Women Animal Paintings

Major. (from series Music) 2011. Oil on linen, 70 x 80 cm

Kusbudiyanto is an Indonesian artist born in 1969 who lives & works in Jogjakarta, Indonesia. This painting tells the happiness of children travelin...

Gurucharan Singh - Untitled Oil on Canvas, 14.5 x 10 inches Born 1949 Exhibitions : Selected Solo Exhibitions 2012 'Twilight Tales', The Viewing Room, Mumbai 2008 Jehangir Art Gallery, Mumbai 1989,86 Gallery 7...

Gurucharan Singh - Untitled Oil on Canvas, 14.5 x 10 inches Born 1949 Exhibitions : Selected Solo Exhibitions 2012 'Twilight Tales', The Viewing Room, Mumbai 2008 Jehangir Art Gallery, Mumbai 1989,86 Gallery 7...

Artist: Jack Graves III (American, 1988-) Title: "High School Sketchbook OXO" Series: Eclecticism *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2024 Medium: Original Acrylic Painting on Canvas Canvas size: 56" x 54" Condition: The stretched canvas was custom built by the artist himself. In mint condition Shipping: This painting will be shipped canvas rolled with its stretcher bars to greatly reduce shipping cost and ensure its safety during transport Notes: In this painting, Graves has depicted a Jack Russell-Rat Terrier...

A modern Chinese watercolor painting depicting birds soaring under a red sun.

In Shivers, a disease is spread through the throat, resulting in a zombie-like infection. In this painting, coupled with an image from The Eyes of Laura Mars, is a reference to ideological possession and the use of compelled speech. It is a concern towards those who display totalitarian traits in their quest for justice, too caught up in their own righteousness to really consider the damage they are doing. The do in the background stands above the lifeless body of a woman, it is dogma and its dismantlement of womanhood. Inspired by the films Shivers, 1975 The Eyes of Laura Mars, 1978 Georgia Hinaris Eyes of Shivers oil on panel 16h x 24w in 40.64h x 60.96w cm GHS003 Horror films are the most profound and visceral of films, garnering the most extreme responses: vehement hatred and cultish admiration. Horror elicits a controlled neurosis while exposing the rejected weaknesses and brutalities of humanity. I embrace the power of cinema and its ability to alter perception, as it is media that is a reflection of our primordial desires. I’m fascinated by concepts involving the limits of human perception, the ambiguity of morality in relation to nature, the paradoxical nature of reality, and the human struggle to reckon with uncertainty. Humans bear the burden of being as we are, all caught in a flux of unbelievable cognitive abilities and animalistic instincts. Every painting is in its own universe and I cater to it. Nothing is precious. Chaos is embraced. Georgia Hinaris, b. 1993, Chicago, Illinois Education 2019 MFA Painting, New York Academy of Art, New York, NY 2015 BFA Painting, Pratt Institute, Brooklyn, NY Exhibitions 2020 Summer Exhibition, Flowers Gallery, New York, NY Summer Juried Exhibition, Prince Street Gallery, New York, NY 2019 Di Donna Gallery, New York, NY AXA Art Prize, San Francisco Art Institute, San Francisco, CA, Richard Gray...

Garth Bayley Mother always said purple and Orange will never do! Pen and ink on watercolour paper Watercolour Paint on Canvas Board Image size: H 25cm x W32 cm x 0.1 cm Sold Unframed...

oil on stretched canvas signed an dated on reverse. Basso's highly original pastels and oil paintings are romantic yet thought provoking narratives. His whimsical works are alive wit...

Raju Sarkar - Untitled Watercolour on Paper, 10 x 10 inches, 2021 (Shipment in a roll form) Raju Sarkar is a resident of Kolkata. He completed his BVA (pa...

Debabrata Basu - Untitled - 48 x 36 inches (unframed size) Acrylic on Canvas Inclusive of shipment in ready to hang form. Style : Debabrata derives his style and theme by introspect...

Aaron Bohrod Double Bill, 1990 Signed upper right Oil on gesso panel 9 x 12 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regiona...

High Atlas Mountains, Morocco Trevor Waugh Oil on canvas Unframed Landscape painting

Camel Swap Trevor Waugh Oil on stretched canvas Unframed Orientalism

We love Rudolf's latest series. The artist says about “Stranger”; "Normally one would hardly take notes of an inconspicuous, black kitten in everyday life...

Turquoise Channel - 60 X 40 Acrylic medium is troweled onto the wood with a layer of resin. Acylic paint with silver leaf encasing the fish. A blue wash is applied over the silver leaf with a coat of resin to protect the silver leaf. Frank Hyder has participated in more than 150 group shows and has had over 80 solo exhibitions throughout North, South and Central America, including 10 individual exhibitions in New York City. He has been one of the few North Americans to have solo museum exhibitions in Venezuela at the Museo de Arte Contemporaneo de Caracas Sofia Imber (MACCSI), and Museo Universidad de Los Andes . Other solo museum exhibitions include the Pennsylvania Academy of Fine Art’s Museum of American Art, the Carnegie Museum in California, the La Salle Museum of Art in Philadelphia, and the National Museum of Catholic Art and History in New York. His work has been collected by Museum Jacobo Borges...

In 2018, I became a painter. An artist.  I am a product of the '70s and I spent my life in the fine state of New Jersey—the most wonderful state of them all.  As a result of stuff th...

Subrata Biswas - Untitled - 11.5 x 8.25 Inches ( unframed size ) Dry Pastel & Tea Liquor on Paper. ( Unframed All in Delivered Price ) Style : The motive of a child in its most basi...

Good Dog Oil on Panel 9 3/4 x 16 Inches Charlotte Gibbs recently had the distinct honor of being awarded First Prize in The Roddy Compeition held at th...

Louis Recchia's (US based) "Violin Player" is an original, handmade oil painting on canvas. About the Artist: Louis Recchia has been producing contempo...

Haymaking time 1930, pastel on paper, 30x39 cm "Haymaking Time" is a serene and evocative artwork that transports viewers to a simpler time, celebrating the beauty of the countryside and the age-old agricultural activities that have shaped the lives of people for generations. The use of pastels and the light figurative style imbue the artwork with a sense of warmth and nostalgia, inviting viewers to appreciate the natural rhythms of rural life. Aleksandra Belcova...

Artist: Jack Graves III (American, 1988-) Title: "Abandoned House" Series: Eclecticism *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2024 Medium:...

Acrylic on canvas Christine Pultz is a French animal painter born in 1953 who lives & works in Pontault-Combault, France. Through her passion for painting animals, especially feline...

Birendra Pani - Viswaroopam Returns - 48 x 48 inches (unframed size) Acrylic on Canvas ** Will be delivered in rolled form Should you want the work in ready to hand condition plea...

In this evocative piece by Rudolf Kosow, we are confronted with the signature elements of surrealism that define his work. The canvas is dominated by the vastness of a feline's paw, ...

DANNY GALIEOTE Welcome to My World Oil on Canvas 11 x 14 inches 16.5 x 13.5 inches, Framed Danny Galieote has a propensity for capturing the quintessentials of Americana in works t...

Wonderful signed oil on panel cattle and figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts oxen being loaded onto ships in Honfleur, France en route to England. Signature: Signed lower right Dimensions: Framed: 18"x16" Unframed: 9"x8" Provenance: Exhibition Jean Francois Raffaélli held at Galerie Simonson, 19 Rue Caumartin Paris - October 1929 (number 44) Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

“Devie, a true virtuoso of minimalism, unveils a masterpiece that captures the essence of elegance and emotion through the most unassuming of forms. In her latest creation, a minimal...

Bijan Choudhury - Untitled - 48 x 42 inches (unframed size) Mixed Media on Canvas, 2009 Inclusive of shipment in roll form. Style : The Marxist orientation did not allow Bijan Chowd...

"To Taste" is an original oil painting by Kelly Houghton.

Koza, 2019

Oil on linen, dark purples, greens . This work conveys a sense of mystery.

In 1993, a window of opportunity opened as a result of several different situations that were occurring. I was participating in an Artist-in-Residence program in Yellowstone Nationa...

Pair of paintings, still on the first canvas, oil on canvas measuring 70 x 82 cm without frame and 80 x 92 cm with coeval frame by the painter Felice Boselli (Piacenza 1650 - Parma 1732) depicting a still life with popular characters, animals and game. Felice Boselli was an Italian painter of the Baroque period, best known for still lifes of game...

'Swallow' by Ignacio Trelis is a dreamlike painting with the portrait of a woman and a swallow bird. Ethereal in its wuaility with such fine detail. The piece is oil on silver leaf p...

Concert. 2016. Oil on canvas, 60x90 cm Dagnia Cherevichnik (1974) Born in 1974 in Riga. Professional education: 1986-1993 – J. Rozentals Riga Art Secondary School; 1995 - 2001- LMA ...

Princess with a frog. 2014. Oil on canvas, 20x20 cm Dagnia Cherevichnik (1974) Born in 1974 in Riga. Professional education: 1986-1993 – J. Rozentals Riga Art Secondary School; 1995...

Mohammad Osman - Gangireddu Acrylic on Canvas, 36 x 36 inches, 2020 Born in 1972 Originally from a village in Mahabubnagar district ,I draw inspiration heavily from village life.. I have completed my bachelors of fine arts from JNAFAU Hyderabad.My first solo show happened with gallery g in 2010.later after that I had many solo and group exhibitions. Recently I have been painting various versions of a bull that is traditionally decorated during sankranthi. I am touched with Indian culture and tradition and since past many years I have been working on this bull series and its also symbolic image of "SANKRANTI" festival. My childhood my village are the reasons for this gangireddu. I lived in a village for twenty five years and am strongly connected to my village and my roots there.And I have chosen Gangireddu because I found it very interesting with beautiful traditional elements in it. I feel it's nothing less than a beautiful composition of art. EDUCATIONAL QUALIFICATIONS: B. F. A ., (Painting) J.N.T.U , College of Fine Arts ,HYDERABAD. SOLO SHOWS: 2010 - Gallery – G , Bangalore. ( Kole Basava - Kala Basava ) 2009 - “RENAISSANCE GALLERY”, Bangalore. 2019 - Gallery - G , Bangalore. GROUP SHOWS . 2019 - Gallerie. Nvya. New Delhi... 2019 - TIGER.. TAO art gallery mumbai…(travelled show) 2019 - TIGER.. the state art gallery, Hyderabad. 2019 - state art gallery Hyderabad, 2017- KARA art show, club botanica. 2017 - Studio 3 art gallery , Mumbai( singapur art fair} 2017- Studio 3 art gallery , Mumbai (Dubai art fair) 2017- A project for private collection, ( huge size painting), Hyderabad 2017- Beyond the contours, Mon art gallery, Kolkatta 2016- Samara art gallery, Ahmedabad 2016- Art for cause, hotel AVASA hyderabad 2016- Studio 3 art gallery , Mumbai 2016- Madhyam, Bangalore 2016- Mahua art gallery. Bangalore 2016- Catharsis art gallery ,Ahmedabad 2016- gallery G , Bangalore 2016- Mahua art gallery Bangalore.. 2016- Madhyam, Bangalore 2015- Gallery NVYA, (flight of expressions) 2015- Gallery NVYA, (oorjha) 2014- show of gallery collection, gallery space,Hyderabad 2014- Concern india foundation ( Hyderabad ) 2014- Concern india foundation ( Ludhiana ) 2014- Gallery space, Hyderabad( art for cause ) 2014- Gallery NVYA, (Zen movments) 2014- Hotel HYATT, Ahmedabad by kalakrithi art gallery 2013- Gallery NVYA, (The winter tale) 2013- Gallery NVYA, (Amalgam prathama collection) 2013- Gallery NVYA, ( 9 th anniversary show) 2013- Gallery NVYA, (Varsha-sharad) 2013- Gallery NVYA, (Basanthagreeshma collection, IGIA) 2013- NVYA Art Gallery , New Delhi ( Within Reach-IV.) 2013- Taj falaknuma palace, Hyderabad (an art saturday by kalakrithi art gallery) 2013- NVYA art gallery, New delhi, (Completely Contemporary) 2013 - NVYA Art Gallery , New Delhi .( The timeless journey of indian contemperory art) 2013 - NVYA Art Gallery , New Delhi . ( Hemanta-Shishir) 2013 - Kalakriti Art Gallery , Hyderabad.( Flavours of hyderabad) 2013 - Time And Space Gallery ,Bangalore 2013- Gallery NVYA, (The timeless journey of indian contemperory art) 2013- Galley NVYA (Comletecontemperory )new delhi 2012- Gallery NVYA, (Hemantha- shishira, IGIA) 2012 - Nvya Art Gallery, New Delhi . ( Within reach lll) 2011 - Forum Art Gallery ,Chennai .( Deccan musings ) 2011 - Time And Space Gallery ,Bangalore 2011- Kalakriti Art Gallery , Hyderabad. ( po10tial - 2 ) 2010 – Biddle & Webb , Birmingham ,U.K. 2010- Galley NVYA (Comletecontemperory )new delhi 2010- gallery G bangalore. 2010 - Time And Space Art Gallery ,Bangalore. 2009 - Goup show of artists from HYDERABAD at Windsor Manner, BANGALORE. 2008 - USA (San Francisco), a Group show with Indian Contemporaries. 2008- Artist from India...

Puspen Roy - No Space in the City Acrylic on Canvas, 45 x 30 inches, 2014 Born : 2nd January, 1979 Educational Qualification : B.V.A. (1st Class) in Painting From Indian...

Claude Cardon British, (1864-1937) Feeding Time in the Orchard Oil on canvas, signed & dated 1918 Image size: 19.25 inches x 29.25 inches Size including frame: 27.5 inches x 37.5 in...

Rare Collectible by Bengal School Artist Artist : Dipen Bose Medium : Watercolours on paper Size : 7.5 x 5 inches Paintings on both sides of the paper. Extraordinary and Unique. Here the master artist shows very subtly the command he has over the brush. The dramatic effect that Monotone watercolours created, to play and tantalise all of our senses. Effortlessly executed, one cannot miss the expertise and uniqueness in the works. Even the less dense watercolours, speaks to its viewers. Its never been easier to connect with watercolours and its essence. Bengal Master Artist Dipen Bose (1921-1964)  Born in Calcutta, West Bengal. Education : Self-taught artist with no academic training in art. 1942 Completed Graduation, Calcutta. Grandfather, Nagendra Bose inspired him to start painting. Learnt the technique of oil painting from artist Debi Prasad Roychowdhury. 1947 Started to paint after giving up his job at Central Excise Service, Calcutta. His association with the Indian Institute of Art and Industry and Indian Society of Oriental Art played a vital role in his life. He was close to Indra Dugar. Associated with Art in Industry and Rachana till 1952. These associations inspired him towards traditional Indian Art, French Impressionism and Chinese Art. 1953 His painting was presented to the President, Federal Republic of Germany by Govt. of India. Dipen Bose Wrote articles on art in newspapers and journals. Style : For inspiration and evolving a personal style, Dipen looked at part of the history of art that seemed useful- Jain and Kangra painting...

Sunil Das - Horse I - 11 x 9 inches (unframed size) Pastel on Sand Paper Inclusive of shipment in ready to hang form. Sunil Das was one of India's most important postmodernist paint...

A wonderful work by the very well lauded by the indiancontemporary artist Shipra Bhattacharya. Shipra has a wonderful skill to paint meticulously enchantingly as well Attractively. ...

Hunting Egypt. 2001. Oil on canvas, 68x101 cm

A wonderful work by the very well lauded by the indiancontemporary artist Shipra Bhattacharya. Shipra has a wonderful skill to paint meticulously enchantingly as well Attractively. ...

This art - work is part of the project DIFFICULT RELATIONSHIPS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a var...

In this oil painting, I've delved into the tender connection between nature and childhood. The way the child and the majestic animal share a moment of silent conversation amidst the ...

In collaboration with my daughter who is 8. I spend so much of my day thinking about how to raise a children, how to make them and mold them into good little people. I think this wo...

Concert for one cat's voice. 2008. Oil on canvas, 110x100 cm Dagnia Cherevichnik (1974) Born in 1974 in Riga. Professional education: 1986-1993 – J. Rozentals Riga Art Secondary Sch...

The paintings are drawn with acrylic on the hardboard (back side made of the double cardboard). Acrylic paints are used to create the painting on canvas animals and ecology. A cruci...

Ship of fools. 2010. Oil on canvas, 100x60 cm Dagnia Cherevichnik (1974) Born in 1974 in Riga. Professional education: 1986-1993 – J. Rozentals Riga Art Secondary School; 1995 - 200...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

Girl with a hawk Oil on canvas, 80x60 cm Dagnia Cherevichnik (1974) Born in 1974 in Riga. Professional education: 1986-1993 – J. Rozentals Riga Art Secondary School; 1995 - 2001- L...

"Conch Shell" is a contemporary impressionist oil painting of seashell with peach and blue tones. A shell from the East End of Long Island in summer. Artist Bio Ben Fenske (b. 1978)...

Suchitra Bhosle's "Tom" is an original, handmade oil painting that depicts a male Turkey with his tail feathers flared out into a fan. About the Artist: Suchitra Bhosle is an Indi...

This whimsical work is an oil on linen canvas mounted on a cradled wood panel suitable for framing. It is signed and dated by the artist on reverse side. The colors are warm greens a...

Japanese School, Landscape Scene of a Perched Hawk, Ink on Paper, 19th century, mounted on a silk scroll, remnants of chop seal mark lower right, together with wooden box with callig...

Artist: Jack Graves III (American, 1988-) Title: "Swamp Pananimal" Series: Americana *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2023 Medium: Original Acrylic Painting on Canvas Canvas size: 32" x 24" Condition: The stretched canvas was custom built by the artist himself. In mint condition Biography: Jack Graves III is an American artist, born in 1988 in Jacksonville, Florida. He grew up surrounded by inspiration having an art dealer as a father, John Graves Jr., who founded 'The Collector's Exchange' in St. Augustine, FL in 1978, (today Graves International Art...

A common interpretation of Botticelli's masterpiece, "Birth of Venus" is that the goddess reappears to herald a new age of love and enlightenment after the prolonged unrest of the Mi...

In 1993, a window of opportunity opened as a result of several different situations that were occurring. I was participating in an Artist-in-Residence program in Yellowstone Nationa...