Unknown

Abstract Folk Art Western Figurative Painting of a Cowboy, Horses, and a Dog

Early 20th Century

Blue, red, and brown abstract impressionist painting by Texas artist Fred Darge. The painting depicts a cowboy wearing a blue shirt and a red hat as he sits on a brown riding horse. Signed by the artist at the bottom right corner. Unstretched and unframed but framing options are available. Artist Biography: Friedrich Ernst (Fred) Darge was born in Rendsburg, Germany March 1, 1900, and died in Dallas, Texas April 10, 1978. He entered the U.S. at Port Arthur, Texas in 1923. By 1924 he was in Chicago...

Contemporary colorful western inspired cowboy painting by Texas based artist Nick Stevenson. The work features a trio of abstracted cowboys in various poses set against a green and p...

Naturalistic animal painting by contemporary artist Matthew Paoletti. The work features a group of brown and tan horses running through an abstract gr...

Early Morris Gluckman abstract painting of a black shadow figure holding a pink item. Artist Biography: Morris Gluckman was born in 1894 in Kiev, Russia. He was an active artist in...

This is an oil on artist board (unframed) by the important Hungarian-born and internationally celebrated Denes de Holesch (1910-1983). Denes de Holesch was an international equestrian artist. His works have been exhibited all over the world, including in New York, Beverly Hills, Boston, Chicago, Paris, Mexico City, Montreal, Tokyo, Sydney, and Madrid. His horse paintings fall into one of seven themes, including polo, cowboys, circus, rodeo, hunt, bull-fight, race-course and running free. His mastery of the subject has been compared to that of Picasso, Delacroix and Franc Marc. 1910 Denes Dezo George de Holesch was born on 9 February, 1910 at Banska-Bystrica, Northern Hungary. He was the third child and youngest son of Hugo de Holesch, an architect and Margit, nee Wagner. Many generations of the de Holesch family had worked as professional architects. He studied at the Hungarian Academy of Fine Arts in Budapest on a scholarship. Early in his career he traveled to China, Japan, Philippines, Java, Bali and Australia, where his reputation grew rapidly. Here he produced portraits in oils, and lithographs of the Chinese, as well as landscape works in oils,depicting the local countryside, and canal, street and city scenes. His exposure to the arts of the Chinese, with their simplicity of line, greatly influenced his later works. In 1939 he established a studio at Lavender Bay near Sydney. In 1940 he exhibited at the Macquarie Galleries in Sydney. In 1944 he married Joyce Greer, the Melbourne concert pianist. In 1945 the couple moved to New York where his interest in horses grew. He held exhibitions at Gallery Wildenstein, Herve, and FAR Gallery. In 1946 Holesch moved to Montreal where he exhibited at the National Gallery of Montreal. In 1947 he moved to Boston where he continued painting portraits and horses. He exhibited there at the Ehrmann and Vose galleries. Later in the year he moved to San Francisco where he was invited to participate in the "Renoir to Picasso" Exhibition held at the Maxwell Gallery.1946 He moved to Montreal, Canada and exhibited at the National Gallery of Montreal. (Frederic Remington and Charles Russell) 1947 Early in the year he moved to Boston and continued painting portraits and horses. In June, he painted the portrait of Harvard Law School Dean, Erwin N. Griswold, and in October his works were exhibited at Margaret Brown's Galerie Intime, Newbury Street, Boston. 1948 He produced a clay sculpture head of Egon Petri, one of a number of clay sculptures that he produced. He also produced a number of wood carvings. His paintings were chosen for inclusion in a Group Exhibition in the National Gallery of San Francisco, and in the important and prestigious 'Renoir to Picasso' Exhibition held at Maxwell's Galleries, 372 Sutter Street, San Francisco. 1953 His works were included in a Group Impressionists Exhibition held at the Ohana Gallery, London 1954 He travelled to New York, where he was commissioned to paint Herbert Gasser, Nobel Prize Winner in Biochemistry. 1955 He returned to England, and then travelled to Paris to exhibit works in the Galerie Marcel Lenoir. 1956 He again returned to New York to work on portrait commissions and for exhibitions of his works, mainly of horses. These exhibitions were held in New York, Boston, San Francisco and late in the year at the Galleries of Frank J. Oehlschlaeger at 107 East Oak Street, Chicago. During this year, visits with his family to Ringling Circus and to a rodeo in Tucson, Arizona must have impressed him greatly, for images of these events soon appeared on his canvases. His work was greatly admired by Hollywood film- stars, such as Ann Rutherford and Burt Lancaster, and David Niven purchased one of the horse paintings to give as his wedding present to Grace Kelly on her marriage to Sovereign Prince Rainier III of Monaco. 1959 The prints of 'Courtship' and 'Chargers' were produced. It has been estimated that close to a million copies of his prints were sold over the next ten years, with 'Courtship' being advertised by Stern's Book Dpt. on 5th Avenue, New York along with prints by Picasso...

English Naive/ Folk Art School, 20th century oil on board, framed framed: 12 x 16 inches board: 11.5 x 14 inches provenance: private collection, England condition: overall very good

This oil painting is signed in the lower left hand illegible signature. Very well done in great condition and retains the original frame.  

Unsigned Original oil on canvas painting after Norman Mills Price. Canvas is a bit loose. Frame appears to be original. Canvas and Frame show age. See image of illustration of the same image signed in corner by Norman Mills Price "Norman Mills Price never fully received the popular recognition that his work deserved. Because he was so intently interested in historical subjects, he restricted his work to these almost exclusively. The dedication and artistry he brought to his work, however, was especially appreciated and respected by a select group – his fellow-illustrators. His painstaking research into every detail made each picture an authentic documentary, but the detail was never allowed to detract from the dramatic concept of the illustration itself. Although Price made effective use of tone and color, his pen-and-ink drawings were especially effective, exhibiting a full range of values and textural effects." "Price was born in Canada, studied art there and in London and Paris. By 1912, he had established himself in New York and had begun to work for American publications. Some of his most successful illustrations were done for a long series of historical novels by Robert W. Chambers for Liberty magazine. He was a charter member of the Society of Illustrators at the time of his death." "Illustrator, Norman Mills Price was born in Brampton, Ontario (1877) and began his studies at the Ontario School of Art. Around 1901 he spent time in London, studying at the Goldsmith's Institute; Westminster School of Art; and with Cruikshank. While in London, he was the founder of Carlton Studios. He later went on to Paris, studying at the Academie Julian, with J.P. Laurens and R.E. Miller. He did freelance work in Paris until an assignment in Belgium for Century brought him to the attention of other American publishers. In 1911, he had a studio in New York City, and worked for such publication as Harper's, Cosmopolitan, and Liberty. He illustrated the novels: "The Lamb's Tales from Shakespeare (1905), The Rogue's Moon (1929), Leif Erikson...