Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Anton Otto Fischer
"Mr. Gallup Delivers the Goods", Saturday Evening Post Illustration, Januar

1946

$7,900
£5,983.52
€6,871.86
CA$11,070.48
A$12,035.85
CHF 6,381.42
MX$144,279.30
NOK 81,104.58
SEK 74,302.82
DKK 51,358.47

About the Item

Medium: Oil on Canvas Signature: Signed and Dated Lower Right Illustration for the Saturday Evening Post. The illustration depicts a man being booted off the ship. "Mr. Gallup Delivers the Goods" story was written by Norman Reilly Raine for the January 11, 1947 issue of Saturday Evening Post. The marine paintings by Anton Otto Fischer are as authoritative as only a working sailor could make them. Born in Munich, Germany but orphaned as a boy, Fischer ran away to sea at 16 and spent eight years before the mast on a variety of sailing ships. Paid off in New York, he stayed to apply for American citizenship and to teach seamanship on the school ship, "St. Mary's." He later served as a hand on racing yachts on Long Island Sound and worked as a model and handyman for the illustrator A.B. Frost. When he had saved enough money, he spent two years at the Academie Julian in Paris under Laurens. Returning to the United States, Fischer sold his first picture to Harper's Weekly in 1908, around the time he moves to Wilmington to receive critiques from Pyle. Everybody's magazine sent him the first of several Jack London stories. In 1910, he began a 48-year association with The Saturday Evening Post, which included illustrating seialized characters such as Peter B. Kyne's "Crappy Ricks," Norman Reilly Raine's "Tugoat Annie," Guy Gilpatrick's "Glencannon," as well as serials for Kenneth Robert and Nordoff and Hall. In 1942, he was given the ran of Lieutenant Commander as "Artist Laureate" for the United States Coast Guard and was assigned Moth Atlantic convoy duty on the Coast Guard cutter "Campbell" during the winter of 1943. The "Campbell" was disabled during a successful attack on a German U-boat, and Fischer's dramatic paintings of this experience were published by Life magazine. The pictures are now in the Coast Guard Academy at New London, Connecticut. In 1947, Fischer wrote and illustrated a book about his earlier sailing years, entitled Fo'c'sle Days, published by Charles Scribner's Sons.
  • Creator:
    Anton Otto Fischer (1882 - 1962, German)
  • Creation Year:
    1946
  • Dimensions:
    Height: 22 in (55.88 cm)Width: 20 in (50.8 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Fort Washington, PA
  • Reference Number:
    Seller: 31791stDibs: LU38431099773

More From This Seller

View All
"Little Tolo" Saturday Evening Post Illustration, December 30, 1922
By Anton Otto Fischer
Located in Fort Washington, PA
Medium: Oil on Canvas Signature: Signed Lower Right The illustration depicts a clipper ship at sea. "Little Tolo," a story illustration for the Saturday Evening Post, December 30, 1922. The marine paintings by Anton Otto Fischer are as authoritative as only a working sailor could make them. Born in Munich, Germany but orphaned as a boy, Fischer ran away to sea at 16 and spent eight years before the mast on a variety of sailing ships. Paid off in New York, he stayed to apply for American citizenship and to teach seamanship on the school ship, "St. Mary's." He later served as a hand on racing yachts on Long Island Sound and worked as a model and handyman for the illustrator A.B. Frost. When he had saved enough money, he spent two years at the Academie Julian in Paris under Laurens. Returning to the United States, Fischer sold his first picture to Harper's Weekly in 1908, around the time he moves to Wilmington to receive critiques from Pyle. Everybody's magazine sent him the first of several Jack London stories. In 1910, he began a 48-year association with The Saturday Evening Post, which included illustrating seialized characters such as Peter B. Kyne's "Crappy Ricks," Norman Reilly Raine's "Tugoat Annie," Guy Gilpatrick's "Glencannon," as well as serials for Kenneth Robert...
Category

1930s Other Art Style Paintings

Materials

Canvas, Oil

"The Yogi of West Ninth Street" SEP Illustration, 1935
By Anton Otto Fischer
Located in Fort Washington, PA
Medium: Oil on Canvas Sight Window 28.00" x 22.00" Signature: Signed Lower Right
Category

1930s Figurative Paintings

Materials

Canvas, Oil

Cargo Transfer
By Anton Otto Fischer
Located in Fort Washington, PA
Medium: Oil on Canvas Signature: Signed Lower Right
Category

1940s Figurative Paintings

Materials

Canvas, Oil

Story illustration for “Smoke Bellew” by Jack London for Cosmopolitan Magazine
By Anton Otto Fischer
Located in Fort Washington, PA
Story illustration for “Smoke Bellew” by Jack London for Cosmopolitan magazine, published January 1912, page 200. The full caption reads: “With much awkwardness and angry haste, the...
Category

1910s Figurative Paintings

Materials

Canvas, Oil

Treasure Island
By Anton Otto Fischer
Located in Fort Washington, PA
Signed & Dated Lower Right by Artist
Category

1940s Paintings

Materials

Oil

"The Pearl of Panama"
By Anton Otto Fischer
Located in Fort Washington, PA
Medium: Oil on Canvas Signature: Signed Lower Left Sight Window 24.00" x 22.00" Image of an inspector at a crime scene aboard ship. Saturday Evening Post Illustration. Long affiliated with The Saturday Evening Post (nearly 50 years), he did dozens of covers and much story art, most notably the long-running Tug-Boat Annie and with maritime painting, Fischer was more versatile than depicting the sail and dreadnaughts when given a chance. Still, he's best known for painting the sea, her beauty and her dangers (whether hurricanes or U-Boats). It's no surprise that his oils graced such titles as The Cruise of the Cachalot: Round the World After Sperm Whales, Treasure Island, The Mutineers, 20000 Leagues Under the Sea...
Category

1930s Other Art Style Paintings

Materials

Canvas, Oil

You May Also Like

1942 by acclaimed maritime artist Anton Otto Fischer, this dramatic W
By Anton Otto Fischer
Located in PARIS, FR
Created in 1942 by acclaimed maritime artist Anton Otto Fischer, this dramatic World War II propaganda poster issues a stark warning to the American public: Loose talk can cost lives...
Category

1940s Prints and Multiples

Materials

Linen, Paper, Lithograph

A Careless World ...A Needless Sinking original 1942 vintage World War 2 poster
By Anton Otto Fischer
Located in Spokane, WA
Original vintage World War 2 poster: A Careless Word … A Needless Sinking. A Careless Word ... A Needless Sinking. Linen backed origin...
Category

1940s American Realist Portrait Prints

Materials

Offset

Original Vintage War Propaganda Poster Careless Word Needless Sinking WWII
By Anton Otto Fischer
Located in London, GB
Original vintage World War Two propaganda poster - A Careless Word... A Needless Sinking - featuring dynamic artwork by the Saturday Evening Post illustrator Anton Otto Fischer (1882...
Category

Vintage 1940s American Posters

Materials

Paper

Wide-Open Throttle Illustration for Saturday Evening Post. Grisaille Painting.
By Grattan Condon
Located in Marco Island, FL
Illustration by Grattan Condon for the February 8, 1930 Saturday Evening Post story entitled "Wide-Open Throttle" by A.W. Somerville, which appeared on page 56. The tension between ...
Category

1920s American Realist Figurative Paintings

Materials

Oil, Canvas

The Captain’s Despair – Naval War Illustration by Charles Burki, 1970
Located in Langweer, NL
The Captain’s Despair – Naval War Illustration by Charles Burki, 1970 This dramatic original gouache illustration by Charles Burki (1909–1994), signed and dated 1970, captures a sea...
Category

Vintage 1970s Dutch Drawings

Materials

Paper

Robert Bernard Robinson, “The Hapless Fisherman”, O/C Painting, Ca. 1910s-1920s
Located in New York, NY
American Realism Robert Bernard Robinson “The Hapless Fisherman” Oil on Canvas Circa 1910s-1920s DIMENSIONS 20 × 16 in (50.8 × 40.6 cm) ABOUT PAINTING A humorous rural/domestic scene — a man in overalls, holding a fishing rod in one hand and a small bucket with, in all likelihood, a meager catch in the other, caught mid-gesture, hides from his wife around the corner of his own house, remaining invisible to his wife, while the woman leans out the window calling for him. This painting is most likely was an interior (story) illustration or an unpublished/commissioned narrative canvas, rather than a Post cover. Robinson did a lot of slice-of-life interiors with similar humorous domestic setups in the 1910s–30s, but many were never reproduced. This is a very interesting and definitely original Robert Robinson oil...
Category

Vintage 1910s American Art Deco Paintings

Materials

Canvas