Vertical Animal Paintings

In her realist gouache on paper animal miniature, "Green Bird," 2018, Dina Brodsky captures and highlights the full chromatic range of the bird's plumage. The fine detail of the bird...

Original gouache illustration on board for "The Joy of the Elephant." London, 1971. Unframed. Unsigned.

In 1993, a window of opportunity opened as a result of several different situations that were occurring. I was participating in an Artist-in-Residence program in Yellowstone Nationa...

This is an original Oil on Canvas painting by Charlene Mosley. A certificate of authenticity will follow delivery. Charlene Mosley’s current work discusses the importance of the ba...

Original gouache, probably Belgian for matchbox covers. Mid-20th Century.

Danny Brown is a first-generation American urban artist born in Los Angeles. His parents relocated their family from Oaxaca, Mexico in search of opportunit...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer h...

Nature is my muse. Animals are losing their habitat and they are, at the very least, confronted by or threatened by all of our discards. Though the birds in my paintings are not vict...

Hummingbird IX 40x26 unframed Ink, Watercolor, Paper Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor & ink. He has honed his skills, clarified his vision, experimented, explored and expanded his expression steadily over the years, the results of which thus far culminate here. Clearly, Keith’s extensive travels have roots in the luminous quality of his work, eminently holding the utmost possibilities of beauty and significance. Keith’s most recent paintings explore a spiritual path, he integrates them with transformative healing energies and infuses his enthusiasm into these dynamic pieces that you see here today. GROUP EXHIBITIONS 2015 Renata Fine Arts, Hudson, New York 2013 @60″ New York, NY 2012 @60″ New York, NY curated sale with Harry Heisman 2011 KL/Karen Lynne Gallery, Boca Raton, Florida & Beverly Hills, California 2003 Dupont Gallery, Milwaukee Wisconsin 1994 Jack Shainman Gallery, New York, NY 1994 The Roger Smith Gallery, New York, NY 1993 Ambassador Galleries, New York, NY 1992 Elaine Benson Gallery, Bridgehampton, New York 1983 Manor House Gallery, Rhinebeck, New York SOLO EXHIBITIONS 2014 & 2015, 2010: C. Bell, Palm Beach, Florida 1995: Luxe Energy Aesthetics, West Palm Beach, Florida 1991: Time Warner Publishing, New York, NY 1990: Imperial Hotel Gallery, Chestertown, Maryland 1988 & 1987: National Symphony Show House, Washington, DC 1986: International Jumping Derby, Jockey Club, Newport, Rhode Island Elijah Locke House, Rye Beach, New Hampshire 1984: Washington Design Center, Washington, D.C. SELECTED CORPORATE COLLECTIONS Bovis Inc., New York, NY The Kiplinger Collection, Washington, D.C. The International Monetary Fund, Washington, D.C. Hopkins & Sutter, Washington, D.C. McKenna, Conner, & Cuneo, Washington, D.C. Oliver T. Carr Company, Alexandria, Virginia SELECTED PRIVATE COLLECTIONS RuPaul, Beverly Hills, California Kelly Klein, New York, NY Governor & Mrs. Bruce Sundlun, Providence, Rhode Island Mr. & Mrs. William Aylward...

Lesley Anne Spowart (American, born 1957) "Never Been To India" 2021 Acrylic Paint, Mixed Media, Board The artist signed the bottom middle and back of the painting. Never Been To In...

Emilio Rama's captivating pop art-inspired paintings featuring origami animal figures are a distinctive and original contribution to the realm of contempor...

Currently exhibits locally and internationally, while his work has been presented in multiple exhibitions in the USA, Europe, and Asia. One of the first things that one notices in th...

JERRY BERNECHE Untitled (Cats & Dogs No. 9) Charcoal on paper 22 x 17 inches

With a striking palette and sharp, swirling textures, Western Meadowlark offers a modern reimagining of this elusive bird. The stylized rendering and explosive background patterns cr...

Something to Crow About is an oil painting of a Texas Rooster prancing in the field. It is 24 x 18 and comes with a custom made frame. Artist...

Michael Knigin, American (1942 - 2011) - Patch of Gold, Medium: Chromgenic print and acrylic on canvas, signed and titled on verso, Size: 44 x 41 in. (111.76 x 104.14 cm), Frame Size...

Portrait of Laddy an English Golden Spaniel, circa 1930 by Francis Mabel Hollams (1877-1963) Large circa 1930 portrait of Laddy, an English Golden Spaniel, oil on panel by Francis ...

In the quest to find utopia, I realized the role of truth and honesty in society cannot be underemphasized. It takes a thousand lies to cover a truth and this could lead to damaging effects among people. A healthy relationship, family and society relies solely on the pedestal of honest and truth. I indulge my audience to not only admire the work of art but to also reflect upon this discourse. Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist IDORENYIN UMANA...

Contemporary naturalistic painting by Texas-based artist Jennifer Lively. The work features groups of various species of birds all in a single cage set against a light blue backgroun...

Birds, 2007 Acrylic on canvas (signed on reverse) 39.37 H x 6.69 W in. 100 H x 17 W cm

Wonderful signed oil on panel cattle and figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts oxen being loaded onto ships in Honfleur, France en route to England. Signature: Signed lower right Dimensions: Framed: 18"x16" Unframed: 9"x8" Provenance: Exhibition Jean Francois Raffaélli held at Galerie Simonson, 19 Rue Caumartin Paris - October 1929 (number 44) Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

Awaiting c. 2000s Watercolor and pastel on paper 30 x 22 inches

Richard Taylor Fine Art presents a collection of the works by Glyn Morgan. Many of the works have never been offered for sale before. A Welsh artist, he studied at Cardiff College of...

ASHLEE SELBURG Basile Ink and pencil on paper 40 x 30 inches

ASHLEE SELBURG Flycatcher Ink and pencil on paper 14 x 11 inches

Bull VIII is a unique acrylic on paper painting by contemporary artist Christophe Dupety, dimensions are 65 × 50 cm (25.6 × 19.7 in). The artwork is signed, sold unframed and comes w...

Antique American modernist signed oil painting. Oil on board. Signed. Framed. Image size, 14L x 18H.

"EL CUCUY" Figurative Painting 24" x 18" inch by Isaac Pelayo Medium: Oil and aerosol on wood panel ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The Renai...

"CHIVA" Figurative Painting 30" x 24" inch by Isaac Pelayo Medium: oil, oil pastel, and aerosol on wood ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The Re...

Thoughts. Cardboard mixed media, 74x47,5 cm Ivars Zaikins (1942-2017) Zaikins Ivars - an artist. He was born in 1942. During of the Soviet Union period, he worked as an artist in L...

Nocturnal Melody 6 is a unique painting by contemporary artist Hongyu Zhang. The painting is made with Indian Ink, acrylic, etching on cardboard mounted ...

The art of capturing the essence of a moment in time is a skill that only a few possess. In the world of art, such moments can be immortalized in a painting, a sculpture, or a photog...

Enthralled with the lore and spirituality of American Indian cultures, his work often depicts these traditional subjects in nontraditional ways. Hawkins captures the raw sense of ele...

Lux, 2005 Acrylic on canvas (Signed) 78.74 H x 35.43 W in. 200 H × 90 W cm The painting "Lux" is part of a larger series of works entitled " Minotaur" and inspired by the mythical l...

JERRY BERNECHE Untitled (Cats & Dogs No. 10) Charcoal on paper 30 x 22 inches

"A Girl and Her Dog" A summer day in the South Bay in SO CAL and a girl and her dog pause for a moment. Fine artist Carole Garland seems attracted by the special bond that develops b...

JERRY BERNECHE Untitled (Cats & Dogs No. 6) Colored pencil, gouache, and pastel on paper 30 x 22 inches

"Alone Not Alone" by Akinboye Akinola Peter is a striking artwork that unfolds a narrative of solitude, self-reflection, and the paradoxical connection found...

Michael Coleman Born 1946 Utah Artist Image Size: 15.5 x 10 Frame Size: 22 x 16 Medium: Oil on Masonite Dated 1990 "Female Sparrow Hawk" Michael Coleman Born 1946 Born and continuing...

JERRY BERNECHE Untitled (Cats & Dogs No. 7) Charcoal on paper 30 x 22.5 inches

Lesley Anne Spowart (American, born 1957) "King Maker" 2021 Mixed Media, Board The artist signed the bottom left and back of the painting. "King Maker" by Lesley Anne Spowart presen...

This is a one of a kind original oil on panel surrealist painting by San Diego artist, Kelley Sutphin. Its dimensions are 14.4"x26.4"x1.5". It is framed. A certificate of authenticit...

With a striking palette and sharp, swirling textures, Meadowlark offers a modern reimagining of this elusive bird. The stylized rendering and explosive background patterns create a s...

One of a kind painting by Noche Crist (1909- 2004). Noche Crist was an American artist born in Romania. Acrylic painting is on plaster on wood which gives the painting a wonderful te...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Oil on canvas, signed lower left. Measures 32.25" x 37.5" including the frame. Know for his paintings of scenes in the highlands of Scotland, John Barker, British 1811 to 1886.

40”x29.5” (artwork size) watercolor on paper, signed on reverse framed (presented in a black finish, shadowbox frame) In this original watercolor painting, a leopard sits on a Red,...

"The Charge" depicts a Bull Elephant charging towards the front of the painting, displacing rocks and dust adding to the atmosheric scene. Painted in water colour and acrylic mixed m...

This is a one of a kind realistic animal oil painting on canvas. Its dimensions are 24'x36"x1.5. It comes unframed. A certificate of authenticity will follow delivery. This painting depicts two cheetahs and butterflies. The artist uses fine brushwork in this photorealistic style. Artist statement: I try to incorporate endangered species into my art pieces whenever possible. This particular image of a mother African Leopard and her cub I found to be very eye-catching. The dynamic criss-cross of their bodies created a perfect way to draw the eye in and let it wander amidst the spots and soft fur. I’m a color enthusiast and adding the magenta azaleas into the background created a beautiful mix of pinks and golden fur. I needed to add another species that was facing habitat loss and decreasing populations so I chose the Blue Morpho butterfly that is suffering from over-collection due to its rare beauty. The iridescent blue sheen of the wings complimented the blue green color of the leopard's eyes beautifully. - Kelley Sutphin

Artist: Ian Hornak (1944-2002) Title: Nocturne I: White Peacock, Black Cockatoo Year: 1990 Medium: Acrylic on Panel, with Artist Painted Frame Size: 58 x...

In creating this piece, I was moved by the serene beauty of nature, capturing a moment where a small bird perches amid blooming flowers. The brush strokes and oils allowed me to expl...

The Argument French School, 19th century oil on board, framed framed: 20 x 16.5 inches board: 18 x 14 inches provenance: private collection, France condition: very good and sound con...

Vibrant and playful, Dickcissle bursts with saturated color and bold, swirling patterns. The bird’s vivid form—set against a flurry of energetic strokes—celebrates both the beauty of...

Meadow Landscape signed by Y. Blanchon, French 1950's Impressionist artist oil on artist paper, unframed painting: 16.5 x 13 inches provenance: from a large private collection of th...

Farmyard Chickens signed by Y. Blanchon, French 1950's Impressionist watercolour on artist paper, unframed painting: 16.5 x 13 inches provenance: from a large private collection of ...

In "Investigation I", banal, everyday things meet in this painting to create an unusual, strange, absurd and ironical situation derived by the disproportional scale size of things. keywords; surrealism, animals, bat, oil painting, earth tones, figurative painting, strangeness, contemporary surrealistic, unsettling, contemporary figurative painting, dreams, symbolic composition, giant bat...

Subrata Biswas - Untitled - 11.5 x 8.25 Inches ( unframed size ) Charcoal on Paper. ( Unframed All in Delivered Price ) Style : The motive of a child in its most basic form appears ...

French School, circa 1970's oil painting on card, unframed size: 25.5 x 18 inches condition: overall very good, a very few light markings to the surface but nothing detrimental to ...

With a striking palette and sharp, swirling textures, Griz distills the essence of a timeless wilderness moment into a fluid silhouette. The piece captures the instant of connection ...

Abstract painting on canvas, blue, extra-large, XXL, large oil on canvas painting, abstract expressionism. The painting will be shipped rolled without stretcher bars, unframed. or...