Barry J Davis

Painting of Chestnut Grey Horses in a Field in England, British Equestrian Art

1985 Circa

Traditional English hunt scene, this painting is in a beautifully grained wooden frame. Black and white horses are running with the hounds in a green landscape with blue sky. Sign...

The Winding River by Andrew Grant Kurtis (British, 20th century) signed oil on canvas, framed Framed: 25.5 x 35.5 inches Canvas: 20 x 30 inches Provenance: Private collection, UK Con...

"Touch it if you dare!" English artist, signed and dated 1927 oil on canvas, framed framed: 25 x 31 inches canvas: 18 x 24 inches provenance: private collection, England condition: v...

The Rural Lane English School, mid Victorian period, circa 1860'1870 oil on canvas, framed framed: 21.5 x 27 inches canvas: 18 x 24 inches Provenance: private collection, England Con...

Pastoral Landscape English School, late 19th century signed oil on board, framed framed: 19 x 25 inches board: 18 x 24 inches Provenance: private collection, UK Condition: the painti...

Charming King Charles Cavalier Spaniel and her Pups is an oil on old canvas painting in folk English School style. Dates to 18th century, the dogs are in a homestead by a thatched c...

Christmas special! On sale for a short time only. Beautiful and impressive large original vintage oil painting, 38" by 50" in a beautifully presented frame, after one of the most re...

A painting of a chestnut hunter in a landscape with a horse and rider accompanied by two hounds by a woodland river in the distance. Signed and inscribed 'Melton Mowbray', lower left. Oil on canvas in a giltwood frame. John Ferneley Sr (1782-1860) was born the son of a Leicestershire wheelwright, the youngest of six children. He is known as one of the great British equine artists, perhaps only second to Stubbs in terms of raw ability. Ferneley originally worked with his father, until by chance the Duke of Rutland saw some of his work on the side of a cart on which Ferneley and his father had been working. The Duke was so impressed with Ferneley that he persuaded John's father to allow him to become the pupil of Benjamin Marshall. Ferneley was so talented that apparently he produced almost perfect copies of his tutor's paintings and they were said to have been indistinguishable from the master’s. Marshall also enrolled him as a student of the Royal Academy Schools. In 1804 Ferneley paid a man named Thomas Harrison...

The Close of Day Scottish Highland Loch at sunset with cattle watering British School, early 20th century signed initials lower left corner oil on board, unframed board: 7 x 10 inche...

Portrait of a Horse in a Landscape English artist, mid 20th century indistinctly signed oil on board, framed: 14.5 x 18.5 inches board: 12 x 16 inches provenance: private collection...