Deborah Tarr

Slipway, Regents Canal

2013

Rob Katkowski’s original oil painting, The Far Side of a Little Island, is a mesmerizing exploration of solitude, mystery, and architectural intrigue. Measuring 14 inches tall by 12 ...

A Sculptor's Full Circle, Yoichi Tamaki at Alex - Washington Post (April 1, 1999). Judging from his lively exhibition at Alex Gallery, Yoichi Tamaki wo...

The artist activates her landscapes with sensuous applications of pigment. She layers bold hues and constructs rhizomatic forms—then interrupted by intuitive streaks of spray paint. ...

Fiery by Alyson Kinkade 34x50" oil on linen 36x52" framed size, black wood float style A visual expression of one's ambitious goals. Set your passions on fire and aim for achievemen...

Ancient tree set against a vibrant starry night sky in hues from pink to indigo, amid a field of golden poppies. Inspired by a tree in the Peak District that is 2000 - 3000 years old...

Carefully ordered patterns, geometric shapes and delicate lines in pale peach, light blue, and pale violet on a light green background with hints of golden orange and greenish yellow...

Mid Century Textural Color-Field Abstract in Royal Blue-Purple by Peter Witwer A striking mid-century textural color-field abstract in a bold color palette of royal blue-purple by San Francisco artist Peter Witwer (American, 1928-1968). This highly textured mixed media piece, c.1960's, uses a monochromatic palette that is divided into two areas of varying textural depths. The lower part of the canvas verges on sculptural, as the textured surface becomes almost three-dimensional and haunting forms emerge from the abstract purple-blue plane. Unsigned. From a collection of the artist's works. Displayed in a painted wood slate frame. Frame has been painted by the artist and is considered part of the artwork. Linen size: 26"H x 22"W. Framed size: 27"H x 23"W x 1.2"D Unsigned, but was acquired with a collection of the artist's work. Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Born George Peter...

Leign Wen’s works reflect her personal and cultural histories. Having grown up on the island of Taiwan, she has a deep affinity for the elemental power of water and the forces of nat...

Vast, Snow Cloud Burst Study by Alyson Kinkade Abstract Landscape, Storm building over southern Colorado Oil on Linen 12x12" image 13x13" framed, metal cradle-style ABOUT THE ARTIST...

The Salad Of Color 2021 Large abstract heavy texture, oil on hemp fabric 58x58x3.5, framing for additional cost. This painting by Alexander and Natalia Gore...