Christy Stallop

"Cowpoke" Grackle Bird with Cowboy Hat Oil Painting by Christy Stallop

2022

A violinist, playing a melancholy tune, helps conjure up the change of season from fall to winter on Halloween, as represented by the black cat. The cat is holding the Tempest in the Teapot kettle. The raven, who is bursting forth from the steam of this tempest, represents the cold, dark and harsh winter to come. Juxtaposing and altering unrelated natural objects with the machinations of man to create a scene of an impossible surreal world, the viewer enters the mind of artist Christopher Klein...

The smiling figures in the helicopter, hatching from a frozen crab-apple, have false hopes that they are on a fun adventure, unaware of the imminent danger- they are about the chameleon’s prey. Fortune can turn on a dime. Such is the subject of Christopher Klein...

As a Mexican musician sings and plays the guitar dressed for the day of the dead. He is being unknowingly stalked by a mythical beast. Little does he know that he is singing about ...

Oliver Hazard Benson Totemic Arhat acrylic on panel 9h x 7w in 22.86h x 17.78w cm OB0111 Oliver Hazard’s paintings are produced directly from his imagination and deals with a mixtur...

Renowned artist Hunt Slonem's "Question Mark and Comma (Again)" is a 16.5x10.5 colorful yellow scored oil painting on wood board of contemporary abstract butterflies in blues, white,...

Oil paint on panel Unique Signed on the back

Oil paint on wood panel Signed on the back

Oil paint on wood panel Signed on the back "Incanto" or the enchantment of shifting "Nicolas Kennett revisits the organic world through painted and s...

Oil paint on wood panel Signed on the back

This painting is made on the wooden block showing a horse that symbolizing the memory that can go to anyone with deep thoughts and love. It can be placed either on wall or any other place including shelf. In the modern world, the artist is a peculiar explorer of the time that he lives In. The “main character” of this world is a man whose gaze is turned inward. This view projects its existential reality, where the figurative language of painting is a method of transmitting abstract images of the experiences of the main characters and the time in which they exist on an equal footing with the viewer. Pictures of Daria Kotlyarova have no plot, at first glance, they have no action, but there is a moment. The moment before the second “before” ... and the viewer stops and freezes in tension, this is almost a psychological “cinema reception” that refers us to David Hockney’s paintings...