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Federica Patera and Andrea Sbra PeregFiber painting:
Auto-disastro concettuale
2021
2021
$2,905
£2,214.24
€2,553.90
CA$4,125.97
A$4,433.79
CHF 2,378.98
MX$52,227.30
NOK 29,913.09
SEK 27,325.41
DKK 19,086.81
About the Item
The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles.
The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge.
Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.
- Creator:
- Creation Year:2021
- Dimensions:Height: 19 in (48.26 cm)Width: 15 in (38.1 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU422311699062
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View AllFiber painting:
La mémoire ne se perd pas
By Federica Patera and Andrea Sbra Pereg
Located in New York, NY
The brief text talks about memory, starting from 4 books e mixing 4 different languages: Italian, French, Greek and Sanskrit. The artwork’s material is a particular kind of recycled hard fabric that recalls paper.
The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles.
The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge.
Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.
Category
2010s Contemporary Paintings
Materials
Foil
Fiber painting:
Nei torrenti di montagna
By Federica Patera and Andrea Sbra Pereg
Located in New York, NY
The words used in the artworks come from the indo-european root √Ker, which contains a bunch of auspicious meanings, which can be associated with vibration and rhythm and, together, with the flesh as well as with the head and the heart, developing a semantic collaboration that becomes a story. The heart and, on the other side, the brain, by vibrating, make the energy they generate flow in the flesh and animate it.
The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles.
The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge.
Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.
Category
2010s Contemporary Still-life Paintings
Materials
Mixed Media
Fiber painting:
La ballerina
By Federica Patera and Andrea Sbra Pereg
Located in New York, NY
The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles.
The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge.
Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.
Category
2010s Contemporary Paintings
Materials
Mixed Media, Acrylic
Fiber painting:
AR
By Federica Patera and Andrea Sbra Pereg
Located in New York, NY
The artwork is an excursus between different languages, beyond the historical, cultural and geographical boundaries, starting from the Indo-European root √AR, from which it takes its name.
This root can be associated with words such as arena, artillery that refer to a military and warlike environment, but also it has in itself the idea of unity, explored in the artwork, and with it that of cohesion, of right direction; the idea of integrity and of moral rightness.
Coexisting languages in AR: Hittite, Sanskrit, ancient Greek, Latin, runic Proto-Germanic and Italian.
The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles.
The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge.
Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.
Category
2010s Contemporary Still-life Paintings
Materials
Mixed Media
Fiber painting:
Arras no. 4: Life
By Gin Stone
Located in New York, NY
Hand-dyed ghost gear netting*, muslin, adhesive, foam, paint, pins, reclaimed copper flashing
Recovered Ghost Gear Data:
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2010s Conceptual Abstract Paintings
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Fiber Wall Sculpture:
IMAGE
By Federica Patera and Andrea Sbra Pereg
Located in New York, NY
Image, Imagination, Imitation: we can think these three words come from the roots √Im, but it’s not true. It’s necessary to combine the proposition in with mi, that is, √Mei, to obta...
Category
2010s Contemporary Figurative Sculptures
Materials
Steel, Wire
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Show / workshops/ symposium /biennale
• 2020: Solo Show at SPC kunstrum gallery, Copenhagen Denmark.
• 2020: Group show CALTART Caltabellotta Contemporary Art Project,Sicily.
• 2020: Open Studio with marc Rayner, Sweden.
• 2020: Group show, Galerie 6, Mairie de Montreuil, France.
• 2020: Open 7,International art exhibition, at magazzini Dell Art contemporanea, Trapani Italy.
• 2019: Group show-University Art museum Chungcheongbuk-do South Korea.
• 2019: De Colore. Leonardo e l”interpretazionecontemporane, Milano Italy.
• 2019: Kaleidoscope, international art exhibition, at magazzini Dell Art contemporanea, Trapani Italy.
• 2019: 9th Biennale de SarriaSalon International d'Art,Spain
• 2019: International artist residency for River Democracy, MahakumbhMela, PrayagrajIndia.
• 2019: Group Show of Vasudhaivakutumbakam at Allahabad Museum India.
• 2019: International coordinator for Dhanbad Art Fair, Dhanbad India.
• 2018: 2nd Bodhgaya Biennale, Bodhgaya India.
• 2018: Group show, Governor House Patna, in association with Govt. of Bihar (workshop)& Bihar Museum,India.
• 2018: Group show,Gallerie Sonia Monti, Paris, France.
• 2018: Arthshila International Artist Symposium Group Show, Bihar Museum Patna, India.
• 2017: AMP TWOFOUR54, group show, October & November edition, Abu Dhabi,UAE.
• 2017: 9th Biennale de SarriaSalon International d'Art,Spain.
• 2017: ZeeArts, M gallery, The Retreat Hotel Palm Jumeirah. Dubai, UAE.
• 2017: Group show, Magnetikzone International Art Project, Polo Museale “A.Cordici” Italy.
• 2017: New media group show, Korean culture centre New Delhi, India.
• 2017: Collective exhibition in Erice, Italy.
• 2017: New media group show, Schema Art Museum Cheongju, South Korea.
• 2017: Konst pa vag group show, Sweden.
• 2017: Dual show,lugar 34 & Circa, TromsoNorway.
• 2017: Dual show,Magazzinidell'ArteContemporanea,TrapaniSicily.
• 2017: Group show, Anima Mundi at OrtoBotanico di Napoli, NaplesItaly.
• 2016: Open studio with Marc Rayner, Sweden.
• 2016: Magnetic zone, International Art Project, at MuseoCivico di Torre di Ligny, Trapani Italy.
• 2016: Art Dubai, Mojo art gallery Dubai.
• 2016: Landscape at SpazioPorta Mazzini Viale G, Mazzini 1, Rome, Italy.
• 2015: International art camp, exhibition- The Al Asmakh Art Symposium, Qatar.
• 2015: Biennale D’ArteContemporanea di Trapani secondaedizione, Italy.
• 2015: Salon Generations, Hanger Art Center- Opera House Cairo- Egypt.
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• 2015, 14, 13: Project Director for VashudhaivaKutumbakam artist residency.
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