Amy Bernays

The Evolution of Girl, Painting, Acrylic on Canvas

2021

Somehow it is easier to overpopulate a little painting and get away with it that in a big canvas. This little painting is crowded with life. The menagerie is my daughter’s depiction of her world, the animals within it. It is blued together with the depiction of a small crowd of children looking at the precious thing. We can half make out their forms. Still a little undefined, as things are when you are only half grown up. I like to paint the happy in life. Looking for those thoughts or moments that bring me joy and define my life. I paint my children. Not just their visage, but their being. Their play, their imaginative world as well as their real world. In this series I have the kids paint...

I painted this composition a number of times. It is a rumination on the shape of the relationships within family. The composition in quarters, half just my favorite yellow. The color...

Linda Stein, Artist and Model 362.004 - Acrylic on Canvas, Colorful, Figurative, Nude Painting Linda Stein's Artist and Model series are early paintings she made in the 1970s. They ...

Cindy Kane (American, b. 1957) Untitled, 1985 Oil on plywood Sight: 31 1/2 x 28 1/2 in. Framed: 39 3/4 x 36 x 2 in. Signed lower right: KANE Signed, titled, dated verso: Cindy Kane, Untitled, 1985 Cindy Kane (American, 1957-) grew up in Washington DC during the Vietnam War era, absorbing the period's powerful political climate. She is a self-taught artist whose multi media work is born out of a deep sense of connection to the political and environmental issues of our times. Her early work was influenced by the experience of living and working at the bottom of the Grand Canyon National Park, where she had the opportunity to document Anasazi Indian pictographs in pen and ink drawings. These images would inform her work for years to come. She draws on personal narrative and experience to create her paintings of maps, birds, toys, and artifacts from nature, often collaging bits of newspaper headlines, pieces of her children's homework, and pages of sheet music beneath layers of color and imagery. In a review of her work, author and critic John Loughery wrote; "Kane leads us into a peculiar netherworld, a hard to place area that's both reassuringly ancient, and anxiously modern. This is a painter who is interested in the unconscious and the archetypal, and utilizes her own private, (but not inaccessible) vocabulary and imagery." In a submission to AskART, Diana Wilson...