Agnès Lefèvre

LOL, Painting, Oil on Canvas

2018

Four silver balloons representing question marks on a black background; Painted with several layers of paint on a fine canvas, :: Painting :: Photorealism :: This piece comes with a...

Hand holding three macaroons on a white backgroune :: Painting :: Photorealism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang:...

A red moouth in a white plastic bag on a black background :: Painting :: Photorealism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready t...

This painting make me serene and calm, its sweet colours and shades are a caress to the spirit, while the dynamism of the wine in this masculine form (hence the name Marte) gives a n...

In Eva Carzul’s painting, “Unstable Affection,” a comedic portrayal unfolds, vividly illustrating the visual representation of emotional fragility and instability. Perched atop a box adorned with cautionary tape proclaiming “Fragile,” the figure dons mismatched shoes and, in a comical twist, manages to ensnare herself with her own fishing line. The true essence of instability emanates from the exaggerated facial features...

Untitled (Paint) #14 is an oil painting on canvas with a canvas size of 16 x 24 inches, signed, titled and dated on the overlap verso, 'Ben Weiner Untitled (Paint) #14 2018'' and framed in a contemporary white frame. Connecting two opposing styles—abstraction and photorealism—Ben Weiner creates hyper-detailed, lush paintings and videos of extremely magnified consumer products, including hair gel, chemical food additives, and deodorant. In his work, he presents such meticulously rendered, close-up views of his subjects that they read as pure abstractions. A through-line in Weiner’s various bodies of work is contemporary culture’s obsession with bodily enhancement through chemical products—whether by using hair products or taking illegal drugs. In Weiner's Paint series (depicting oil paint on a palette) he explores the upended relationship between process and product. Ben Charles Weiner (b. 1980) is a New York based contemporary artist. His work bridges the seemingly opposite styles of hyperrealism, and process-based abstraction. Mr. Weiner has exhibited his work widely in the US and internationally, at institutions including The Carnegie Art Museum, The Aldrich Contemporary Art Museum, The Boca Raton Museum of Art, and The Tarble Art Center. His work is in public collections including Microsoft, Sammlung/Collection, Progressive Insurance, and The Frederick R. Weisman Collection...

Painting of a canvas on an easel depicting oil paints.

„He is a declared painter with full awareness of his conceptual past. His works, near to photo-realism, show objects in a garish intense coloristic. It is the process of painting, the transition from the idea to a perfect canvas, which is most important for Toman. The object is just a pretext, the valuable is the studio and the picturesque amatory, which makes it possible to copy the material fragments of life.“ (Panteon) Born 1966, studied 1986-87 at the Institute of Artistic Education UMCS Lublin/studio Prof. Mieczysław Herman, 1988-93 at the Faculty for Painting/Academy of Fine Arts, Cracow, diploma in the studio of Prof. Włodzimierz Kunz; 1995-97 Ecole Regionale des beaux-arts in Rennes/France, diploma with distinction under direction of Prof. Gerard Baldet...