Udo Haderlein

Soft Colors V, Acrylic Ink Paint on Canvas, 2016 by Udo Haderlein

2016

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

Abstract Painting on Cavas framed in White washed wood frame. by Alex K. Mason "Gathering Storms in Ancient Seas", Acrylic Blues, Greens, Pink, yellow It is the expression of makin...

Toni Flynn attended the Art Students League in New York City, the storied institution where Jackson Pollack, Robert Rauschenberg, Alexander Calder, and Georgia O’Keefe studied. At th...

Abstract Nature Painting Alex K. Mason "Lush Green Spring". Acrylic, Ink on Canvas in white washed frame, 31.5"H x 25.5"W x 2.25"D, Greens, Blues, peach, orange, yellow, grey, whites...

Toni Flynn attended the Art Students League in New York City, the storied institution where Jackson Pollack, Robert Rauschenberg, Alexander Calder, and Georgia O’Keefe studied. At th...

Toni Flynn attended the Art Students League in New York City, the storied institution where Jackson Pollack, Robert Rauschenberg, Alexander Calder, and Georgia O’Keefe studied. At th...

Commemorate, Original Contemporary Red, White, and Blue Abstract Painting, 2022 30" x 48" x 1.5" (HxWxD) Acrylic and Ink on Canvas A vibrant color palette of blues, reds, and greens flows across the canvas in abstracted forms that imply the movement of water. It looks as though you are looking up at a distorted image through the movement of the ocean overhead. The red, white, and blue color scheme invokes a patriotic feel, as if you are spending the 4th of July on a lake. Artist Commentary: 30 x 48 x 1.5” gallery wrapped with painted edges. Acrylic and Ink on canvas. This is one in my series of emotionally charged coastal abstract artworks. I used saturated vibrant colors and powerful brush strokes, as I do in all my paintings, in order to create a lasting visual impression. Materials: Professional acrylic paints and canvas. Finished with a glaze of UV varnish to protect against sunlight and dust damage. My art pieces are held in private and commercial collections around the world, including the UK, Germany, Austria, Netherlands, Asia, France, Canada, Australia and USA. Margaret Juul...

TIME, IT TAKES I 2022 Paris, France A graphic and bold abstract painting on linen, with dark blue green ink and white acrylic accents. A single, bold, orange line is situated on the left side of the painting, a commentary on markers of time as an ineffective unit of measurement. Time interpreted not as linear, but an experience outside of numbers and outside of logic. Option to create a pair alongside "Time, It Takes II" (as pictured). Price and size are per painting. Evans Deventer...

TIME, IT TAKES II 2022 Paris, France A graphic and bold abstract painting on linen, with dark blue green ink and white acrylic accents. A single, bold, orange line is situated on the right side of the painting, a commentary on markers of time as an ineffective unit of measurement. Time interpreted not as linear, but an experience outside of numbers and outside of logic. Option to create a pair alongside "Time, It Takes I" (as pictured). Price and size are per painting. Evans Deventer...

SET US IN STONE I 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present. This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of blue, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the blue ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern. Option to create a pair alongside "Set Us In Stone II" (as pictured). Price and size are per painting. Evans Deventer...