Oversized Paintings

A masterful oil painting depicting a view of Paris at twilight. This piece is a pertinent example of the works produced during the 20th Century by the artist with use of beautiful co...

Júlia Martins Miranda is a Brazilian artist trained at the prestigious Nuova Accademia di Belle Arti (NABA) in Milan, Italy. Her practice spans multiple disciplines, including painti...

Portrait Of Lady Isobel Mackenzie, Countess of Seaforth (1636-1715), 17th Century Studio of John Michael Wright (1617-1694) Large 17th century portrait of Isobel Mackenzie, Countes...

Signed in red, u.r. Oil on canvas 66 x 84 inches This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in New York...

Body in the Field #1, 2022 oil on canvas 19 ¹¹/₁₆ H x 15 ³/₄ W in. 50 H x 40 W cm Zsolt Berszán embodies in his works the dissolution of the human body through the prism of the frag...

Acrylic on 3 wood panels Each panel is 36 x 18 x 1 inches Suggested installation is 1-2 inches between panels, which can be oriented in any direction Overall dimensions: 36 x 56 x 1...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Nude Model is an orignal modern artwork realized by Antonio Feltrinelli in 1930s. Mixed colored oil painting on canvas. Good conditions. Not signed. Antonio Feltrinelli (Milan, 1...

Title: Palimpsest Medium: Oil on canvas Dimensions: 100 x 100 cm 39.37 x 39.37 in (canvas only), 107 x 107 cm 42.12 x 42.12 in framed Year: 2025 Framing: Black wooden floater frame ...

Portrait of Lady Mary Burke, later Wife of Edward Southwell, 2lst Baron, three-quarter length seated, wearing Red Coat and Fur Robes, a Landscape beyond Signed Oil on canvas 55 x ...

Untitled LXXIX is a unique oil on free-standing canvas painting by contemporary artist Ferle, dimensions are 200 cm x 140 cm (78.7 × 55.1 in). The artwork is signed, sold unframed an...

Landscape , 100x200 cm, oil on canvas

Contemporary large abstract painting ABOUT THE ARTIST KLAUDIA LATA (born in 1993) Graduate of painting at the Academy of Fine Arts in Katowice. Diploma in 2017 in the studio of pr...

Margrete Levy 1881-1962 Levy was a Danish artist; she worked in Paris from 1905-1911. Levy was niece to the Danish master painter Kristian Zartmann. She married French author Louis Nicolai Levy in 1911. She applied for technical school at Charlotte Sode and Julie Meldahl's school before applying for admission to the Academy of Fine Arts for Women, where she studied at Viggo Johansen 1900-1902. In 1902 she traveled to Florence as a nanny for a Danish family, giving her the opportunity to study the old masters of the art collections. When she returned home, she continued her education in 1904-05 at Bertha and Dorph's painting school. In 1905, she traveled to Paris and taught at various drawing schools while studying the collections of the Louvre, especially Leonardo da Vinci, who inspired her for the symbolic painting Five Sisters , 1905, which she debuted at the Charlottenborg Spring Exhibition the following year. 1906-07 she was a student at the French Academy in Rome. With a few interruptions she exhibited at Charlottenborg's Spring Exhibition 1913-43, and on several occasions she also participated in Charlottenborg's Autumn Exhibition and the Artists' Autumn Exhibition. She had several personal exhibitions, including 1910 in Ole Haslunds Hus, 1919 and 1923 in Kunstforeningen, 1927 at Møntergården and 1945 in Alfred Andersen's Art Shop. She participated in several foreign exhibitions, for example Modern Danish Artists in Brighton, England 1912, and Exposition présentée par le Club international Féminin , Paris 1958. She was often represented at exhibitions reserved for women, for example Nine Painters in Admiral Gjeddes Gaard, in 1936 and Nordic Artists in Stockholm 1948. She participated in the Women's Artists Retrospective Exhibition in 1920, which was organized by the Women's Artists Society, on whose board she sat. Along with 18 other members, including Anna and Helga Ancher, Christine Swane, Elisabeth Neckelmann and, Olivia Holm-Møller, she exhibited at the Kunstforeningen in 1930. For the painting Three Sisters , she was awarded 1931 Carlson's Prize by the Academy. The painting shows both back to the old masters and to the new realists such as Niels Strøbek...

Anatoly Kost Triptych “Paradise Returned” 2004 - 2008 y. Canvas.Oil. Painting Flat: 80/201 cm Framed: 84/2013 cm Triptych “Paradise Returned” is a transformation of music on canvas...

shipped in roll Between the energetic rush of the waves and the silent depths, I wanted to capture a moment of transition—a visual metaphor for the journey inward. The surface, with...

Artist: Mel Ramos, American (1935 - ) Title: O from the Hollywood Suite Year: 2009 Medium: Oil on Canvas, signed and dated verso Size: 39.5 in. x 30 in. (100.33 cm x 76.2 cm) Frame S...

Charles Augustus Henry Lutyens (1829-1915) Avontes, a bay stallion with a groom in a stable interior signed and dated 'C Lutyens 79' (lower right) Oil on canvas Canvas Size - 40 x 50...

Contemporary Art, Abstract Painting Acrylic on canvas 150 x 200 cm Signed FREE SHIPPING ROLLED UP About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Naci...

Nebraka-based Jamie Burmeister is a sculptural artist known for his original artworks incorporating original small bronze figures, standing at just up to 4 inches tall. His unique fi...

Modern impressionist style plein air landscape painting on canvas of path through the forest "Path" oil on canvas 60 x 66 x 1.5 inches Signed, verso The contemplative paintings of ...

Contemporary large scale abstract floral painting by Texas based artist Wood Anthony Francher. Inspired by Mexican floral embroidery patterns and textiles, the work is a burst of bol...

NOT STRETCHED. You'll receive it rolled, in a tube. Ready for stretching. I recommend stretching your painting in a local custom framing shop or gallery. It will be the most affordab...

Unidentified Bolognese Artist, 18th Century – "Baptism of Christ" Medium: Oil on canvas Dimensions: 119 x 151 cm (unframed), 133 x 168 cm (framed) Provenance: Private collection No...

Blue and maroon abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The work is ...

Gorgeous vibrant coastal lookout landscape by San Francisco artist Frederico Domondon (American, b. 1964). Rendered in Domondon's unique style, an overgrown arch of flowers nearly ob...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

David Humphrey Trophy (Museum of Contemporary Art, Chicago), 1983 Oil on Canvas painting Signed Twice: Hand signed and dated verso, also artist has signed his name and written his ho...

La obra es de autor anónimo. El retablo va muy bien enmarcado con un marco neogótico del siglo xix en madera estofada y policromada. Medidas del retablo: 88 cm. altura x 56 cm. anc...

Evan Venegas studied at the San Francisco Art Institute and earned his BFA in Painting in 1998. Evan Venegas creates artwork that lives at the intersection of geometry and atmosphere...

Alfred Stevens Brussels 1823 – 1906 Paris Belgian Painter 'Moonlight on the Sea' Signature: signed lower right and dated 1892 ‘A Stevens 92' Medium: oil on canvas Dimensions: image size 81 x 65 cm, frame size 97,5 x 81,5 cm Provenance: Collection M. Klein, 1900 Galerie Petit, Paris, 18 June 1926, no. 22 Private collection, Europe De Vuyst, Belgium, 1998 Galerie Kupperman, Amsterdam Private collection, The Netherlands Exhibitions: Exposition of the Works of Alfred Stevens, Palais des Beaux-Arts, Brussels, 1928 Retrospective Alfred Stevens, École des Beaux-Arts, Paris, 1900, no. 100 Literature: A. Stevens, Mercatorfonds, Brussels, p. 100 Alfred Stevens, François Boucher, Ed. Rieder, Paris, 1930, illustrated on p. 36 Documentation by Mrs. Christiane Lefebvre, 1998 Biography: Alfred Émile Léopold Stevens (11 May 1823 – 24 August 1906) was a prominent Belgian painter renowned for his depictions of elegant modern women. His works, characterized by a realistic style and meticulous attention to detail, reveal the influence of 17th-century Dutch genre painting. While he initially gained attention for his social realist portrayal of the hardships faced by impoverished vagrants, he later achieved great critical and popular success with his portrayals of upper-middle class Parisian life. Notably, he often used the same models repeatedly, with some of them being identified in the infamous Book of the Courtesans, a confidential surveillance file maintained by the Paris vice squad, as noted by author Summer Brennan. Stevens was born in Brussels, into a family deeply connected with the visual arts. His older brother Joseph (1816–1892) and his son Léopold (1866–1935) were both painters, while his other brother Arthur (1825–1899) was an art dealer and critic. His father, a veteran of the Napoleonic wars under the army of William I of the Netherlands, was an art collector with a notable collection of watercolors by Eugène Delacroix and other esteemed artists. Stevens’s upbringing was influenced by the environment of Café de l’Amitié, run by his maternal grandparents in Brussels, which served as a meeting place for prominent figures from the political, literary, and artistic spheres. Following the death of his father in 1837, Stevens left middle school to enroll at the Académie Royale des Beaux-Arts in Brussels. There, he came under the tutelage of François Navez, a Neo-Classical painter and former student of Jacques-Louis David, who was both the director of the academy and an old acquaintance of Stevens’s grandfather. Following a traditional curriculum, he initially drew from casts of classical sculptures and later transitioned to drawing from live models. In 1843, Stevens journeyed to Paris to join his already established brother, Joseph. He gained admission to the École des Beaux-Arts, the preeminent art school in Paris, although claims of him being a student of the director, Jean Auguste Dominique Ingres, are likely unfounded. One of his early works, The Pardon or Absolution (Hermitage, St. Petersburg), signed and dated 1849, showcased his mastery of a conventional naturalistic style influenced by 17th-century Dutch genre painting. Stevens’s work was first publicly exhibited in 1851, when three of his paintings were featured at the Brussels Salon. He received a third-class medal at the Paris Salon in 1853, followed by a second-class medal at the Universal Exposition in Paris in 1855. His painting Ce qu’on appelle le vagabondage [What is called vagrancy] (Musée d’Orsay, Paris) garnered attention from Napoleon III, leading to a change in policy regarding the use of soldiers to remove the poor from the streets. Two other paintings displayed at the Salon in Antwerp in the same year, Chez soi or At Home and The Painter and his Model, introduced subjects from “la vie moderne” that became characteristic of his oeuvre: elegant young women dressed in contemporary fashion and artists in their studios. In 1857, Stevens made his first significant sale to a private collector when Consolation was purchased for a rumored 6,000 francs by the Berlin collector and dealer Ravéné. He and his brother also became part of the artistic milieu in Paris, frequenting salons hosted by Princess Mathilde and popular cafes, where they mingled with the likes of the Goncourt brothers, Théophile Gautier, and Alexandre Dumas. Stevens married Fanny Juliette Albertine Marie Hortense Blanc (1836-1891), a member of a wealthy Belgian family and a long-time acquaintance of the Stevens family, in 1858. The wedding was witnessed by the renowned painter Eugène Delacroix. The couple had four children: Leopold, Jean, Catherine, and Pierre. Stevens depicted his wife in numerous portraits, including Regrets and Memories. After her passing, he expressed enduring grief at her loss. During the 1860s, Stevens rose...

shipped in roll A timeless religious scene where Christ gathers with His disciples on the eve of the crucifixion. A red sun looms in the background, symbolizing what is to come, whi...

Diana The Huntress and her Cherubs Northern European artist, circa 1680's period oil on canvas, unframed canvas: 20 x 60.5 inches provenance: private collection, UK condition: some p...

Emerging young artist with a very personal and recognizable style. Without a doubt he will have a long journey and a great progression in her artistic career. Acrylic on canvas Ship...

Contemporary Art, Abstract Painting Acrylic on canvas 210 x 215 cm Signed FREE SHIPPING ROLLED UP About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Naci...

Pauline Ziegen oil, gold leaf, mixed media on panel coral, pink, white gold, teal, aqua, rust, navy, blue Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kans...

This artwork "Western Scene" c.1960, is an oil painting on canvas by noted Western artist Charles Damrow, 1916-1989. It is signed at the lower left corne...

shipped in roll KSENIYA RAI'S WORKS ARE IN MORE THAN 250 PRIVATE COLLECTIONS WORLDWIDE. This painting embodies the art of observation and the serenity of calmness. The stillness of ...

Magic 6. It is very important to remember that there is magic in each of us. A modern, abstract, expressive, sophisticated painting that fits into a modern interior. The work was cre...

A ballet of intersecting brushed swipes in indigo, verdant green, mauve and cerise emerges from a soaked peach ground in this classic 1988 painting by Milly Ristvedt. Colour and the ...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

In a bid to find myself strength amidst an inferiority complex. I realized that, whether as an individual or as a nation, What we call strength and weakness, yellow, black and white...

Shipping Procedure Ships in a well-protected tube This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Born in 1993 in...

Gorgeous Sausalito and the Golden Gate Bridge landscape oil painting by Calderon (Spain, 20th Century). Presented in a giltwood frame. Signed "Calderon" lower right. Image size, 30"H...

Katharina Hormel creates minimalistic landscape paintings featuring everyday scenes of life. Her art often portrays people engaged in their daily activities, such as taking a leisure...

Original painting by Daria Kusto. This piece is all about those forest vibes mixed with my love for Art Brut and Pop Art, with a big dose of Basquiat inspiration. You've got cats, th...

Thomas Bossard was born in 1971 in Poitiers, France, to a large and creative family. His mother fostered his interest in art since an early age, bringing Thomas to various museums wh...

John Schieffer graduated in 1995 from Paier College of Art in Hamden, Connecticut with a Bachelor of Fine Arts degree. The salutatorian entered the world of illustration at Mercer Ma...

"Gemstones" Abstract Painting 48" x 48" inch by Carole Baines Carole Baines is a self-taught, London-born artist based between Townsville and Brisbane, Queensland, Australia. Carole...

Thomas Whent (Canadian-American, born 1949) "Bitcoin" 2025 Acrylic Paint, Canvas, Stretcher Bars The artist signed the back of the painting. "Bitcoin" is a bold tangle of fire-orang...

Richard Andres (American, 1927-2013) Shore V, c. 1964 acrylic on canvas signed lower right, signed and titled verso 54 x 44 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Hiroshi Sato's "Break," completed in 2024, is a striking oil on canvas painting measuring 44 x 80 inches (111.76 x 203.20 cm). This original artwork features a vibrant urban landscap...

Artist: TARKAY, ITZCHAK Title: LAKE CAFE Year: 2000-2010 Size: 36 X 48 INCHES Medium: ORIGINAL ACRYLIC ON CANVAS Edition: ORIGINAL 1/1 Description: Hand signed by the artist. The art...

Artist: Randall Browning, American (1955 - ) Title: Pouring Coffee with Magritte (Magritte says "what, no saucers?") Year: circa 2005 Med...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

This painting is part of a new series I began in the fall of 2025 titled Contemplation and Introspection. In this series I am exploring the profound relationship between nature and t...

"Petite Adagio in Burnt Umber" 2025, 60" H x 48" W. Abstract, mixed media painting consisting of acrylic, pencils, and oil pastels on canvas by Argentine-born artist Karina Gentinett...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...