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Agbabiaka Johnmark
Exile and Embrace 1 -21st Century, Contemporary, Figurative, Mixed Media, Modern

2025

$2,350
£1,794.42
€2,043.01
CA$3,299.77
A$3,607.30
CHF 1,908.42
MX$43,167.09
NOK 24,281.93
SEK 22,227.65
DKK 15,259.99

About the Item

Exile and Embraces is a visual exploration of migration—its pain, hope, and the unbreakable ties to home. This series reflects the bittersweet reality of leaving behind familiarity for the unknown, carrying memories like invisible luggage. Each piece tells a story of departure and arrival, of loss and resilience, of longing and belonging. Exile and Embraces capture the emotional and spiritual weight of migration, reminding us that no matter where we go, home remains within us. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Born into a family where art was a cherished heritage, I was deeply influenced by my mother's mastery of batik and tie-dye techniques learned from Mama Nike Art Gallery. Early sketches on her wax-covered table marked the beginning of my artistic journey, fueling my innate passion for drawing and creativity. After completing my National Diploma in Fine Art at The Polytechnic, Ibadan, I faced challenges at Yabatech but remained steadfast. I attended classes for two years and diligently completed assignments despite bureaucratic obstacles. This resilience shaped my artistic identity and taught me the value of perseverance. Over the years, I've embraced dual roles as both an art teacher and a self-employed visual artist, nurturing creativity while sharing my enthusiasm with others. Since 2013, I've immersed myself in these roles, constantly honing my skills and broadening my artistic perspective. My artistic exploration has been enriched by diverse experiences, including contributing to graffiti branding projects for Nigeria Breweries Plc, volunteering with The Better You Foundation and The Culture and Peace Festival, and serving as an Art Curator at Brilliant Brush Gallery in Lagos. These experiences have broadened my artistic horizons and reinforced my belief in the transformative power of art. Recently, I participated in an art residency in Chicago as part of the Connect Art Residency cohort 4, hosted by Hollie Davies. This residency further enriched my artistic perspective and provided me with fresh insights and experiences to incorporate into my work. I've had the honour of showcasing my work in various exhibitions globally, including Dragonfly Gallery Chicago, TAAG Gallery in New York, Harmer Gallery in London, Brilliant Brush Gallery in Nigeria, and Nosa Creatives in London, among others. These exhibitions have allowed me to connect with diverse audiences, share my artistic vision, and contribute to meaningful dialogues on important societal issues. Now practising full-time in my Lagos-based studio, I continue to create art that resonates with audiences worldwide, focusing on themes of transatlantic slavery, black identity, and mental well-being. My journey, characterized by resilience, growth, and determination, serves as a source of inspiration, reflecting themes of strength, culture, and beauty within the rich tapestry of black culture and human experience.
  • Creator:
    Agbabiaka Johnmark (1997, Nigerian)
  • Creation Year:
    2025
  • Dimensions:
    Height: 36 in (91.44 cm)Width: 36 in (91.44 cm)Depth: 1 in (2.54 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    Ibadan, NG
  • Reference Number:
    1stDibs: LU1717217338952

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In 2020, amidst the lockdown's intensity, my art journey ignited professionally. With ample time to delve deep, I explored figurative painting and abstract drawings until early 2022. I created a different series of paintings, one standout series, "Black, Bold, and Beautiful," celebrated the radiant essence of black women through six vibrant portraits clad in Ankara suits. While one found a home with a collector in Tel Aviv, the rest lingered in my studio. Two years on, a spark ignites within me to revisit this series, infusing it with the evolved narrative that aligns and fits into the conversation my works now engage in as a Contemporary Gospeller. The notions of “Restoration and restitution” weigh heavily in my heart, reflecting on personal and global scales. While global discourse focuses on returning stolen artefacts from Africa back to their origins, my perspective delves deeper into the restoration of lost time and purpose. My point of view on Restoration and Restitution is from this notion that man can lose years of his life in futility, and when the time of profit comes, it occurs mostly at the brink of life. A profound scripture, "I'll restore the years that the locust has eaten," resonates deeply, offering a beacon of hope amidst perceived futility. When I read this verse, it distinctly jumped out at me. Wow! Years can be restored! There is hope! To make this revisiting more contextual, I look out for material which can be regarded as “used-up”, “less-value”, or “wasted” - then it appears to me that Jute sack fits into this context! The Jute sack stands for the lost years of glory, having exchanged hands from one country to another before ending up in my studio to take a new life, different from what it has been used for. Thus, the series finds renewal through the symbolism of jute bags...
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