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Oil Painting, Antique 19th century Fox hunting with hounds in a landscape horses

circa 1830

Price:$3,250
$3,750List Price

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The standard bearer
By Jacques Francois Joseph Swebach-Desfontaines
Located in Genève, GE
Work on wood Oil on panel depicting a lively military scene, attributed to Jacques Swebach, known as Swebach-Desfontaines (1769–1823), a French painter celebrated for his battle scenes, cavalry subjects, and historical genre compositions. The painting features a mounted standard bearer leading a small group of cavalrymen, accompanied by figures on foot, advancing through an open landscape beneath a dramatic, cloud-filled sky. The dynamic arrangement of figures, the expressive postures, and the detailed rendering of horses demonstrate the artist’s keen observational skills and narrative clarity—hallmarks of Swebach’s work. The color palette is composed of warm browns, earthy ochres, and muted blue-grey tones, creating a balanced yet animated atmosphere. The handling of paint is fluid and confident, with careful modeling of the figures and a sensitive treatment of light, particularly in the sky. The composition reflects the strong influence of 17th-century Flemish and Dutch painting, which played a significant role in Swebach’s artistic formation. Executed in oil on wooden panel, a support frequently used in the late 18th and early 19th centuries for such subjects, this attributed work displays strong decorative appeal and solid pictorial quality. It is well suited for collectors of Old Master paintings, military art, and European historical scenes from the Napoleonic era. Oil on panel Oil on wood painting Attributed to Jacques Swebach Swebach Desfontaines French Old Master painting 18th century French painting Early 19th century painting Antique military painting...
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The standard bearer
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An Eighteenth Century Pastoral Scene by Jan van Gool, 1719
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Jan van Gool (Dutch, 1685-1763/65) Pastoral Scene, 1719 Oil on panel, 15 x 21 3/4 inches FRAMED: 23 x 29 1/2 (Approx.) Signed and dated at lower left: "J V G...
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Huge 18th Century Italian Old Master Oil Painting Figures Animals Arcadian
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Shepherd with Sheep, Cows and a Goat in a Landscape by Jan Frans Soolmaker
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Claude Michel Hamon Duplessis (active in Versailles from 1791 to 1799) Signed one lower right, the other lower left “M. h. Duplessis” Pair of paintings ...
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Sir Richard Sutton s foxhounds
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Cattle and Drover in a Landscape - British Victorian art landscape oil painting
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17th century English Birds on a pond and in flight, Ducks, Swans, Kingfisher
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Studio of Francis Barlow, English, late 17th century Birds on a Pond with Waterfowl and Birds in Flight Oil on canvas Un-signed Presented in an antique English carved wood frame A f...
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18th century English portrait of a Hound or Gun Dog in a landscape
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French 19th century Chickens in a landscape
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Portrait of Wire Fox Terrier or Westie, English in a landscape in three images
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Francis Mabel Hollams (British, 1877–1963) Three Portraits of “Scrap,” a Wire-Haired Terrier Oil on wood panel, monogrammed lower left “FMH” Circa 1940–1950 A delightful and charac...
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English 19th century English Farm with shire Clydesdale horses in a landscape
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English School Farmyard Scene with Horses and Goat Oil on panel, unsigned The Circle of John Frederick Herring Sr. Circa 1880 Presented in a later gilt and painted frame This finely rendered 19th-century English farmyard scene captures the quiet dignity of rural life, with a group of three horses—white, chestnut, and black—gathered beneath a tree in the warm light of late afternoon. A small goat stands to one side near a rustic stable, adding a note of charming domesticity to the composition. The surrounding landscape, with its distant hills and careful play of shadow and cloud, speaks to the artist’s sensitivity to atmosphere and detail. Though unsigned, the painting is executed in a manner closely aligned with the work of John Frederick Herring Senior, one of Britain’s most celebrated animal painters of the Victorian era. The careful modelling of the horses, their distinctive postures and anatomy, and the tranquil farm setting are all hallmarks of Herring’s influence. Painted in oils on a wooden panel, the surface retains a fine, even gloss and a warm palette typical of the period. The composition is both balanced and lyrical: the interplay of form and gesture among the animals invites the viewer into a moment of repose between work and activity, emblematic of Victorian ideals of harmony between man, beast, and the land. A delightful example of 19th-century English rural painting...
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