Horse Animal Paintings

"Happy Horseshoe" Painting 43" x 51" inch by Alina Shimova PURE SOUL series Shimova cares about the conservation of the fauna. She draws public attention to the problems of animal...

Karen Bonnie "Evening's Last Glow" Oil on Canvas Canvas Size: 24 x 36" Frame Size: 44.25 x 32.25" A naturalistic paintings of six horses crossing a flo...

This equine racing portrait "California Chrome" by artist Anne Wolff is a 24x24 original oil painting on canvas. Depicted is a profile view of the famous thoroughbred race horse California Chrome in a green and purple silk mask...

Pascal Dabere is a French artist born in 1957 who lives & works in Amboise, Indre-et-Loire, France. At 17 years old, he was spotted by Dargaud Editions and works for Morris, the crea...

This piece, "Silent Run", is a 40x40 equine oil painting on canvas by artist Marie Channer. Featured is a group of horses running in the snowy hours of early morning. Snow drifts lif...

This vibrant landscape piece, "Lush Pasture", is a 16x20 featuring three brown horses grazing in a green pasture surrounded by the warm afternoon sun light. Lush green trees fill the...

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing ...

Artist: Daniela Nikolova Medium: Oil, sand, and gold leaf on canvas Size: 19.6" x 13.7"

Horse Head The majestic profile of a horse, inspired by a Madrid sculpture, takes center stage in this work. A warm circle, almost like a luminous medallion, frames the powerful pres...

This is a gallery wrap, oil on canvas piece. It could be framed if someone wished to do so.

Artist: Daniela Nikolova Medium: Tar on Canvas Size: 7.1" x 5.1"

Artist: Daniela Nikolova Medium: Oil and sand on canvas Size: 47.2" x 39.3"

Artist: Daniela Nikolova Medium: Tar and oil on canvas Size: 39.3" x 31.5"

This piece, "Foggy Morn", is a 30x40 equine oil painting on canvas by artist Marie Channer. Featured is a pasture in the early morning hours. Horses graze in the cool summer air, sil...

“The Gun-Runners” by Edwin Cole, published in The Youth’s Companion, May 6, 1926, pg. 343. Western illustration Literature: Schoonover, Smith & Dean 1450 Artwork Dimensions: 17.5...

Oil Painting by George Wright "The Cottage Door" 1860- 1942 Leading painter of equestrian scenes, he exhibited at the Royal Academy and many of his works were reproduced in books and...

A charming, signed and dated 1883, oil on canvas painting of a soldier and his horse in period gilt-wood frame.

This is a framed original painting. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...

This horse racing piece, "A Narrow Lead", is a 14x18 equine oil painting on canvas featuring five jockeys wearing colorful silks atop their horses during a ste...

This is a beautiful one-of-a kind large contemporary painting. Like a Lichtenstein for the digital age. The piece ships ready to hang and is signed by the artist on the bottom left...

Artist: Daniela Nikolova Medium: Pastel and pencil on canvas Size: 15.7" x 11.8"

Artist: Daniela Nikolova Medium: Pastel and pencil on canvas Size: 9.6" x 13.7"

This equine impressionist painting, "More Than Just a Horse" by artist Lisa Palombo is a 18x24 acrylic painting on watercolor paper featuring a side view ...

Oil on canvas Canvas size: 24 x 18 inches Framed size: 35.5 x 30.5 inches Signed lower right

Piggott finds resonance and beauty in the familiar. His subjects, anchored in the stuff of the every day, are quietly captured in a moment of time. Each composition speaks to the art...

Artwork framed Diana Torje is a prizewinning Romanian artist born in 1983 & based in Paris whose works have been exhibited in solo and group shows throughout France & worldwide. Ins...

Pascal Dabere is a French artist born in 1957 who lives & works in Amboise, Indre-et-Loire, France. At 17 years old, he was spotted by Dargaud Editions and works for Morris, the crea...

Pascal Dabere is a French artist born in 1957 who lives & works in Amboise, Indre-et-Loire, France. At 17 years old, he was spotted by Dargaud Editions and works for Morris, the creator of Lucky Luke...

Artwork framed Diana Torje is a prizewinning Romanian artist born in 1983 & based in Paris whose works have been exhibited in solo and group shows throughout France & worldwide. ...

Wright Barker (British School 1864-1931) Barker was a well-known painter of equestrian and highland scenes, though landscape and genre subjects are known. ...

This colorful piece, "Frozen in Time", is a 18x24 oil painting on canvas featuring two riders atop their horses in a green field during a fox hunt. A group of hounds eagerly run alo...

This piece, "A Lazy Summer Day", is a 15x25 acrylic painting on board by artist Del Bourree Bach featuring a peak into quiet barn pasture. Patches of ...

This realistic equine piece, "Stables with Blue Buckets", by artist Dahl Taylor is a 24x40 oil painting on canvas featuring two race horses standing near t...

Pascal Dabere is a French artist born in 1957 who lives & works in Amboise, Indre-et-Loire, France. At 17 years old, he was spotted by Dargaud Editions and works for Morris, the crea...

Pascal Dabere is a French artist born in 1957 who lives & works in Amboise, Indre-et-Loire, France. At 17 years old, he was spotted by Dargaud Editions and works for Morris, the creator of Lucky Luke...

This Reed piece is of a horse painted on 6 separate sheets of oil paper. It is painted in the influence of the European artist Stubbs. This painting is oil on paper, and is monochrom...

This is a framed painting on paper. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...

Allison McIntyre (b. 1999 West Virginia) pulls from animal imagery and digital aesthetics to respond to contemporary human-animal relations, wrestling...

This realistic equine piece, "Waiting on the Track", by artist Dahl Taylor is a 30x48 oil painting on canvas featuring race horses gearing up and waiting n...

This equine racing painting "#10" by artist Anne Wolff is a 30x24 original oil painting on canvas. Depicted is a thoroughbred race horse in number ten purple silks being hot walked ...

Karl Stuhlmuller (German, 1859-1930), "Market Scene", Oil on Panel, 19th century, signed lower right, and marked to verso. Image: 13.5" H x 22" W; frame: 27.25" H x 35.5" W. Provenan...

James Ward, an 18th-century English artist, captures a serene and intimate scene in his oil painting Mare and Foal in a Stable Interior. This work embodies Ward's expertise in portra...

Lionel Hamilton Renwick’s "Arab Stallion in a Landscape" captures the striking beauty and elegance of an Arabian horse set against a sweeping, natural backdrop. Known for his equine ...

An established Flat Racing Jockey, Moore mainly rides for Coolmore Stud and has also ridden for Juddmonte, as well as the Royal Family. As of 2024 Moore has ridden more than 200 grou...

Portrait of A Prize Winning Shire Horse, 19th Century WILLIAM ALBERT CLARK (1860-1843) Large 19th Century English portrait of a prize winning shire horse, oil on canvas by William ...

Brett Eric Osborn was born in Lima, Ohio in 1963. Both his father and his cousin are artists and influenced the young Osborn during his formative years. Brett recalls being a child during a "Friday-night-smoked-filled-room-critique" where his father and friends would meet to look at slides of contemporary artists and their work. His father worked as a painter and a designer. His father's familiar designs included the "Grey Hound Bus" logo and the "Circle K" logos. Brett studied painting, film and theater at the University of Wisconsin, Madison. He supported himself working in professional theater as a set builder, in television as an art director and after moving to Southern California in 1987, worked in Hollywood as a special effects miniature artist. Notable films include, Star Trek IV, Karate Kid...

In "Rejoneador IV," the artist captures a moment filled with anticipation and serenity. The rejoneador, majestic atop his white horse, is depicted just before the start of the bullfi...

Original oil painting on linen by artist Krystii Melaine. Framed.

Having endured adversity of fleeing war and conflict, Dhamin's artwork is profoundly influenced by his personal journey. He infuses his works with movement, energy and an emotional ...

Starostin, A.M. (1924 -1987) was a Russian artist from Moscow. In 1963, due to his recognized talent, he became a member of the Union of Painters of USSR. In 1950-1960 Starostin mast...

Texas artist Cunningham Patrick (1932-1989). Active in Houston. Represented by the Barbizon Gallery. "Wild Ones", circa 1970s. Measures: 24" x 30", oil o...

Arthur Walker Redgate British, (1860-1906) A Wayside Chat Oil on canvas, signed Image size: 13.5 inches x 20.5 inches Size including frame: 19.5...

Oil on canvas Canvas size: 16 x 12 inches each Framed size: 24.25 x 20 inches each Signed lower left

Grand Army Plaza in Central Park, NYC

Medium: Gouache on Illustration Board Signature: Signed Lower Right Magazine story illustration, Cosmopolitan, 1930; Exhibited: Fall 2004: Brandywine River...

Eugen Osswald German, 1879-1960 La Course Oil on canvas 14 by 16 ¾ in, w/ frame 22 ½ by 25 ⅜ in Signed Eugen Osswald lower left

LUNA, Charles de (1812-1866) Horses and carriage hunting Oil on canvas signed low left and dated 1841 Old original frame gilded with leaves Dim canvas : 39 X 75 cm Dim frame : 89 X 52 cm Certificate of authenticity LUNA, Charles de (1812-1866) French Painter 19th century Born in 1812 in Châlon sur Saone Genre scenes, military subjects, Orientalism Pupil of Léon Cogniet...

Carvallo Oil Painting on Canvas Horse Armour Rome In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family. His grandfather...

The Cattery by Orovida Pissarro (1893-1968) Oil and pencil on canvas 61 x 51 cm (24 x 20 ⅛ inches) Signed and dated upper right Orovida 1964 Provenance Estate of the artist G Hassel...

L' Abbatimento della Bandiera Oil Painting on Canvas Mythology In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family. His grandfather, father, sist...