Unknown

Antique American School Large Great Color Abstract Modernist Original Painting

1950

Step into the enigmatic world of abstract art with this captivating original oil painting from 1945. This masterpiece, signed with a mysterious monogram by an unknown artist, embodie...

Antique American abstract expressionist oil painting. Oil on canvas. Signed in monogram. Framing is available!

Step into the serene world of American minimalism with this exquisite 1980 signed original oil painting. Created by a talented American artist, this work invites you to explore the c...

Antique American modernist abstract minimalist oil painting. Oil on canvas. Framed. Signed verso.

American Post War design abstract art, oil painting of yellow color field w/ dark shapes in silver frame.

A very large abstract painting Acrylic on wooden panel Dated 1953

Oversized Mid Century Modern Abstract Impressionist Oil on Canvas Painting Signed by Sharie Jones C1968 Measures - 42.5"H x 50.5"W x 2.25"D This striking oversized oil on canvas pa...

Mid 20th Century American Abstract Large. Comprised of Four Canvases Color Field James Daugherty (1887 - 1974) The Sun is but a Morning Star Acrylic on canvas, c. 1965. 100 x 100 inches Comprised of four canvases measuring 50x50 inches each Each canvas is signed, J. Daugherty, on verso. The upper left canvas is inscribed as titled on verso Provenance: Estate of the Artist. Exhibited: Montclair Art Museum, Montclair, NJ, "James H. Daugherty Retrospective," January 28 - March 25, 1973. BIO Among the early American modernists, James Daugherty was one of the first exponents of abstract color painting. Throughout his career, whether he was working in an abstract or a representational mode, Daugherty felt pure color to be the most effective means of creating powerful and evocative works of art. Daugherty was born in Asheville, North Carolina, near the Great Smoky Mountains. He received his formal training at the Corcoran School of Art in Washington, D.C. and at the Pennsylvania Academy of the Fine Arts in Philadelphia during the early years of the last century. Although he was in Europe from 1905 until 1907, he remained unaffected by avant-garde art until the groundbreaking Armory Show of 1913. Daugherty worked in a futurist manner until late 1914 or early 1915, when he came into contact with Arthur B...