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Charles LutzAndy Warhol YSL Yves Saint Laurent Denied Painting Peach Pink by Charles Lutz2008
2008
$5,000
£3,823.09
€4,379.38
CA$7,052.03
A$7,675.31
CHF 4,101.41
MX$92,688.42
NOK 51,544.68
SEK 47,942.55
DKK 32,715.99
About the Item
Denied Warhol Yves Saint Laurent by Charles Lutz
Silkscreen and acrylic on linen with artist's Denied stamp of the Andy Warhol Art Authentication Board.
10 x 10" inches
2008
Lutz's 2007 ''Warhol Denied'' series gained him international attention calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz.
Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project being "Officially DENIED" "Warhol" paintings authored by Lutz.
Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers.
- Creator:Charles Lutz (1982, American)
- Creation Year:2008
- Dimensions:Height: 10 in (25.4 cm)Width: 10 in (25.4 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Brooklyn, NY
- Reference Number:1stDibs: LU1227214689912
Charles Lutz
Charles Lutz received his BFA in painting and art history from Pratt Institute and studied human dissection and anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values.
Lutz's 2007 “Warhol Denied” series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Andy Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project being "Officially DENIED" "Warhol" paintings authored by Lutz.
Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former director of the Andy Warhol Museum, Eric Shiner, to create a site-specific installation representing the United States. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1,500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 feet tall. All 1,500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers.
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