Debra Smith

Debra Smith "Shifting Vision #5" -- Abstract Vintage Silk Collage

2017

Debra Smith Talking Stories 9, 2020 pieced vintage silk 13 1/2 x 11 1/4 in. This work will be on view as part of "Seeking Balance," a solo exhibition of new work by Debra Smith, at ...

Debra Smith Seeing Red Series, 2, 2019 pieced vintage silk 28 x 19 in. This large abstract textile collage by Debra Smith features bold patte...

Debra Smith Holding Light, Large #2, 2022 pieced vintage silk 48.4 x 72 in. (smi129) This original artwork by Debra Smith consists of black and cream-colored pieces of cut vintage ...

Debra Smith Holding Light, Large Horizontal #4, 2022 pieced vintage silk 65 x 48.5 in. (smi135) This original artwork by Debra Smith consists of black and cream-colored pieces of c...

Untitled, Undated - Mixed Media, British Abstraction - Sandra Blow (Abstract) Sandra Blow RA (1925-2006) pioneered British abstraction in the twentieth and twenty-first centuries...

Bright and breezy, Linda Schmidt’s abstract mixed media hanging sculptures are filled with a sense of play. Vibrant, weightless shades weave through and ...

paper size: 15 x 19, art size: 9 x 12 Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagosa Springs,...

PWW-777 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has utilized Zerox copies adhered by a matte medium to create graphic imagery of electronics from the 90s, small bits of a map of various places in Germany, and vinyl records. Mack paints on top of a torn canvas, and on the edges you can see the frayed, painted canvas mounted to the white backing of the frame. The work is finished with glass that shows minimum reflection as well as a customized 2 inch, white frame. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...