Arthur Wardle

Vigilance, Loyalty Devotion - 19th Century Oil Painting Society Beauty Dogs

Circa 1890

SALE ONE WEEK ONLY In “My Best Friend” Girard has captured a tender symbiotic relationship between the woman and her sweet pet. The entire piece swirls with the soft beauty and magical exchange shared by the two individuals. The frame does not enclose so much as enfolds the scene and its decorations are an integral part of the work. Upon close inspection tiny animal figures cavort in the air adding to the spell - almost like fairy characters from Shakespeare’s “A Midsummer’s Night Dream.” The jewelry is beautifully render as are the loving expressions of the faces of both the animal and the woman. The composition is filled with objects and figures but captured softly and in rich detail. The figures appear to be completely self-absorbed and the decorative elements about their heads could suggest the intensity of their thoughts and feelings. Girard was a Detroit figurative painter and teacher at College for Creative Studies, Detroit, Michigan where he taught for 30 years. Other College for Creative Studies (formerly Center for Creative Studies) faculty and graduates include Richard Jerzy, Harry Bertoia, Doug Chaing (currently director of Lucas Film), Stephen Dinehart (game maker, writer, designer connected with The David Lynch Foundation), Tyree Guyton (international artist), Herb Babcock, Jerome Feretti, Kevin Siembieda (writer, designer and publisher of role-playing games), Renee Radell, Philip Pearlstein, Charles McGee (nationally recognized African American sculptor of animal and dancing spirits), Philip Pearlstein (2000 Honorary Doctorate, Modern Realism style), and John Louis Krieger...

"Just One Lick" is a 2024 acrylic and oil painting on cotton canvas by 3rd Version (Ben Patterson), measuring 36 x 24 x 1 inches, with a framed size of 38 x 26 inches. The work is un...

Bijan Choudhury - Untitled - 48 x 60 inches (unframed size) Mixed Media on Canvas Inclusive of shipment in roll form. Style : The Marxist orientation did not allow Bijan Chowdhury "...

Bijan Choudhury - Untitled - 48 x 60 inches (unframed size) Mixed Media on Canvas Inclusive of shipment in roll form. Style : The Marxist orientation did not allow Bijan Chowdhury "...

This artwork titled "Lucha Con El Toro" c.1955 is an oil painting on canvas by Spanish artist Francisco Pujol, 1927-1999. It is signed at the lower center by t...

Original holiday cover for The Sportsman magazine, published December 1934. The image features an equestrian feeding a horse. Medium: Oil on Canvas Signature: Signed Lower Right

Medium: Oil on Canvas Signature: Signed Lower Right Cover Illustration for Top-Notch Magazine, August 15, 1921 Forsythe was a major influence on many great artists and had many important friends. He was Rockwell's studiomate and mentor and actually helped Rockwell to get his first cover at The Saturday Evening Post. Forsythe was also friends with Teddy Roosevelt, who was the first President to drive a car. "The Race is On" 1921 depicts Teddy Roosevelt racing a cowpoke on horseback. This is a phenomenal painting in many respects - historical, western, presidential, car. Roosevelt is a major collector's market. The car is a Red Model T Roadster as well. It also contains great action and drama - and beautifully rendered, as good if not better than any WR Leigh...

Debra Benditz Texas Artist Image Size: 48 x 36 Medium: Oil "Riding at Dawn" Cowgirl We will only ship in the Continental United State for posted shipping price. Debra Benditz Texas Artist Statement My oil paintings are a vibrant expression of the feminine and the can-do spirit of the Wild American West as embodied by my paternal grandmother and great-grandmother, both award-winning horsewomen. I use saturated colors, often found in nature, to interpret burgeoning growth, beauty and the human form especially of Jennie Pawson and Aeola Huston Mitchell, my cowgirl ancestors. I know these feisty women from stories I heard my father tell and from old photographs showing the time Jennie met Theodore Roosevelt, and another from 1901, when she was named a champion of the Cheyenne, Wyoming Frontier Days. As a child I spent hours on the floor of my grandfather’s music room as Enrico Caruso serenaded me from the Victrola. I gazed in awe at the tall bookcases, art-covered walls and my grandfather’s art nouveau postcard...

Frank Hoffman (1888-1958) New Mexico, Illinois Artist Image Size: 27 x 41 Frame Size: 37 x 50 Medium: Oil Circa 1930s - 1940s "The Encounter" Indian & Bear Frank Hoffman (1888-1958) Growing up in New Orleans where his father raced horses, Frank Hoffman developed a great love for these animals, which was reflected in his paintings. He worked as an illustrator for the "Chicago American" newspaper, which gave him an opportunity to draw many subjects from opera to prize fights, and eventually he became head of the department. During that time, he took formal art training from J. Wellington Reynolds, a portrait painter. In 1916, having been rejected for military service because of poor eyesight, he went West and lived with cowboys and Indian tribes and served as public relations director for Glacier National Park. Eventually he settled on a ranch near Taos, New Mexico, and became part of that art colony and studied with Leon Gaspard, who encouraged him to use color freely. Advertisers including General Motors, General Electric, and the Great Northern Railway hired him because they loved his bold, broad brush work and striking colors. He also did magazine illustrations, specializing in western subjects. Because of the spaciousness of his ranch that he called Hobby Horse Rancho, he kept live models of cow ponies, thoroughbred horses, longhorn steers, several breeds of dogs, eagles, a bear and burros. From 1940 Brown & Bigelow Publishing Company of St. Paul, Minnesota had him under exclusive contract, and during the next 14 years, he produced 150 paintings for that company. Source: Walt Reed, The Illustrator in America, 1860-2000 Known as a traditional Western illustrator, painter and sculptor, Frank Hoffman was born in Chicago, Illinois. He grew up around his father's New Orleans, Louisiana, racing stables. Through a family friend, Hoffman was hired to make sketches for the Chicago American, later becoming head of the art department. While working for the paper, he had five years of formal art training in private lessons from J. Wellington Reynolds, a portrait painter. In 1916, Hoffman went West to paint, living with the Indian tribes and the cowboys. During that time, he also worked as public relations director for Glacier National Park, where he met noted artist John Singer Sargent. In 1920, Hoffman joined the young art colony in Taos, New Mexico. He studied with Leon Gaspard, learning the use of color. Although focusing on his fine art, Hoffman also painted for corporate advertising campaigns and illustrated Western subjects for the leading national magazines in the 1920's. Hoffman became the best-known New Mexico illustrator of the time. As his success grew, he bought his own Hobby Horse Rancho, where he raised quarter horses and kept as live models the longhorns, dogs, eagles, burros, and even a bear that he had begun to sculpt in the 1930's. Later, beginning with 1940, Hoffman was under exclusive contract to Brown and...

“The Gun-Runners” by Edwin Cole, published in The Youth’s Companion, May 6, 1926, pg. 343. Western illustration Literature: Schoonover, Smith & Dean 1450 Artwork Dimensions: 17.5...