Susan Hable

"Oddinary" - colorful abstract painting - patterns - Milton Avery

2019

Ricardo Mazal White Mountain 6, 2024 Oil on linen 78.75 x 90.5 inches RM574 Ricardo Mazal (b. 1950, Mexico City), one of Mexico’s most prominent contemporary artists, is known for h...

In this new body of work, Kremer continues to explore and celebrate the physical experience of being, juggling eros, flora, fauna, and saga in abstract relationships that continue to...

The Salad Of Color 2021 Large abstract heavy texture, oil on hemp fabric 58x58x3.5, framing for additional cost. This painting by Alexander and Natalia Gore...

An abstract oil painting, loosely painted en plein air on a beach in the Hamptons. The painting captures a curling wave, just about to crash on the shore, the spray from the top of the wave watching in the wind off the ocean. The painting was done like a sketch done by impressionist artists back in the day, but on a much larger scale. Color notes jotted down urgently to capture the moment before it disperses like sea spray in the breeze. Yektai paints in a thick sculptural fashion...

Inspired contemplative, warm cream, bronze abstract Impressionist diptych painting created in homage to the composer Rachmaninov, Sublime 'Rachmaninov “Letter to Sergei" is compris...

This 37" x 26" oil on linen was painted by Robert Bonaparte in 1980. It is characterized by its abstract stylistic qualities and the various forms and shapes depicted. At its center ...

Oil on linen.

Oil, graphite, ink on linen

This artwork by Françoise Duprat depicts an abstract marine landscape in turquoise blue with red touch. In her early artist carrier Françoise painted mostly figurative & symbolist ar...

In this new body of work, Kremer continues to explore and celebrate the physical experience of being, juggling eros, flora, fauna, and saga in abstract relationships that continue to surprise. Some of the tools are "new." Ruined old brushes and a variety of scrubbers from hardware stores provide novel ways of putting paint on canvas. Always pushing the boundary of "the tyranny of the mark, the handwriting" Kremer has accomplished this in the past with strategies such as masking and rubber stamping. Now, different tools bring their own idiosyncratic qualities of mark making, expanding the vocabulary with "different strokes." On these canvases, patterns emerge from the coalescence of chance events. Murmuration, the largest painting...