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Arieh AllweilRabbi in Jerusalem, Oil Painting Austrian Israeli Modernist Tel Aviv Museum
$3,200
£2,417.75
€2,770.01
CA$4,465.04
A$4,866.66
CHF 2,572.96
MX$58,585.39
NOK 32,657.30
SEK 29,940.07
DKK 20,692.13
About the Item
ARIEH ALLWEIL [ARIE ALWEIL] 1901-1967
Galicia 1901-1967 Safed, Israel (Ukranian/Polish/Israeli)
Arieh Allweil, born 1901, Galicia. Immigrated to Palestine in1920. Studies: 1921-25 Art Academy, Vienna; Dresden Academy. ALlweil brought with him the high values of the Central European avant-garde, which he had absorbed during his years of study in Vienna. He joined the ‘Kunstschau’ group- of artists that had formed around Gustav Klimt and Egon Schiele. He exhibited with them in the 1920’s, and emigrated to Palestine in 1926. He was one of the founders of the Tel Aviv Art Museum and the Midrasha Art Teachers College in Israel. As opposed to other modern Israeli artists in his period, Allweil's woodcuts and illustrations pertained to contemporary events such as the Holocaust and the pioneering spirit before the establishment of the State of Israel. Most notable is this work as well as the first illustrated Passover Haggada for the IDF which he made in 1950 and which was printed for 3 years with his inspirational woodcut illustrations. He published a series of linoleum cuts of Israeli and Biblical subjects and created large scale murals of the Holocaust.
Teaching: In Israel, art. Prizes: Received Dizengoff Prize twice; 1955 Turov Prize for Bible Illustrations. Published series of linoleum cuts of Israeli and Biblical subjects, also illustrated a Passover Haggada and large scale murals of Holocaust. From 1952 until his death lived in Tel Aviv and in Safed in summer. Died 1967, Safed.
Education
1921-25 Art Academy, Vienna, Austria
1921-25 Dresden Academy, Germany
Teaching
Herzliyah Gymnasium High-School, Israel, art.
Tel Aviv High School
Awards And Prizes
1937 Dizengoff Prize for Painting and Sculpture,
Tel Aviv Museum of Art, Municipality of Tel Aviv-Jaffa
1946 Dizengoff Prize
1955 Turov Prize for Bible Illustrations
- Creator:Arieh Allweil (1901 - 1967, Israeli, Ukrainian)
- Dimensions:Height: 24 in (60.96 cm)Width: 20.5 in (52.07 cm)Depth: 2.5 in (6.35 cm)
- Medium:
- Movement Style:
- Period:
- Condition:Frame has wear.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38217158372
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View AllRabbi in Jerusalem Modernist Israeli Judaica Oil Painting Arie Alweil Viennese
By Arieh Allweil
Located in Surfside, FL
ARIEH ALLWEIL [ARIE ALWEIL] 1901-1967
Galicia 1901-1967 Safed, Israel (Ukranian/Polish/Israeli)
Arieh Allweil, born 1901, Galicia. Immigrated to Palestine in1920. Studies: 1921-25 Art Academy, Vienna; Dresden Academy. ALlweil brought with him the high values of the Central European avant-garde, which he had absorbed during his years of study in Vienna. He joined the ‘Kunstschau’ group- of artists that had formed around Gustav Klimt and Egon Schiele. He exhibited with them in the 1920’s, and emigrated to Palestine in 1926. He was one of the founders of the Tel Aviv Art Museum and the Midrasha Art Teachers College in Israel. As opposed to other modern Israeli artists in his period, Allweil's woodcuts and illustrations pertained to contemporary events such as the Holocaust and the pioneering spirit before the establishment of the State of Israel. Most notable is this work as well as the first illustrated Passover Haggada for the IDF which he made in 1950 and which was printed for 3 years with his inspirational woodcut illustrations. He published a series of linoleum cuts of Israeli and Biblical subjects and created large scale murals of the Holocaust.
Teaching: In Israel, art. Prizes: Received Dizengoff Prize twice; 1955 Turov Prize for Bible Illustrations. Published series of linoleum cuts of Israeli and Biblical subjects, also illustrated a Passover Haggada and large scale murals of Holocaust. From 1952 until his death lived in Tel Aviv and in Safed in summer. Died 1967, Safed.
Education
1921-25 Art Academy, Vienna, Austria
1921-25 Dresden Academy, Germany
Teaching
Herzliyah Gymnasium High-School, Israel, art.
Tel Aviv High School
Awards And Prizes
1937 Dizengoff Prize for Painting and Sculpture,
Tel Aviv Museum of Art, Municipality of Tel Aviv-Jaffa
1946 Dizengoff Prize
1955 Turov Prize for Bible Illustrations
Select Solo Exhibition:
1933 Tel Aviv Museum, Solo Exhibition
1942 Katz Gallery, Tel Aviv
1950 Tel Aviv Museum, Tel Aviv
1956 The Blue Dome, Safed
1968 Memorial Exhibition of the artist Arieh Allweil Yad Labanim Museum, Petach-Tikva
1969 Solo Exhibition The Knesset, Jerusalem
1987 Arieh Allweil: 1901-1967 - ''Return to Betanya Ilit'' Beit Gabriel, Zemah
1994 Arieh Allweil: Prints and Caligraphy The Isaac Kaplan Old Yishuv Court Museum,Jerusalem
2011 Arieh Allweil, Letters, Figures, Landscapes
Mishkan Le'omanut, Museum of Art, Kibbutz Ein Harod
Select Group Exhibitions
1929 Eged - Palestine Painters Group Allenby Street, Tel Aviv
Artists: ChanaOrloff, Abraham Melnikoff, Reuven Rubin, Nachum Gutman, Sionah Tagger, Arieh Allweil, Haim Gliksberg, Yossef Zaritsky, Leon Arie Fein, Pinchas Litvinovsky, Elias Newman.
1932 The Bezalel National Museum, Jerusalem
Artists:
Litvinovsky, Pinchas Gutman, Nachum Allweil, Arieh
Exhibition of Artists: P. Litvinovsky, A. Allweil, N. Gutman
1936 First Exhibition of ''Hever Omanim'' Steimatzky Galleries, Jerusalem
Artists:
Gutman, Nahum Holzman, Shimshon Moshe Mokady, Miron Sima, Jakob Steinhardt, Zeev Ben Zvi, Moshe Ziffer, Allweil, Arieh.
1944 Collective Annual Exhibition by Palestinian Artists
Art Gallery of the ''Habima'' Building, Tel Aviv
Artists:
Hermann Struck, Hermann Moshe Sternschuss, Arie Reznik, Aaron Priver, Itzhak Danziger, Itzhak Zvi Aldouby, Menahem Shemi...
Category
20th Century Modern Figurative Paintings
Materials
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Judaica Oil Painting 1945 Palestine Old Jewish Man Polish Israeli Artist
By Ozer Shabat
Located in Surfside, FL
Ozer Shabat 1978-1901
Ozer Shabbat was an Israeli painter, a resident of Haifa. Belonged to the Palestine Expressionist group of the late 1920s and early 1930s.
Shabbat was born in Wolbrom, Poland. At the end of the First World War he went to Holland for agricultural training in the framework of the HeChalutz movement, prior to his immigration to Palestine. In 1920 he immigrated to Eretz Israel and joined the Hulda group. Later he joined the Merhavia group and there he began painting. Because of his desire to study drawing, he left the group and moved to Jerusalem. In 1921, he wrote articles in the newspaper "HaSadeh" on the subject of agriculture and Dutch cheese.
Ozer Shabath won the first prize in a competition for the design of the Dutch Consulate's Garden in Jerusalem, enabling him to travel to Paris in 1923 to study painting. Until 1925 he studied painting at the Grande Chaumiere Academy in Paris. This year he returned to Eretz Israel and settled in Haifa, where he lived until his death.
In 1928 he participated for the first time in an exhibition of Eretz Israel artists at the Tower of David. Since then he has participated in all the general exhibitions of Israeli artists. In 1934, together with painters Menachem Shemi, Avraham Mohar, Zvi Meirovitch and others, he founded the Haifa Artists' Group. In 1935-36 he toured Europe and visited Italy, France and England. During his visit, he maintained contacts with artists from the Jewish school of Paris.
He has exhibited in several solo exhibitions, represented Israel in exhibitions in Europe and participated in international exhibitions in New York, Johannesburg and Zurich. In 1958 he represented Israel in the Venice Biennale. In 1960, Shabat, together with Elchanan Halpern he represented the Israeli Painters Association at the International Congress of Plastic Arts held in Vienna, Austria . In the 40s and 50s he focused on landscape pictures. However, despite the focus on the Israeli landscape, the approach is universal in the framework of the post-Impressionist painting school. In the 1960s, his approach changed and he turned more to abstraction. The abstract direction gradually evolved. The point of departure of the abstract approach is the architectural landscape, but this view loses its real character and becomes only imaginary: the buildings lose their real character and turn into exclusive geometric areas that are usually set against a dark background. Over time, architecture captured the lion's share of his paintings. Cities like Safed, Jaffa and Jerusalem are the subject of many pictures.
He taught painting and art at the schools of the kibbutzim in Ramat Yochanan and Kfar Yehoshua, in high schools in Haifa and in the IDF and Gordon seminars.
His paintings were purchased and are in the permanent collection of the Bezalel National Museum (now the Israel Museum), Haifa Museum of Art, Haifa Maritime Museum, Acre Municipal Museum.
Select Solo exhibitions
1936 - Nadler Gallery, Haifa.
1943 - The Tel Aviv Museum of Art.
1952 - Artists House, Haifa.
1953 - Bezalel House, Jerusalem.
1955 - Gallery in Geneva, Switzerland.
1955 - The Writers' Club, Haifa.
1959 - Artists House, Haifa.
1960 - Museum of Modern Art, Haifa.
1962 - Museum of Modern Art, Haifa.
1963 - Gallery 220, Tel Aviv.
1968 - The Municipal Museum of Beit Emanuel, Ramat Gan.
1979 - Memorial exhibition marking the first anniversary...
Category
1940s Post-Impressionist Figurative Paintings
Materials
Canvas, Oil
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