative people. They like to surround themselves with inspiring things, from unique tablecloths to the incredible paintings on the w...

This is cold wax painting on paper. Two paintings, each is 11"x14". Cold wax medium is made from beeswax, it is mixed with oil paints to paint. the paintng needs to be framed for dis...

Post Dogmatist Painting on Panel, signed verso Art is 11 x 14 with frame approximately 12.5 x 15.5 Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, p...

Rahul Kumar Untitled Natural Pigment on Paper 35.5cm x 26.5cm Rahul Kumar is from a family of traditional miniature painters working in Jaipur. The atelier where his family learnt t...

Stephanie Visser, a native of southwestern Michigan, was educated at Kendall College of Art and Design in Grand Rapids Michigan. She continued her education in fine arts and painting...

Signed lower left "H. Plas" (French, born 1933) and dated 1971; inscribed verso "Champs de Velden" (Fields of Velden). A substantial Expressionist oil landscape showing a lyrical vi...

each artwork is 30-40 cm This is аn abstract paint where light and shadow shape the atmosphere of space and time. Through translucent layers of paint, smooth gradients, and textured ...

George Dannatt (1915-2009) Painting - Winter 1992 1993 Oil on prepared card 19.0 x 14.0 cm Vertical orientation George Dannatt’s long career as a painter and sculptor ended with t...

The surfaces Susan Washington works with are derived from her memories of the graffiti-covered subway car, public telephone booths, and rolling steel cages that secure neighborhood s...

Mexican artist Heny Steinberg’s abstract artworks invite us to travel from the map to the localized event. She is suggesting that the spatial memory guidelines residing in the relat...

An impressionistic depiction of a Saint-Cloud factory porcelain vase ca. 1695–1710 with a burst of flowers exploding with color and bold marks. Alfaro bridges the Baroque cultural mo...

Oil on canvas – 50 x 150 cm (19.7 x 59.1 in) Framed dimensions: 57 x 157 cm (22.4 x 61.8 in) Framing available upon request: natural wood or black American box Signed – Ready to hang...

Vibrant abstract work. Very textural feel. Not framed. Frame is not necessary unless preferred. About the artist: From the famed art family that includes his uncle Mr. Brain...

Ihor Volkov-Tkachynskyi draws inspiration from Japanese lithography and its distinct sense of flat perspective, reinterpreting the still life genre through a rhythmic play of form an...