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Andrée Bars"We Lost the North", Wood Crack, Compass, Money, Flower, Symbolism Oil Painting2022
2022
$2,367.73
£1,768.87
€2,000
CA$3,296.94
A$3,542.38
CHF 1,900.48
MX$41,733.31
About the Item
Named « We lost the North », this symbolist oil painting on canvas represents a great fracture symbolized by a crack in the wood in its middle. Fracture between the world of the finance and the nature. The trap is to always quantify with money and not to take into account the insects and the plants, our planet. Hence the compass on the side of nature, because according to the French expression, "we have lost the North", which means that we do not know where we are going.
Andrée Bars is a French painter. Having been strictly trained for 4 years by the American hyper-realist painter Mr. Ted Seth Jacobs, who himself inherited 19th century masters’ skills from his own professor, Andrée Bars learned the profession of painting in its purest tradition. She still applies these ancient masters’ technics on her art. Each painting contains at least three layers of oil paint. Andrée Bars applies her skills to hyper-realism on surrealist ideas.
Although her paintings copy the reality to the extreme, they can not be qualified in a simple term of hyperrealism nor of trompe-l’oeil style, her artworks distinguish themselves for a kind of mysterious sweetness they convey to the spectator.
- Creator:
- Creation Year:2022
- Dimensions:Height: 15.75 in (40 cm)Width: 15.75 in (40 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Clermont-Ferrand, FR
- Reference Number:1stDibs: LU1041114340672
Andrée Bars
Andrée Bars is a French painter. Having been strictly trained for four years by the American hyper-realist painter Ted Seth Jacobs, who himself inherited 19th-century master’s skills from his professor, Bars learned the profession of painting in its purest tradition. She still applies these ancient master’s techniques on her art. Each painting contains at least three layers of oil paint. Bars apply her skills of hyper-realism on surrealist ideas. Although her paintings copy the reality to the extreme, they can not be qualified in a simple term of hyperrealism nor of Trompe-l'œil style, her artworks distinguish themselves for a kind of mysterious sweetness they convey to the spectator.
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