Christine Merrill

Chinese Crested, 1990

This oil painting of mare and two foals is set in an idyllic landscape with mature old tree, stone well and cottage in the background; by Robert Alexander, signed and dated indistinc...

Two white and tan hunting dogs, contemporary 20th century work, painted in older period style, presented on canvas with oil paint attached to board in a wooden mahogany toned frame. ...

John Peter Russell was a pioneering Australian impressionist, born in Sydney in 1858. After studying engineering in England, he turned to art and trained at the Académie Julian in Pa...

A small, intimate 19th-century genre scene: a country lane where a boy sits astride a compact, shaggy pony while the pony drags a second animal by a short rope. The composition feels...

Caspar von Reth (1858-1913) The Home Guard signed and dated ‘C. v. Reth/ 1905’ (lower right) oil on canvas, laid on board 13 ¾ x 19 ½ in. (34.9 x 49.5 cm.)

Arthur Wardle (1864-1949) Magpie, a Pomeranian signed in pencil ‘Arthur Wardle' and inscribed 'Magpie' (lower left and lower right respectively) oil on canvasboard 10 x 14 in. (25.4 ...

Bernard Ward Turner (British, 20th Century) Two Borzois by a lake in a landscape, with a country house beyond signed ‘B. Ward Turner/ BRSA.’ (lower right) oil on canvasboard 20 x 24 ...

Walter Herbert Wheeler (British, 1868-1960) A noble bulldog signed ‘WH Wheeler (lower right) oil on board 7 ¾ x 7 ¼ in. (19.7 x 18.3 cm.) with frame 10 x 9 ¾ in. (25.4 x 24.8 cm.) ...

Title: Cape Maneuver Artist: José María Tuser Vázquez (Barcelona, 1919 – 1986) Technique: Oil on canvas mounted on board Dimensions: 19.7 x 23.6 in (50 x 60 cm) Date: Circa 1980s Signature: Signed "Tuser" in the lower left corner Condition: Excellent; thick, vibrant brushwork and vivid colors well preserved. 📝 Description This painting captures a dramatic moment in the bullfight — the classic verónica — as the matador gracefully halts the bull’s charge with a sweeping motion of the cape. The vivid contrast of magentas, blues, and golds intensifies the theatrical tension between man and beast. The composition is dynamic yet controlled, emphasizing the poise of the torero against the raw force of the bull. The expressive brushstrokes and thick impasto enhance the sense of movement, while the abstracted background ensures focus remains on the central figures. The piece is a striking blend of figuration and emotional energy, characteristic of Tuser’s taurine works. 👤 About the Artist: José María Tuser Vázquez José María Tuser Vázquez was a Spanish painter born in Barcelona in 1919. He studied at the Barcelona School of Arts and Crafts and began exhibiting in the 1940s. By 1947, he had fully devoted his career to bullfighting scenes, developing a distinctive figurative expressionist style with impressionist influences. He collaborated with the magazine El Ruedo, creating numerous illustrations and covers, and designed collectible postcards for Editorial Artigas. His work became well-known in Spanish artistic circles and is now part of both private and institutional collections, including the Club Taurino of London. His paintings have been auctioned internationally, reaching up to $3,000 depending on size and subject. His legacy is that of a painter who masterfully captured the emotion, tradition, and drama of the Spanish corrida. 🎨 Similar Artists José María Tuser Vázquez’s work shares thematic and stylistic elements with: Roberto Domingo – A pioneer of bullfighting art...

Joaquin Terruella Matilla (1891-1957) - Parrot - Oil cardboard Oil measures 14x10 cm. Frame measures 25x20 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla, ne...