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Al SaralisAutumn Breeze II, Figurative oil painting, woman in red orange dress2025
2025
$12,000
£9,130.24
€10,519.90
CA$17,036.24
A$18,276.84
CHF 9,803.32
MX$220,050.72
NOK 123,582.38
SEK 112,690.01
DKK 78,597.69
About the Item
Al Saralis – Autumn Breeze II (2025) Oil on canvas, 59 x 51 inches (150 x 130 cm)
This evocative oil painting by British artist Al Saralis captures a solitary figure enveloped in the gentle movement of an autumn breeze. Rendered with a masterful interplay of light and shadow, the composition invites introspection and emotional connection.
Saralis, a figurative painter based in Hampshire, England, draws inspiration from the classical beauty of Renaissance art and the human form. His work often features single figures devoid of overt narrative, allowing viewers to engage with the emotional essence of the subject. In "Autumn Breeze II," the breeze serves as a metaphor for change and the impermanence of nature, themes that resonate throughout his oeuvre.
Educated at Cardiff with a BA Honours Degree in Fine Art, Saralis has exhibited widely across the UK and Europe. His paintings are celebrated for their timeless quality, blending contemporary and classical elements to create pieces that are both beautiful and thought-provoking.
- Creator:Al Saralis (1967, British)
- Creation Year:2025
- Dimensions:Height: 59.06 in (150 cm)Width: 51.19 in (130 cm)Depth: 1.58 in (4 cm)
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Dallas, TX
- Reference Number:1stDibs: LU640316280732
Al Saralis
Al Saralis is a British painter whose evocative figurative works explore the quiet tension between light, shadow, and human introspection. Born in a Welsh mining town in the Rhymney Valley in the 1960s, his heritage is a blend of Welsh resilience and Greek legacy, reflected in the timeless, classical sensibility of his art. A graduate of Cardiff with a degree in Fine Art, Saralis now paints full-time in Hampshire, England. His work, often featuring a solitary figure, is stripped of overt narrative yet rich with unspoken emotion. Strong chiaroscuro compositions heighten the atmosphere, drawing the viewer into moments of contemplation. While rooted in the traditions of figurative painting, his approach transcends realism—favoring an emotional truth over mere representation. Nature’s fleeting beauty is a recurring motif in his work, underscored by a subtle yet pressing awareness of climate change. His series Nothing Gold Can Stay, inspired by Robert Frost’s poignant poem, meditates on the impermanence of innocence and the cycles of life, echoed in the shifting winds and delicate environmental cues woven into his portraits. “I regard myself as a figurative painter but not a realist painter. The realism that I am interested in is the emotional connection made when making or looking at a painting,” Saralis explains. “My work has been described as conjuring a feeling of thoughtful introspection. I strive to create something beautiful as well as intriguing, contemporary as well as classical—something timeless.”
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