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Alexandra Rozenman"Three Chairs, 2 Oranges and an Abstract Painting", Landscape, Mixed Media, 20222022
2022
$2,000
£1,517.81
€1,748.84
CA$2,825.68
A$3,027.67
CHF 1,624.13
MX$35,863.20
NOK 20,487.54
SEK 18,742.93
DKK 13,064.03
About the Item
Alexandra Rozenman's contemporary painting, "Three Chairs, 2 Oranges and an Abstract Painting" is a 24 x 30 x 2 inch mixed media painting on canvas. Rozenman often combines the inside and the outside... like in this painting you can read into the story about an Abstract Painter who is painting on a sunny roof and eating the magic three oranges.
Rozenman's creative work seeks to explore and articulate the intricate relationships between identity, culture, and memory, particularly as they relate to the experiences of migration and displacement. Through her innovative use of diverse materials and techniques, she captures the nuanced experiences of individuals navigating their cultural identities in an ever-changing world.
Alexandra Rozenman immigrated to America from the Soviet Union in 1989. Russian, European and American myths of national destiny and private identity take on a utopian dimension as she absorbs and expresses the psychology of otherness as fundamental aspects of her own identity. She wants her art to be like a well-worn military wool blanket that gives you warmth, love, and history. The artist states. Whatever degree of abstraction defines my thinking and visual self-identification it has all to do with the search for my own image in a great existential sea of sweeping change. Rozenman is represented by Fountain Street Gallery based in Boston, MA.
- Creator:Alexandra Rozenman (1971, Russian, Jewish)
- Creation Year:2022
- Dimensions:Height: 24 in (60.96 cm)Width: 30 in (76.2 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Franklin, MA
- Reference Number:Seller: Rozenman_Three Chairs, 2 Oranges and an Abstract Painting1stDibs: LU500315883632
Alexandra Rozenman
Alexandra Rozenman immigrated to America from the Soviet Union in 1989. Russian, European and American myths of national destiny and private identity take on a utopian dimension as she absorbs and expresses the psychology of otherness as fundamental aspects of her own identity. She wants her art to be like a well-worn military wool blanket that gives you warmth, love, and history. The artist states. Whatever degree of abstraction defines my thinking and visual self-identification it has all to do with the search for my own image in a great existential sea of sweeping change. Rozenman is represented by Fountain Street Gallery in Boston, MA.
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