The Dismounted Hunter, Sir William Rowley, circa 1800

Dark Bay Hunter IN A Landscape, 19th Century Daniel CLOWES (1774-1829) Large 19th Century English dark bay hunter in a landscape, oil on canvas. Excellent quality and condition sid...

Greyhounds Hare Coursing, 19th Century circle of RICHARD JONES (1767-1840) Circa 1800 Century English Greyhound Coursing scene, oil on canvas. Excellent quality and condition rare ...

US buyers pay no import tariffs on this item. This early 19th-century oil painting by English artist W.S. Cooper (act. 1832-1834) depicts a bay hunter and groom in a landscape with ...

A painting of a chestnut hunter in a landscape with a horse and rider accompanied by two hounds by a woodland river in the distance. Signed and inscribed 'Melton Mowbray', lower left. Oil on canvas in a giltwood frame. John Ferneley Sr (1782-1860) was born the son of a Leicestershire wheelwright, the youngest of six children. He is known as one of the great British equine artists, perhaps only second to Stubbs in terms of raw ability. Ferneley originally worked with his father, until by chance the Duke of Rutland saw some of his work on the side of a cart on which Ferneley and his father had been working. The Duke was so impressed with Ferneley that he persuaded John's father to allow him to become the pupil of Benjamin Marshall. Ferneley was so talented that apparently he produced almost perfect copies of his tutor's paintings and they were said to have been indistinguishable from the master’s. Marshall also enrolled him as a student of the Royal Academy Schools. In 1804 Ferneley paid a man named Thomas Harrison...