The Dismounted Hunter, Sir William Rowley, circa 1800

Huntsmen and Terriers & Ferrets Rabbiting, 19th Century attributed to George Armfield (1808-1893) Large 19th century English landscape with Huntsmen rabbiting accompanied by their...

Portrait Of Emperor Nicholas I Of Russia (1796-1855) On Horseback, 19th Century circle of Heinrich Muller (1781-1851) Large 19th Century portrait of Nicholas I, Emperor of Russia o...

Fox Hunting Party & Foxhounds, 19th Century attributed to John Ferneley (1782-1860) Large 19th Century English Fox Hunting Party and Foxhounds, oil on canvas. Excellent quality and...

Portrait Of A Dandy Dinmont, 19th Century attributed to Edmund BRISTOW (1787-1876) 19th Century portrait of a Dandy Dinmont, oil on canvas attributed to Edmund Bristow. Excellent q...

This large superb British Old Master horse portrait oil painting is by noted artist John Boultbee. Painted circa 1790, the composition is a beautif...

The Hon. Henry Richard Graves (1818–1882) The Countess of Uxbridge mounted on 'Rose', a dark bay hunter with a terrier by a stile Oil on canvas Painting Size - 28 x 36 in Canvas Siz...

Sold as a pair/Final price is for two paintings of 'Hunting scenes" by Henry Barraud (1811–1874), a British painter best known for his portraits, genre scenes, and animal paintings, ...

A painting of a chestnut hunter in a landscape with a horse and rider accompanied by two hounds by a woodland river in the distance. Signed and inscribed 'Melton Mowbray', lower left. Oil on canvas in a giltwood frame. John Ferneley Sr (1782-1860) was born the son of a Leicestershire wheelwright, the youngest of six children. He is known as one of the great British equine artists, perhaps only second to Stubbs in terms of raw ability. Ferneley originally worked with his father, until by chance the Duke of Rutland saw some of his work on the side of a cart on which Ferneley and his father had been working. The Duke was so impressed with Ferneley that he persuaded John's father to allow him to become the pupil of Benjamin Marshall. Ferneley was so talented that apparently he produced almost perfect copies of his tutor's paintings and they were said to have been indistinguishable from the master’s. Marshall also enrolled him as a student of the Royal Academy Schools. In 1804 Ferneley paid a man named Thomas Harrison...