Horizontal Figurative Paintings

Boskoop is a painting by French contemporary artist Christophe Dupety. Dimensions are 97 x 130 cm (38.2 × 51.2 in). This oil on canvas invites the viewer into a dreamlike vision of...

Work on paper mounted on wood 35.5 x 45.5 x 2 cm

100 NYC cocktail party oversized oil on canvas signed on verso

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surfac...

1960s Italian Signed Dated and Autenticated Painting Mino Maccari work Three stylized figures Work by the Sienese artist Mino Maccari, signed at the bottom right Maccari 1969. Mixed ...

Keimpe van der Kooi Pink with flowers 80 x 68 cm Framed: 73 x 110 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes...

Tantallon Castle, Scotland *see notes below by William Anslow Thornely (British, 1847-1907) signed oil painting on panel, framed framed: 14.5 x 18.5 inches panel: 8 x 12 inches Provenance: private collection, England Condition: overall very good condition William Anslow Thornley (1847–1907) was a British maritime and landscape painter known for his atmospheric seascapes and coastal scenes. He worked primarily in oils and watercolors, often depicting harbors, ships, and the changing moods of the sea. Thornley was skilled at capturing the effects of light and weather, particularly in twilight and moonlit settings, which added a romantic and serene quality to his works. Although not much is widely known about his personal life, Thornley's style reflects the influence of British Romanticism and the Victorian...

Title: Mountain River with Timber Bridge. Golden mountain peaks rise above a quiet river where light and solitude meet Medium: Oil on canvas Dimensions: Painting 20 x 16 in (51 x 4...

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

“Crossroads, c. 1940” by Sol Wilson (Polish-American, 1896-1974). This expressive painting by Wilson depicts a moody village crossroads rendered with his signature textured brushwor...

Title: French Watercolour of Beached Fishing Boats in Brittany by Fanch Lel by Fanche Lel Signed: Yes Size: 7.75 inches (height) x 12.5 inches (width) Gouache painting on card, unfra...

Late 19th Century Upstate New York Oil Painting Landscape by Frances B. Clark Moody rural Hudson River School style painting of Upstate ...

Parisian Boulevard Scene signed oil on canvas, framed Framed: 13.5 x 15.75 inches Canvas: 9 x 11 inches Provenance: private collection Condition: very good condition Description: ...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives & works in Beijing in China. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Pain...

"Beyond" by Brian Sostrom (United States) is a handmade landscape painting that is framed and ready to hang.

Barber Schaumann is a contemporary artist known for her vibrant, abstract interpretations of the female form. Her work combines bold colors with modern, geometric shapes, blending el...

Large horizontal acrylic painting, impressionist, Venice, carnival, masks In "Secret of Two," acrylic on canvas and sand, 60 x 80 cm, by Swiss artist Anna Shesterikova, the enigmati...

Oil on canvas Canvas Size: 29 x 44 in. Frame Size: 36 x 51 in. Unsigned A marvelous antique oil on canvas painting, exemplary of Romantic Dutch painting that depicts a sweeping, dra...

"3rd Avenue EL" NYC American Scene Ashcan WPA Modern 20th Century Social Realism Bernard Gussow (1881-1957) 3rd Avenue El 28 1/8 x 30 1/4 inches Oil on canvas Signed lower left Fram...

"Sun splashes. Golden sand series. The sea, the sky, the splashes of waves, a sunny day and an Arabian horse. Harmony in the soul and harmony in nature. Modern, expressive summer la...

Walter Williams British, (1834-1906) Harvest Field at Sunset, Clayton near Brighton Sussex Oil on canvas, signed Image size: 15.5 inches x 23.5 inches Size including frame: 21.5 inc...

Large Scale Neo-Expressionist Figurative Composition in Oil on Canvas Compelling and large scale neo-expressionist figurative painting by San Jose, California area artist Daniel Dav...

Martiques, South of France by Merio Ameglio (1897-1970) signed oil on board, framed framed: 13 x 15 inches board: 8.75 x 10.75 inches Provenance: private collection Condition: very ...

Acrylic on canvas, Tamar Darchiashvili is a Georgian artist born in 1972 who lives and works in Tbilisi, Georgia. In 1996 she graduated from the Tbilisi State Academy of Arts, Facul...

Colorful contemporary portrait of famous movie star John Wayne by Texas-based artist Robert Sandman. The work features a realistic portrayal of the actor dress in his iconic cowboy a...

Nude man is an original contemporary artwork, realized in 2012 by the emerging artist Anastasia Kurakina. Mixed colored oil painting on canvas. Good conditions Signed and dated on...

This impressive Old Master oil painting, created in the early 18th century, is attributed to Jan Pieter van Bredael the Younger, a renowned Flemish artist who lived at the turn of th...

Spanish Oil painting on Canvas, a reclining Nude 19Th attr. to Luis Ricardo Falero (23 May 1851 – 7 December 1896) Additional Info painting : Title: reclining nude Medium: original...

"Pryamidal" by Blair Atherholt is a an original, hand made painting depicting a honey dew melon slice surrounded by grapes. Blair Atherholt is an award-winning contemporary realist...

Judd Mercer's (US based) "074 - Plein Air-Lafayette, CO" is a gouache painting depicting a landscape. Artist bio/statement Judd Mercer is a contemporary landscape painter and Color...

William H. Kinnicutt (American, 1865-1934) Soft Shadows Oil on canvas Signed lower right 16 x 20 inches 20.5 x 24.5 inches, framed See condition in photos William H. Kinnicutt was a...

Wind is a unique painting by contemporary artist Yiching Chen. The painting is made with Mineral pigments, gold and silver leaves on japanese paper mounted on wood, dimensions are 30...

Contemporary figurativ oil on canvas painting by Polish artist living in the USA Monika Rossa. Painting depicts three children holding birds. Birds are also flying near them. Artwork...

The Close of Day by Henry Jacques Delpy (French 1877-1957) signed lower corner oil on panel, framed framed: 23 x 34 inches panel: 21 x 31 inches Provenance: private collection, Pari...

Beautiful view of the hill of the italian region of Marche, where the artist was born and lived. Autenthication on photograph by the Artist dated november 11th 1996. Very good condit...

Signed figures in interior oil on canvas circa 1920 by sought after French impressionist painter Edouard Leon Cortes. This charming and nostalgic work depicts a family in a typical Breton kitchen scene. An elderly lady is seated at the table with her back to the artist and a young girl also sits at the table beside a bowl of oranges and a carafe of red wine. Another lady stands at the table under the light of the lamp. Signature: Signed lower right Dimensions: Framed: 29.5"x34" Unframed: 21.5"x26" Provenance: Salon des Independants - 1922 exhibition Galleries Maurice Sternberg - Chicago Original artists label with title and number "9" on the reverse. Edouard Leon Cortes, the son of the painter Antonio Cortès, was sent to the front during World War I to sketch enemy positions. In civilian life, his base was in Lagny in the former studio of Cavallo-Peduzzi. Although he travelled extensively in France. Notably in Normandy, Brittany, the Champagne region and Savoy painting...

Arthur Croft Mitchell (British, fl. early 20th century) Raguse (Ragusa / Dubrovnik), Croatia Oil on canvas, circa 1910 Signed and titled Raguse on the reverse Presented in the origin...

Joost Verhagen Serenity 100 x 140 cm Acrylic paint on canvas Shipping on a roll in a tube we can offer, worldwide, for free. We also ship worldwide in a wooden crate, framed as see...

John F. Carlson Hyannis Pond, 1940 Signed lower left Oil on board 16 x 20 inches Provenance Vose Galleries Private Collection, New Jersey The native Swede John Fabian Carlson beca...

Bright and colorful highly textured abstract with figurative elements by Weston (American, 20th Century). Signed and dated "Weston '92" lower right corner. Tempera on acrylic sheet. ...

Mark Harrison's (UK based) "Shortcut" is an oil painting that depicts an urban street with a towering city skyline at night. Sometimes they are silent epic landscapes of the Desert...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

No sentimentality on the loose here. Not with the expressions on the mother and her three children all engaged in various forms of 18th-century drudgery on this late summer’s eve. An...

Acrylic on canvas, varnish. Original art by Daria Kusto. Shipped well protected, rolled in a tube, unframed from Spain.

Blackberry Picking Victorian oil painting by Thomas James Purchas (British 1855-1930) with name plaque to frame oil painting on board, framed within ornate scrolled gilt frame framed...

Artist: Pascual Bueno Ferrer Title: Notre-Dame, Paris, France Technique: Oil on board Dimensions: 14.2 x 18.5 in (without frame), 21.7 x 26 in (with frame) Support: Board Signature: ...

In this contemporary landscape painting in oil on linen, a solitary male figure wearing a short-sleeved plaid shirt, khaki shorts and tennis shoes stands with his back beside a yello...

This artwork captures the spirit of freedom and reflection at the seashore. A solitary woman on a bicycle, her bright red skirt in motion, moves across a golden beach under a dramati...

Title: French Impressionist Oil Painting of Village Street Scene with Figures By Fanch Lel (French b. 1930) Size: 5.75 x 8.25 inches (height x width) Signed: Yes Oil painting on boar...

Mark Harrison’s "On the Edge" is a masterfully painted oil on canvas work that captures the striking vastness and quiet solitude of the desert landscape. Created in 2024, this origin...

An exceptional example of Hartman’s early post-impressionist works. This lovely work depicts several female bathers alongside various birds in an enchanting landscape. In the lower ...

Note: Shipping prices reflect shipping the piece in a tube rather than stretched. Stretching can then be done locally upon receipt. If you would prefer to receive a stretched piece, ...

Outstanding English Impressionist landscape with figures strolling under trees with the sea beyond. Joseph Vickers de Ville was a son of the farmers Joseph and Mary Deville. He was...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: oil painting on thick paper, stuck on board unframed. Size: painting: 10 x 12 inches Prov...

A beautiful oil on canvas painting by Georges Gerbier. He was a French painter known for colorfully rich cityscapes depicting the times of her generation. This painting is a wonderfu...

Antique American impressionist sunset landscape oil painting by Louis Saphier (1875/77 - 1954). Oil on canvas. Framed. Signed. Measuring: 30 by 43 inches overall, and 24 by 36 pai...

Kingsley Obasi 1983 - Current Committee of Friend (I), 2022 Acrylic on canvas 129.5 x 190.5 cm 51 x 75 in

Wendy Artin is an American contemporary artist who works primarily in watercolor and charcoal. Her work is figurative and classical and explores the timeless interaction of light and pigment on surface, with subjects ranging from the human figure to fresh fruits and vegetables, architectures, statues and city walls. "I love paper, and the way pigments are transported along a thin surface of transparent water then dry. Although my paintings are often classical, I studied at the Museum School in Boston and the École des Beaux-Arts in Paris when marks, gesture and atmosphere were of greatest importance. As I travelled more and more, the charcoal and oils gave way to a small watercolor box and brushes. Through the streets of Rome, Paris, Barcelona, Boston, New York, Mexico and Guatemala, I have painted indoors and out, subjects from the eternal to the fleeting. The human form and the humble strawberry are endlessly inspiring." “When I paint with watercolor, I try to make each mark count, to make each stroke of the brush describe what I am looking at, to get the right puddle on the paper and capture life. Sometimes the puddle has a skinny red edge, sometimes a soft burst of pigment, sometimes a lucky watery accident.” Artistic Advisor at the American Academy in Rome, Wendy Artin completed her undergraduate studies with honors in Painting and French...