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Blek Le RatSilver Rat by Blek Le Rat-
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$14,956.35List Price
About the Item
- Creator:Blek Le Rat (1951, French)
- Creation Year:-
- Dimensions:Height: 9.85 in (25 cm)Width: 11.42 in (29 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Dubai, AE
- Reference Number:1stDibs: LU1608212870982
Blek Le Rat
Born in 1951, Xavier Prou (better known as Blek Le Rat), was one of the first graffiti artists in Paris, and is the founder of the international stencil art movement. During a trip to the United States in 1971, Blek was introduced to the ‘wild style’ graffiti prevalent in New York City, which left a lasting impression on him. Inspired by what he saw in New York, Blek began painting the streets of Paris in 1981, choosing a different technique – the stencil – as more appropriate for the French architecture. Blek’s first stencils were black rats, seen to be running along the walls throughout the centre of Paris. The rat, also an anagram for ‘art’, is in Blek’s mind “the only animal to survive the apocalypse“. In 1983 Blek began to paint life-size stencils, which alongside his rats, have become his trademark and have influenced generations of street artists around the world. Blek considers his images as gifts to the cities of the world, raising awareness of social issues. His heroes are solitary individuals crossing through the urban space – women, children, the elderly and other contemporary figures in an urban city. Dedicated to the idea of bringing art to the people, Blek often quotes the old masters like Caravaggio, Michelangelo, Guido Reni and Leonardo da Vinci. “I want the characters of the paintings to walk out of the museums to give them back to the people of the city” he says. In the mid 2000s, Blek’s work evolved to become more overtly political. Following the kidnapping of French journalist Florence Aubenas in Iraq, Blek pasted hundreds of prints of her image around Paris. Her portrait appeared everywhere, from her work place at Libération, next to cafés and offices of major newspapers. This activation aimed to attract the attention of the media and politicians to raise awareness of her situation. This body of work was a defining moment for Blek, who says, “I became aware of my power and responsibilty as an artist working in the public space“. That same year, Blek began a series portraying beggars on the street, aiming to shed light on the issue of homelessness. Blek paints the same portrait of a young beggar around the world, from Europe, to the United States to Australia, to challenge authorities, because “sometimes images have a bigger impact than reality“.
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Jean-Michel Basquiat hand-painted sweatshirt 1979/1980
By Jean-Michel Basquiat
Located in NEW YORK, NY
Jean-Michel Basquiat (untitled), 'MAN MADE Sweatshirt', c. 1979:
Basquiat produced this rare original hand-painted sweatshirt (among others, with only few known to have survived) for the purposes of selling these on his own and through the historic downtown fashion boutique, Patricia Field’s. Basquiat was captured wearing a similar example in the well publicized 1979 photo, 'Basquiat Dancing at The Mudd Club' by Nicholas Taylor of Gray. This double-sided work notably features Basquiat’s ‘MANMADE’ tag - Basquiat’s alias after he took to the streets to declare “SAMO is Dead”.
The work is further highlighted by Basquiat’s ‘BAD’ motif - uniquely paralleling his consideration to naming his band, ‘Bad Fools’ prior to Gray. In trademark Basquiat style, we also find the vertically spaced ‘E’ on both sides of the piece, as well as dashed lines which would appear in many of the artist’s Anti-Product cards, early drawings and more. The work emanates directly from the collection of world renowned author Lucy Sante (formerly Luc Sante). As it is well publicized, Basquiat worked with Sante in 1979/80 on the downtown-art scene publication, ‘Stranded’ (New York, 1980).
Medium: Acrylic on cotton sweatshirt (double-sided artwork). Executed circa 1979/1980.
Dimensions: 16.5 x 22 inches (outstretched cuff to cuff: 50 inches & sleeve length: 18 inches).
Condition: In good overall vintage condition. Bright well-preserved colors; some minor discoloration in several areas due to normal age related wear and use; scattered stains located on the hem, inner arm area(s) and cuffs; scattered minor pilling; loose thread on the reverse of hem. Basquiat's artwork throughout remains fully intact.
Unique. One of a kind. Signed ‘MANMADE’ and numbered 5/100 on the reverse.
Provenance: Gifted by Basquiat to Lucy Sante; obtained directly from the former. Sante's relationship to Basquiat is well documented in three publications (see below literature/references for more). Accompanied by a letter of provenance from Sante.
Literature/References:
-'Boom for Real: The Late Teenage Years of Jean-Michel Basquiat,' by Sarah Driver - this 2018 documentary features an in-depth section devoted to Basquiat's 'Man Made' clothing, featuring an interview with designer Patricia Field & artist Kenny Scharf.
- 'Basquiat Before Basquiat' (MCA Denver; see Sante, p.40-43 ).
- 'Stranded' issue four index (Spring 1980). Basquiat's identity is confirmed as 'Man-Made' midway on page.
- 'Zeitgeist: The Art Scene of Teenage Basquiat' (Howl Arts 2018; essay: 'Stranded' by Lucy Sante).
- 'An Intimate Look at Jean-Michel Basquiat's Early Days' by Lucy Sante (Village Voice 2/8/17).
-'Man Made by Basquiat' (MinnieMuse) May 2019.
-'Exploring Jean-Michel Basquiat's 1970's Clothing Collection, 'Man Made.'' Vice Magazine, May 2019.
- ‘The Jean-Michel Basquiat Reader’ (Moore pg. 334) discusses Basquiat’s Man Made painted clothing.
- 'Basquiat Dancing at The Mudd Club' photograph by Nicholas Taylor of Gray (Basquiat wears a similarly painted sweatshirt).
Basquiat’s use of ’MAN MADE', see:
- Glenn O'Brien "Graffiti '80;" High Times, June 1980 (p. 53-54); "Jean-Michel Basquiat who is known to many as SAMO, had changed his alias to Man Made".
- Jean-Michel Basquiat: 1981, the Studio of the Street (Diego Cortez; 2007 p. 80).
- The Last Time I Saw Basquiat (NYR Daily 9/3/16; essay by Lucy Sante).
- Basquiat: Boom For Real (Barbican; Nairne, Buchhart & Johnson p.26).
- Sotheby's S2 Catalog & Sale, "Man Made" (May 2013).
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- "Stupid Games, Bad Ideas" (color xerox; see Basquiat: Boom For Real pg. 108).
- Basquiat (untitled) "Test Pattern" (original drawing and xerox; see Basquiat: Boom For Real pg. 147).
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