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Antique French Modernist Paris School Signed Street Scene Framed Oil Painting

1940

Vintage Paris School signed original oil painting. Oil on board, circa 1950. Signed illegibly. Displayed in a period wood frame. Image, 12"L x 16"H.

Large and powerful French modern street scene. A paris view by Claude Aliotti (1925 - 1989). Oil on board. Signed. Framed. Image size, 18"L x 24"H.

Wonderful mid 20th century European modernist cityscape oil painting. Framed. Oil on board. Signed. Image size, 20H by 26L.

Vintage American impressionist Paris street scene oil painting. Oil on board. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 13 by 15 inches overall. Handso...

French School, late 20th century signed oil painting on canvas, unframed canvas: 14 x 10.5 inches provenance: private collection, France condition: very good and sound condition

This is a nice modern cityscape / landscape oil on panel of Paris street scene . The work itself is 30x 15 inches , signed Levier, LR as shown . Has the original vintage wooden fram...

Capture the Bustle of Paris: Jean Ribout's Oil on Canvas Painting This vibrant oil painting by Jean Ribout immerses you in the heart of Paris, France capturing the bustling energy a...

Large oil on canvas Paris, France street scene with house and tree. Hand signed Framed Dimensions 41 x 48.5 Canvas is 40 X 32 inches Henri Maurice D'Anty, listed French artist, Henry d'Anty 1910-1998 Born 1910 in Belleville France. Died in December 4 1998. Educated at the Académie de la Grande Chaumière and the Académie Julian Paris. Painter of the school of Paris. ((painter of de l'Ecole de Paris et Peintre Témoin de son Temps) He participated in numerous exhibitions and was rewarded number of prizes for his work in France and abroad D'Anty was born in Belleville, and it was here that he came to know the picturesque architectural quality of small sloping streets, sometimes broken by flights of steps, like those of Montmartre. Afterwards he moved to Saint Maurice, where he came under the spell of the banks of the Marne with its blue green reflections, the heavy river barges, sail boats, and the lock with its large dark mass, which all made their impressions, as did a later visit in northern France, long before he thought seriously about painting. But in both eye and mind, he was already storing secret visions and emotions. During a holiday in Brittany, he discovered an entirely new awareness of colors, or rather of colors of the enchanting, subtle tones which make up the varied atmospheres of the Breton scene. He is linked to both post impressionism and expressionism. He was part of the Ecole de Paris (School of Paris) and showed with Francois Arnal, Franz Priking, Isis Kischka, Roland Dubuc, Bernard Maurice Quentin, Michel Patrix, Roger Bezombes, Lucien Joseph Fontanarosa, Bernard Buffet, Jean Marzelle, Maurice Blond, Isaac Antcher, Francis Bott, Jean Jansem, Alfred Charles Weber...