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Vincent PomilioBig Little #142: Contemporary Abstract Geometric Painting in Red and Blue Stripe2022
2022
$1,200
£915.63
€1,041.60
CA$1,685.19
A$1,844.24
CHF 974.52
MX$22,012.18
NOK 12,436.05
SEK 11,373.78
DKK 7,780.22
About the Item
"Big Little #142" (Contemporary Abstract Geometric Painting) by Vincent Pomilio
Colorful abstract painting on panel made with mixed media in a bright red and blue palette
acrylic, pigmented plaster, beeswax and marble dust on panel
12 x 12 x 1.5 inches with painted sides, ready to hang as is
Vincent Pomilio is a master when it comes to color composition. His abstractions on canvas and panel come to life with the most brilliant, yet unexpected color combinations. This painting is part of a series of "Big Littles" where the artist tries out new colors and compositions on smaller planes. In this work, we have a delightful cross hatched pattern in a juicy red color applied using pigmented plaster and acrylic paint. The surface is then burnished to reveal exciting colors in the layers underneath. The fragmentation might lead one to believe that it is a collage, but it is actually many layers of built up medium.
Vincent Pomilio is best known for acrylic and pigmented plaster paintings in eye-popping color. His work is a “visual encyclopedia of shapes, compositions, and color juxtapositions”. Layers of box-like forms in vivid arrays of color act as a testament to decades of a honed fresco painting process using Stucco Veneziano. Pomilio achieves striking depth of color, made possible through seemingly infinite layers of pigmented plaster and marble dust that’s sealed with beeswax and burnished to activate its stone-like qualities. The abstract compositions are rooted in real-world observations, both natural and man-made. Earth-toned palettes with aggressively etched surfaces call to mind the primitive markings of early cave dwellers, radial arrangements as seen in "Blake’s Star" take inspiration from cosmic space, while crosshatched layers hint at textile designs like plaid or gingham.
About the artist:
Vincent Pomilio specializes in all painting media, canvas, paper and wooden panel. A visit to his studio in the bustling neighborhood of Manhattan’s Greenwich Village offers a unique insight into the artist’s process of his own art making. The right brain dominates here; skillful use of color, shape, line and scale are discovered via intuition, experimentation and quarter turns of the canvas. Pomilio has occupied this bohemian artist’s pad since his school days ended at New York University in 1978 and it is here that he continues to paint to this day. Abstractions of color explosions are harmoniously composed using a combination of acrylic, wax, pigmented plaster and marble dust to build up surfaces and introduce texture. “In the end, the challenge is to know when to stop,” says Pomilio. The result is a stunningly complex and layered composition of color that one could interpret as an aerial landscape view or motifs that resemble woven baskets. When it comes to abstractions, the artist rationalizes, “If you see it, it is there.” At one point in his career, Pomilio felt he was struggling to successfully produce small paintings using the scaled patterns that was common in his work. This prompted a new series - the Big-Little series – which encompasses a study of big images on a small scale. By introducing a degree of ‘minimalism’ he could explore color relationships while magnifying techniques used on larger canvases. The effect this project had on his work flow was one of renewed energy and confidence. He could complete a painting much quicker than with the larger canvases, allowing him to try various solutions and expel creative energy in a focused way.
- Creator:
- Creation Year:2022
- Dimensions:Height: 12 in (30.48 cm)Width: 12 in (30.48 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU22711047562
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Instead (Colorful Gestural Geometric Abstract Painting on Panel)
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Located in Hudson, NY
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Anne Francey has been working with subject matter inspired by nature for most of her artistic career. Since the pandemic, this focus has become ever more apparent as her new acrylic paintings on paper demonstrate her intuitive process of reinterpreting literal subjects like leaves, flowers, birds, or bugs into vibrant worlds of layered color. She begins by drawing from life but then allows fluctuating colors, traces of the hand, and evidence of the physical medium to be introduced as the composition evolves and finds its final imprint on the surface. The spontaneity of her process welcomes the unknown, she explains: “The things that moved me first…might have become by now just a faint whispering. But I know that a story is being told, even if I don’t understand yet all the words.”
About the artist:
Anne Francey was born in 1956 in Grandson, Switzerland. She attended the Ecole des Beaux-Arts de Lausanne (ECBA) from 1976 to 1981, where she received a diploma of Fine Arts in painting. In 1981, she moved to New York where she attended the School of Visual Arts and the graduate program of Fine Arts at Hunter College. She graduated in 1987 with a Master of Fine Arts (MFA).
EDUCATION
1983-1987 Hunter College: Master of Fine Arts, New York
EXHIBITIONS (Most recent)
2021 Le Comptoir des Motifs, Artefactory, Geneva, Switzerland, fabric design, group show
2018 Eric Laffer Gallery, Upstate Invitational, 3 person show, Schuylerville, NY
The Arts Center of the Capital Region, Configurations, one person show, Troy, NY
Carrie Haddad gallery, Ebb and Flow, Hudson, NY
Saratoga Arts, Then and Now, Saratoga Springs, NY 12866
2017 Byrdcliffe Kleinert/James Center, The Ritual of Construction, group show, Woodstock, NY
Carrie Haddad gallery, Summer, group show
Thompson Giroux gallery, En Masse, group show
Eric Laffer gallery, Winter Show, Schuylerville, NY
2016 Saratoga Arts, 30th Anniversary Invitational, Saratoga Springs, NY
Carrie Haddad Gallery, Summer Color, Hudson, NY
Laffer Gallery, 5th Annual Juried Group Show, Schuylerville, NY
2015 Carrie Haddad Gallery, Paper, group show, Hudson, NY
2014 Luminarté, Contemporary Islamic Art, group show, Dallas, TX
Spring Street Gallery, Where are you from? 3 persons show, Saratoga Spgs, NY
Albany Institute of History and Art, Mohawk Hudson Regional, group show NY
Albany International Airport, Natural Gestures, 3 persons show Albany, NY
Laffer Gallery, Winter show, Schuylerville, NY
COMMUNITY MURALS, GRANTS, RESIDENCIES, SYMPOSIUMS,
2021 Community Mural United Nations International school, NY “The Year that Zoomed by”
2020 Fulbright U.S. Scholar award 2020-2021 (travel postponed to 2021-2022)
2019 1001 Hands (“1001 Mains”) Concept, design and direction of a 150 sqft community ceramic mural with 600 participants, Ibn Rachiq Art Center,Tunis, Tunisia. Funded through the US Embassy and the Swiss Embassy in Tunis.
Colors of the City, Wall Ceramic and Architecture in Tunis, International symposium, Tunis/Tunisia
1997- 2018 Artist in residence at various schools for the creation of community murals
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