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ZuraZura – Blue Bucephalus, 2025, Acrylic on Canvas, Contemporary Horse Painting2025
2025
$5,000
£3,813.94
€4,345.23
CA$7,027.55
A$7,666.87
CHF 4,059.56
MX$91,870.89
NOK 51,700.74
SEK 47,276.49
DKK 32,445.18
About the Item
Bucephalus, the legendary steed of Alexander the Great, comes to life in a swirl of turquoise and shadow in this 2025 acrylic on canvas by Zura. Bold brushstrokes capture a horse of duality—loyal yet untamed, heroic yet playful. Some see a serene, almost smiling wisdom; others sense the fire of countless battles. Through color and motion, Zura celebrates a spirit both steadfast and fierce, immortalized in myth and memory.
- Creator:Zura (1969, Georgian, American)
- Creation Year:2025
- Dimensions:Height: 16 in (40.64 cm)Width: 48 in (121.92 cm)
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Brooklyn, NY
- Reference Number:1stDibs: LU2879217291842
ZURA (Georgian-American, b. 1969) Central to Zura’s artistic vision is the human form, often intertwined with animal heads—a compelling exploration of the primal instincts within human nature. His work captivates with its raw emotion, symbolic depth, and refined execution. In the spring of 2022, he captivated audiences during an exhibition in Williamsburg, unveiling a striking new series of works. Zura is a world-renowned artist celebrated for his powerful sculptures and paintings. His works grace public spaces across New York City, Atlanta, Georgia, and Connecticut, and are held in distinguished private collections, including that of American hedge fund manager Victor Niederhoffer. Born in the Republic of Georgia, Zura spent 14 years developing his craft before formally studying at the State Academy of Fine Art. He now lives and works in Brooklyn, where his Williamsburg studio serves as both a creative sanctuary and a teaching space, where he shares his expertise through sculpting classes. Zura remains deeply committed to his practice, guided by a philosophy rooted in beauty, love, and harmony.
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