Glyn Morgan

Owls in Landscape - Welsh Post Impressionist art oil painting birds

1990

This superb vibrant Post Impressionist African landscape oil painting is by noted British artist Gerald Spencer Pryse. It was painted about 1925 when Pryse was visiting Morocco and N...

A delicate oil on canvas landscape capriccio of an Arcadian landscape with figures and sheep and goats in the foreground. A stormy sky and blasted tree populate the landscape and the...

Abraham Begeyn, Dutch Golden Age painter and Prussian court painter painted this wonderful 17th century Old Master oil painting. Painted circa 1690 and signed lower right, the subject matter is sheep and a goat under a tree in the foreground, amongst beautiful flora and fauna. Through the trees one can see some classical ruins to the left and to the right some buildings with a shepherd and his flock in front of the buildings and mountains beyond. Above is a beautiful sky tinged with pink, suggestive of dawn. There is tremendous detail in the flora and fauna and also the sheep's woolly coat. Begeyn particularly favoured painting this sort of scene with the elements of landscape, ruins or buildings and animals and was a master at it and highly prized in the Netherlands. This is an excellent example of Begeyn's work and is good condition given its age as a 17th century Old Master oil painting. Signed lower right. Provenance: Collection of Mr P. Vienna (label on the reverse) Sale, Sotheby's, London, 18 October 1995, lot 70. Condition. Oil on canvas, 24 inches by 21 inches unframed and in good condition. Frame. Housed in a gilt swept frame, 31 inches by 28 inches framed and in good condition. Abraham Begeyn (c. 1637 Leiden - 11 June 1697 Berlin), was a Dutch Golden Age painter. Begeyn was born in Leiden. Though perhaps known mostly for his Italianate landscapes and cattle in the manner of Nicolaes Pietersz Berchem, Begyn was a highly skilled painter active in many genres, who travelled widely. According to the RKD, Begeyn's earliest known work is from 1653, though he was first accepted into the Guild of St. Luke in Leiden in 1655. He stopped paying dues in 1667, because he set off for a trip to Italy. He is registered in Rome and Naples from 1659–1660. In the rampjaar or disaster year, of 1672, he is registered in Amsterdam, and after that he lived in London, where he painted at Ham House, Surrey, together with Willem van de Velde the Younger (1633–1707) and Dirck van Bergen...

This lovely British Victorian landscape oil painting is attributed to noted artist Sam Bough. It was painted circa 1855 after Bough had moved to Hamilton Lanarkshire in Scotland to focus on painting landscapes along side fellow artist Alexander Frazer. The composition is several cattle watering in a stream under the boughs of an ancient tree. There is superb impasto, for example on the clouds and this is a charming 19th century oil painting. Provenance. London estate. Condition. Oil on canvas, 29 inches by 16 inches unframed and in good condition. Frame. Housed in an ornate gilt Victorian frame, 36 inches by 23 inches framed and in good condition. Samuel Bough RSA (1822–1878) was an English-born landscape painter who spent much of his career working in Scotland. He was born the third of five children in Abbey Street, Carlisle in northern England, the son of James Bough (1794-1845), a shoemaker, and Lucy Walker, a cook. He was raised in relative poverty, but with a keen encouragement in the arts. He was self-taught but mixed with local artists such as Richard Harrington and George Sheffield, and was strongly influenced by the work of Turner. After an unsuccessful attempt to live as an artist in Carlisle he obtained a job and as a theatre scenery painter in Manchester in 1845, later also working in Glasgow in the same role. Encouraged by Daniel Macnee to take up landscape painting he moved to Hamilton from 1851-4 and worked there with Alexander Fraser. In 1854 he moved to Port Glasgow to work on his technique of painting ships and harbours. His paintings were noted for their sensitivity to atmosphere and light, were often of cloudy shorelines and busy harbours. He also began supplementing his income by illustrating books, before moving to Edinburgh in 1855. On coming to Edinburgh he lived in a terraced house at 5 Malta Terrace in the Stockbridge area of the city. Following Turner's example, he became a skilful painter of seaports. He was buried in Dean Cemetery Edinburgh on 23 November 1878. The grave bears a bronze medallion of his head by William Brodie...

Oil Painting of Gorse on the Common with Trees & Rabbits in Oxfordshire England, by Contemporary British Artist Art measures 18 x 14 inches Frame measures 21 x 17 inches (commens...

PAIL Edouard (1851-1916) Landscape with pond and gooses. Oil on canvas signed lower left and dated 1884 Old frame gilded with leaf Frame size: 50 X 65 cm Dim frame: 70 X 85 cm. PAIL Edouard (1851-1916) School of Crozant - Post-Impressionist. French painter born in Corbigny, October 17, 1851 and died in Villeneuve-le-Roi on December 6, 1916. Student of local painter and engraver Hippolyte Lavoignat at the School of Fine Arts in Nevers. He exhibited at the Paris Salon in 1870, at the age of nineteen, two landscape paintings: Le Ruisseau de Varennes near Corbigny and Les Chaumes de Corbigny. In 1877, he became a professor at the School of Fine Arts in Nevers. Then he abandoned this position to join Paris in 1880. He then undertook trips to England, Egypt, Palestine and Algeria. He exhibits every year at the Paris Salon. In 1888, he was a member of the Salon des Artistes Français. He obtained a medal in 1893. In 1896, he was appointed Academy Officer. In 1903, he became an Officer of Public Instruction. In 1912, he exhibited at the Salon Le soir at Mont Sabot and in 1914 L'Éang aux bruyères. His favorite subjects are pastures and heather, backyards, shaded rivers, pink and misty panoramas. They are treated in clean tones and a palette dominated by greens and browns. Museums : Brest, Clamecy, Clermont-Ferrand, Nevers, Perpignan, Cannes. Bibliography : Bellier and Auvray, General Dictionary of Artists of the French School, Paris, Renouard, 1885. - E. Bénézit, Dictionary of painters, sculptors, designers and engravers, Paris, Grund - C. Rameix, L'École de Crozant: The painters of Creuse and Gargilesse. 1850-1950, - Marion Vidal...

The Haycart by Wilfred Wilson (English, 1920 - 1978) signed oil on paper (laid on board), framed framed: 12 x 14 inches painting : 8 x 10 inches Provenance: private collection, Eng...

ARTIST: John Alexander Halliday (1933-2021) Scottish / English TITLE: 'Winter Highland Cattle Feeding Galloway Scotland" MEDIUM: oil on panel SIZE: 69cm x 48cm inclusive of frame C...