Animal Paintings

If anyone would like to do the research on the painter “J. Ericson” who signed this wonderful late 19th-century painting of cows grazing in a swamp, you might find they were really n...

Hunt Slonem (b. 1951) is an internationally celebrated American artist whose vibrant and instantly recognizable works have made him one of the most collectible contemporary painters ...

MADELINE CHRISTINE CLAVIER (1913-2015) Signature: Signed lower right & titled verso Medium: Oil on canvas Provenance: The collection of the artist's family Marie Christine Clavier was born in Saigon, Vietnam in 1913 to French parents and lived there for her formative years. She returned to France as a teenager and began to study painting. Her work quickly developed into whimsical paintings of poetry and songs – harmonized in a unique and distinct painting technique. Her work has an impasto feel and a folk art, outsider artist sensibility to it. Similar in style to Maik and other fantasy realists who use animals, flowers and foliage in their artworks. Marie Clavier painted ro herself rather than for profit as she was quite independently wealthy. She exhibited extensively in the United States in the 1970s especially across Connecticut and New York, showing at various galleries and cultural centres. She had numerous solo exhibitions in the 1970’s- notably at the Maison Francaise in New York and New York University. She showed at Galerie Bernheim Jeune in Paris. She won many awards for her work including Gold Medals and Palme D’Or medals. In 1988 the prestigious art publisher Leopard D’Or produced catalogue book on her life and work – by this point she had virtually given up painting. She died in 2015 aged 102. Bernheim-Jeune gallery is one of the oldest art galleries in Paris. Opened on Rue Laffitte in 1863 by Alexandre Bernheim (1839-1915), friend of Delacroix, Corot and Courbet, it changed location a few times before settling on Avenue Matignon. The gallery promoted realists, Barbizon school paintings and, in 1874, the first impressionist and later post-impressionist painters. It closed in 2019. In 1901, Alexandre Bernheim, with his sons, Josse (1870-1941), and Gaston (1870-1953), organized the first important exhibition of Vincent van Gogh paintings in Paris with the help of art critic Julien Leclercq. In 1906, Bernheim-Jeune frères started presenting works by Pierre Bonnard, Edouard Vuillard, Paul Cezanne, Henri-Edmond Cross, Kees van Dongen, Henri Matisse, Le Douanier Rousseau, Raoul Dufy, Maurice de Vlaminck, Amedeo Modigliani, Maurice Utrillo and Georges Dufrenoy. From 1906 to 1925, art critic Félix Fénéon was the director of the gallery and was instrumental in bringing in the art of Georges Seurat and Umberto Boccioni. In 1922, an exhibition brought together works by Alice Halicka, Auguste Herbin, Pierre Hodé, Moise Kisling, Marie Laurencin, Henri Lebasque, Fernand Leger and Henri Matisse. The gallery now exhibits painters and sculptors in the tradition of the École de Paris and artists such as Jean Carzou, Shelomo Selinger or Pollès. Her style is a recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson...

Large scale and dramatic, ""Langostina, an abstract painting by Harold Black (American, 1913–1993). Signed lower right and on verso. Presented in giltwood frame. Image, 40”H x 22”W. ...

This gorgeous oil on canvas Victorian Old Master painting is by British artist Henry Jutsum. Painted circa 1850 the painting depicts a drover on horse back bringing up the rear behin...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Artist: Slonem, Hunt Title: Randy Date: 2024 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed by Artist on Verso Edition: Uniq...

Edgar Hunt British, (1876-1953) Cockerel, Chickens & Chicks Oil on canvas, signed & dated 1933 Image size: 7.75 inches x 13.75 inches Size including frame: 14.5 inches x 20.5 inches...

Title: Chant Goose Medium: Oil on canvas Size: 12 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is...

This striking gouache captures Williams’s lifelong fascination with the natural world, filtered through his expressive modernist sensibility. The bird emerges from a hazy gray field,...

Eugene Joseph Verboeckhoven (Belgian, 1798-1881) Family Portrait, 1871 Oil on Canvas Signed and Dated Lower Right 29 x 44 inches 34.5 x 49.5 inches with frame Verboeckhoven began dr...

Feroz Khan - Untitled Acrylic on Canvas, 55 x 42 inches About Artist : Mohammad Feroz Khan was born in 1978 and brought up in Delhi. He have not undergone any formal training in Art but gained experience first from his Father Late Mohd Ibrahim Khan, a Banner Painter. Subsequently, under the able tutelage of renowned Artist Late Manjit Bawa (Guruji - his Mentor in Art) he studied and learned Art for 14 years. Bawa took much care to train him to use brush and pastels on a variety of subjects, also guided him to savor the beauty and nuances of Texture. Then, as an initial step, his Guru guided him through a maze of depictable visuals scattered over the all too familiar places of Delhi. He asked him to draw inspiration from real life. Deferential to my master’s academic style of figuration, he soon convinced his guru of deft brushmanship and ability to create naturalistic human and animal forms, avoiding explicit linear delineation, while projecting solid masses. He chose to see the ordinary things and scenes that make up for our everyday life. He look at the little details of a tailor working on a manual sewing machine or a street-side vendor selling a cool drink on a hot summer day or rickshaw pullers or beggars and various other street vendors – denizens of the city’s poorest quarters. It is the sheer simplicity of each of these activities that appeals him and is reflected through his Canvas. Selected Solo Shows : 2010 Galerie Waterton (Asian Contemporary Art), Singapore 2008 The incredible every day – ness of being curated by Sushma Bahl at Galerie Romain Roland alliance Francaise New Delhi & Epicenter Gurgaon 2006 Tales of ordinary people at Lalit Kala Academy, New Delhi 2004 Krishna collection art gallery, New Delhi Selected group shows : 2019 Participated in Group Show Harvest, organized by Arushi Arts 2018 Artinsic, clubhouse caitrion, gurugram 2017 Mediating dreams organized by ( Jitendra Padam Jain ) Gallery Sree Arts at Visual art gallery, Indian Habitat Centre, New Delhi 2017 Summer Stories Organised by Gallery Space, Hyderabad 2015 Masters Mentors Protégés Curated by (Vandana Haksar & Kuku Chowdhry New Delhi 2015 Representing inward significance outwards organized by Gallery Sree Arts Gallery Romain Rolland Indo – French cultural center Delhi 2013 Suryaveer Kohl Art Gallery show held in New Delhi 2013 Art Zest ( Vivid Strokes )at Grand Lobby, Arabian Dubai 2013 Parallel Realities at Devlalikar Art Gallery, M G Road Indore 2012 Love or Nothing (Toxteth Art Gallery ) Liverpool, London 2011 Asian students and young artist art festival organized by Gallery, LVS South Korea. 2010 Crescenps Art select in Jumeirah Emirates Towers, Dubai 2009 Galerie Waterton (Asian contemporary art ), Singapore 2009 Participated ( Korea India International Hub Art Exchange exhibition ) at the epicenter Gurgaon 2009 The faraway tree gallery, Chennai 2008 Khushii in association with round table India, organized Indian strokes- a a myriad of art at the Park Hotel, Bangalore 2007 Heritage school, Gurgaon the show was inaugurated by renowned painter Anjolie Ela...

John Farrar (American, 1928-1972) Signed: John Farrar (Lower, Left) “ Pardner ”, 1943 Titled Above Signature (Lower, Left) Oil on Canvas 26 ⅛” x 32 ⅛” Housed in a 2 ½” period ornamented Newcomb-Macklin frame in toned gold leaf, in good original condition. Outside Size: 30 1/2" x 36 5/8" A recent discovery of a painting that appears to be Farrar’s family dog. This was done when he was just fifteen years old. As a teenager in the 1940s, Farrar received much local acclaim in the Washington D.C. art Scene. Words like “Child Prodigy”, “Brilliant” and “Gifted” were used to describe him in the local newspaper. He had a great bout of early success which included developing patrons among Washington DC’s art elite but this was short lived as he was afflicted with schizophrenia and alcoholism as an adult causing him to spend much of his life in mental institutions. In 1942, Farrar won the Washington Times-Herald's outdoor art fair. This painting was executed the following year when he was 15 (1943). That same year he won the top prize at Atlanta University’s third annual “ Exhibition of Paintings, Sculpture and Prints by Negro Artists ” with a piece titled “ Queenie ”. Approximately one hundred and fifty works of art were included in the show, representing the best works of more than seventy-five contemporary African American artists. This show included works by Romare Bearden, who was awarded Honorable Mention for his painting “ The Two Genrerations ”. Also included among the exhibitors - Charles H. Alston, Allen Rohen Crite, Aaron Douglas, Fredrick Flemister, Sargant Johnson, Horace Pippin, Jacob Lawrence, Marjorie Wheeler Brown, Hughie Lee Smith, Lois Mailou Jones...

Lawrence Philp Insiders Say Too Much is Enough Signed lower left; titled on overlap Oil on canvas 70 x 59 1/2 inches Lawrence Philp, the son of Jamaican immigrants, studied at the ...

ANDRZEJ FOGTT (born in 1950) He graduated from the PWSSP in Poznań in 1974 where he studied in the studios of prof. Z.Kępiński and M. Abakanowicz. Initially, his art was considered t...

Bellissima opera realista, Pappagallo Ara Luisa Albert è una magistrale interprete della scuola realista vicino alla pittura fiaminga. Le nature morte e bellissimi animali vengono tr...

John Selburg was born and raised in Peoria, Illinois. He holds a BFA in Drawing, Sculpture, and Graphic Design from Bradley University (2006), and an MFA from the University of Misso...

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was larg...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Blue Blood...

Artist: Slonem, Hunt Title: Lincoln's Peace Memory Date: 2025 Medium: Oil on canvas Unframed Dimensions: 40" x 40" Signature: Signed by Artist on Verso Edition: Unique Hunt S...

The Sporting Gentlemen Attributed to Dean Wolstenholme Snr (1757-1837) oil on canvas, framed framed: 18.5 x 22 inches canvas: 14 x 18 inches provenance: from a collection in the UK c...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

"Grande Parade" is a captivating artwork featuring a majestic peacock, painted with a striking blend of realism and impressionism. The bird is positioned gracefully against a soft, e...

Natural Rustic Horse Oil Painting on Canvas, Equestrian Art 72 W X 48" H, Rolled Artist Irena Orlov. Signed Certificate for authenticity.

[Edith Thayer Cromwell (1893-1962)] Elephant n.d. Signed, u.r. Oil on canvas 23 x 29 inches This work is offered by ClampArt in New York City.

America Martin "The Black Swan" Oil & Acrylic on Canvas 40 x 100 inches 42.5x 73.5 inches framed Exploring the identity of both her namesake and country, LA-based America Martin dra...

Walter Herbert Wheeler (British, 1868-1960) A noble bulldog signed ‘WH Wheeler (lower right) oil on board 7 ¾ x 7 ¼ in. (19.7 x 18.3 cm.) with frame 10 x 9 ¾ in. (25.4 x 24.8 cm.) ...

This work embodies a beautiful color scheme that is evident in the treatment of the sky and the huge cloud structure. that Signed and Dated lower right Original period hand-carved ...

Florence Cadène’s artwork is like natural history, a sensitive memory in the heart of animal nations, a possible communion between the eyes of humans and all dimensions of life. Fl...

An incredibly striking image of a black and yellow butterfly. Painted with great energy and style. This looks stunning against a white wall. Henri-André Martin (1918-2004) A Swallowtail butterfly Signed Oil on canvas 23½ x 23½ inches excluding frame 26½ x 26½ inches including frame Provenance: The artist's studio sale Born in Lyon in 1918, Henri-André Martin spent his youth in Saint-Étienne. Following his father into the medical profession, he spent his first years studying medicine in Lyon, but also enrolled in the École de Beaux Arts during this time. Upon returning from captivity in 1942, Martin soon became director of the otolaryngology clinic at Édouard-Herriot hospital. Painting, however, remained his true calling in life - it was, to him, an invaluable form of self-expression. Reserved and extremely modest, and frequently regarded as somewhat aloof, art was a means of articulating his anxieties and apprehensions, as well as giving a voice to his inner child. Martin had a brush in hand at all times, wherever he went, and painted countless gouaches of varying sizes. His beach paintings in particular have been compared to those of Boudin. Until the 1970s, Martin had a tendency to paint ‘on the ground’, yet in all of his paintings, there is a distinct sense of distance and removal from the subject-matter. In the years that followed, we see a development in this simplification and abstraction of the subject-matter, as seen, for example, in his images of almond trees standing alone against the stark winter sky of Provence. The palette begins to darken, his work acquires a feeling of gravity, as his paintings of Hamburg Port evidently reflect. His collection entitled ‘Trunks’, six lithographic plates, draws on visual and written material in the book, L’Olivier. His interest in the symbolism of the olive tree subsequently grew, and he turned to literature, painting and historical traditions to develop and nuance his understanding of its allegorical value. This fascination with the olive tree, and more broadly, with the nature of symbolism, came to profoundly inform his later work. What he learnt to represent was not merely the physical reality of his subjects, but their implicit interconnection with abstract ideas. As René Déroudille writes, the lithographic plates are ‘especially devoted to and embrace renewal’, revealing an artist who is in ‘full mutation’. In the 1980s, Martin’s work took a more explicit turn towards abstraction. It was during this time that he produced a series of large nudes, which he entered into the major exhibition at L’Atrium in Lyon, in 1992. In the years that followed, Martin focused on animating the shapes and forms born of his imagination, eventually accomplishing this and changing his focus once again, turning to more attractive, even decorative subjects, like Japanese...

Returning to the Fold English artist, 'M. Goodman' signed & dated 1911 oil on canvas, framed framed: 22.5 x 32.5 inches canvas: 20 x 30 inches Provenance: private collection, England...

This painting by artist Ray Simonini titled "Meryl" is a 12x16 farm animal oil painting on canvas featuring a portrait of a white sheep against a colorful green background. Afternoon...

Dancing cranes II is a unique painting by contemporary artist Lumi Mizutani. The painting is made with India ink, Japanese pigments and silver leaf on Japanese cardboard, dimensions ...

Artist: Slonem, Hunt Title: Sulphurs & Cabbage Patch Butterflies Date: 2025 Medium: Oil on wood Unframed Dimensions: 20" x 16" Framed Dimensions: 25.5" x 21.5" Signature: Sign...

Antique American modernist abstract oil painting. Oil on board. Framed. Image size, 5.5L x 7.5H.

Alfred de Breanski Snr British, (1852-1928) Near the Fairy Glen Betws-y-Coed Oil on canvas, signed & transcribed verso Image size: 23.5 inches x 35.5 inches Size including frame: 31 ...

The work of Santiago Garcia explores the wondrous, colorful and always intriguing world between figuration and abstraction. Through contextualization of reality, the Uruguayan artist...

Mid century acrylic painting on canvas of two parrots in a tree with rain drops executed with bold tropical colors and a sense of movement. One can almost hear this painting. Signed ...

Skeaping began his formal artistic training at age 13 and was successful from an early age. This individualistic artist also served as an intelligence officer, traveled extensively, ...

"Ancient Breeds" Oil Painting 48" x 60" inch by Casey Baugh Medium: oil on linen Signed by the artist on the front. ABOUT THE ARTIST: Baugh's work can be described as narrative ...

Menashe Kadishman, Sheep head, Symbolist painting, colored painting, Israeli art, Israeli art

Plumot André Antwerp, Belgium 1829 – 1906 Belgian Painter Shepherds Couple with Herd in a River Landscape Signature: Signed bottom left and dated 1877 Medium: Oil on canvas Dimensions: Image size 58,50 x 104,50 cm Biography: Plumot André (Plumot Andre) was born on February 10, 1829 in Antwerp, Belgium. He was a painter of genre scenes, interiors, animals, children and figures. In general, he painted interiors in 16th-17th century style. He was a student at the Academy of Fine Arts of Antwerp under master teacher and artist H. Van der Poorten. For a short time, he worked in N. de Keyser...

Long Horn Cattle by Irina Hale (British 1932-2022) oil crayon drawing on brown artist paper stuck on A4 artist paper, unframed overall size: 8.5 x 12.5 inches drawing: 4 x 4.5 inches...

Artist: Slonem, Hunt Title: Lawn Party Date: 2024 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.25" x 12.25" Signature: Signed Edition: Unique Hunt...

Anne Siems was born in Berlin, Germany. As a child, she lived for three years near Buenos Aires, Argentina. Her first extended stay in the US was as an exchange student. After finish...

William Edward Powell (English, 1878/85 - 1955) Signed: W. E. Powell (Lower, Left) " Contemplation ", circa 1910 (Titled on Verso) Watercolor on Paper 22 1/2" x 18 1/2" Housed i...

Sociis X is an original painting by Henry Walsh. My work begins with snapshots of busy city life and by a process of elimination I refocus the image on elements that encapsulate a so...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Life is about give and take, we should not be like the Dead Sea which keeps receiving but not giving back. Let's make good friends, let's impact each other positively. About Artist Emmanuel Ibitoye hails from Aiyedun in the Oke-Ero Local Government Area of Kwara State Nigeria. He developed an interest in art right from primary school. He further fuelled his passion for art at Osi Central Secondary School, Osi. He proceeded to Osun State College of Education Ila-Orangun where he studied fine and Applied art from 2012 to 2015. He is an Art Educator and a multi-media painter who uses his art to address issues such as environmental decadence, culture, and racism. He believes that art is a tool that can be used to bring about environmental and human sanity, cultural integration, and the breaking of racial barriers. He uses his art to project the black race in a dignified manner, he is the exponent of Neo- black Renaissance...

Dark red-toned realist portrait of a Victorian Lady. The painting depicts a middle-aged lady seated against a dark red curtain for a portrait. She wears a pink Victorian off-shoulder...

“Ethel, The Blue Spotted Cow” is a bold and joyful original folk art oil painting by Mexican-American artist Martin Saldaña. Bursting with color and charm, this large-scale work feat...

Abraham Begeyn, Dutch Golden Age painter and Prussian court painter painted this wonderful 17th century Old Master oil painting. Painted circa 1690 and signed lower right, the subject matter is sheep and a goat under a tree in the foreground, amongst beautiful flora and fauna. Through the trees one can see some classical ruins to the left and to the right some buildings with a shepherd and his flock in front of the buildings and mountains beyond. Above is a beautiful sky tinged with pink, suggestive of dawn. There is tremendous detail in the flora and fauna and also the sheep's woolly coat. Begeyn particularly favoured painting this sort of scene with the elements of landscape, ruins or buildings and animals and was a master at it and highly prized in the Netherlands. This is an excellent example of Begeyn's work and is good condition given its age as a 17th century Old Master oil painting. Signed lower right. Provenance: Collection of Mr P. Vienna (label on the reverse) Sale, Sotheby's, London, 18 October 1995, lot 70. Condition. Oil on canvas, 24 inches by 21 inches unframed and in good condition. Frame. Housed in a gilt swept frame, 31 inches by 28 inches framed and in good condition. Abraham Begeyn (c. 1637 Leiden - 11 June 1697 Berlin), was a Dutch Golden Age painter. Begeyn was born in Leiden. Though perhaps known mostly for his Italianate landscapes and cattle in the manner of Nicolaes Pietersz Berchem, Begyn was a highly skilled painter active in many genres, who travelled widely. According to the RKD, Begeyn's earliest known work is from 1653, though he was first accepted into the Guild of St. Luke in Leiden in 1655. He stopped paying dues in 1667, because he set off for a trip to Italy. He is registered in Rome and Naples from 1659–1660. In the rampjaar or disaster year, of 1672, he is registered in Amsterdam, and after that he lived in London, where he painted at Ham House, Surrey, together with Willem van de Velde the Younger (1633–1707) and Dirck van Bergen...

Les Thomas' animal paintings tend to play with the relationship between culture and nature. The special encaustic wax finish that he applies, he explains, "may very well pertain to m...

Signed hunting scene by Alfred Grenfell Haig (1870–1963). Haig's masterful oil on canvas brings to life the exhilarating spirit of a hunting scene, with a huntsman leading a pack of ...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Work done by my partner DARIA KUSTO Acrylic on canvas Shipped rolled in a tube From Spain

JERRY BERNECHE Untitled (Cats & Dogs No. 8) Charcoal on paper 30 x 22 inches

IN PROTECTRESS, a massive pug, its head resting heavily on the ground, gazes outward with a sorrowful, almost pleading expression. The warm tones of its fur—soft beiges and browns—co...

Oil on canvas Canvas size: 21 x 18 inches Framed size: 33.5 x 30.75 inches Signed lower right